Aaron Wallace

Aaron Wallace

Aaron Wallace is a podcaster, attorney, and the bestselling author of several books on travel and entertainment, including Hocus Pocus in Focus: The Thinking Fan’s Guide to Disney’s Halloween Classic and a series dedicated to Walt Disney World theme park attractions. His podcast, Zip-A-Dee-Doo-Pod, is the longest-running Disney podcast on the web. He’s also an avid Broadway and musical theatre fan.

Bridging several academic disciplines in his work, Aaron holds a Bachelor of Arts degree in both English and Communication Studies (concentrating in Film, Television, and Media Studies) from the University of North Carolina at Chapel Hill. Additionally, he earned a Juris Doctorate at Wake Forest University. Today, he lives in Orlando and studies theatre, theme parks, television, movies, music, and more. For more, follow him on Instagram and Twitter: @aaronwallace
 






MOST POPULAR ARTICLES

Review: New Touring Cast Grounds an Imperfect ALADDIN in Its Return to Dr. Phillips Center
Review: New Touring Cast Grounds an Imperfect ALADDIN in Its Return to Dr. Phillips Center
January 8, 2024

What did our critic think of ALADDIN at Dr. Phillips Center?While the Ashman-Menken music is undeniable and the underlying story is one of Disney’s finest, the stage translation has always had more problems than Prince Ali has purple peacocks. (I counted.)...

Review: FUNNY GIRL On Tour Is a Parade with Light Showers — Dr. Phillips Center
Review: FUNNY GIRL On Tour Is a Parade with Light Showers — Dr. Phillips Center
December 8, 2023

Early on, when Katerina McCrimmon breaks into “I’m the Biggest Star” — one of the beltier Brice numbers — it’s easy to think that lighting has struck thrice. There isn’t a note in the sweeping scale of this score that escapes her rangy, room-rattling voice. But when it comes time for the iconic “Don’t Rain On My Parade'...

Review: At Dr. Phillips Center, ANNIE Ain't Equity, But It Is Interesting
Review: At Dr. Phillips Center, ANNIE Ain't Equity, But It Is Interesting
October 26, 2023

Mounting a non-union production of a story about unfair working conditions and class disparity in New Deal-era America takes some gall. Watching such a production on the heels of a record-breaking WGA strike and in the midst of an ongoing SAG-AFTRA one only adds to the irony. But setting aside the ethics of it all, the ANNIE on stage in Orlando transcends any low expectations one might reserve for a non-Equity, not-from-Broadway tour...

Review: Spooky Vibes Hit Orlando Early with BEETLEJUICE, a Summer Musical Magic Show at Dr. Phillips Center
Review: Spooky Vibes Hit Orlando Early with BEETLEJUICE, a Summer Musical Magic Show at Dr. Phillips Center
June 29, 2023

If you came for spookish vibes and special effects, then, as the title character says… “It’s showtime!” Beetlejuice is a full-fledged haunted house on stage, and that makes for an undeniably fun night. But if you’re looking for memorable music or clever comedy, I’m afraid this review reads more like an obituary...

Review: Sorkin's TO KILL A MOCKINGBIRD Is An Update Fit for the New Banned-Books Era — Dr. Phillips Center
Review: Sorkin's TO KILL A MOCKINGBIRD Is An Update Fit for the New Banned-Books Era — Dr. Phillips Center
March 23, 2023

Can you kill a mockingbird today without overkilling it? Sixty-three years after Harper Lee's iconic American novel released to instant controversy and enduring acclaim - nary a high schooler gets to cap or gown without an essay on it - this is the challenge confronting playwright Aaron Sorkin. Worry not; this mockingbird has a new song to sing...

Review: Timely as Ever, WICKED Defies Gravity... And Society, Too — Dr. Phillips Center
Review: Timely as Ever, WICKED Defies Gravity... And Society, Too — Dr. Phillips Center
January 30, 2023

WICKED is a wily piece of pop. It turns 20 this year, but you'd never know that sitting in Dr. Phillips Center for the show's third tour stop in Orlando. Its shrewd indictment of society's worst instincts and most seductive assumptions still tear through a room like a twister...

Review: In THE TINA TURNER MUSICAL, the Jukebox Genre Tries for More Than Just Rags-to-Riches at the Dr. Phillips Center
Review: In THE TINA TURNER MUSICAL, the Jukebox Genre Tries for More Than Just Rags-to-Riches at the Dr. Phillips Center
January 12, 2023

Both the movie and the musical stand out because, while the rock legend ascends from rags to riches by the end, the story is less interested in Turner's journey to stardom than in her liberation from years of violent physical and emotional abuse at the hands of her husband and musical partner, Ike Turner...

Review: With a Surprise Appearance by Jodi Benson, DISNEY PRINCESS - THE CONCERT Brings Big Talent to Dr. Phillips Center
Review: With a Surprise Appearance by Jodi Benson, DISNEY PRINCESS - THE CONCERT Brings Big Talent to Dr. Phillips Center
November 17, 2022

The Disney Princesses were only five songs into their set when the iconic Jodi Benson made a surprise appearance on stage. The original voice behind Ariel in 1989's The Little Mermaid, Benson may be best known on screen as a princess, but to a crowd of theatre aficionados and adoring Disney fans, she's a queen...

Review: Why a 'Weird Al' Concert Without Any Parodies Is the Most 'Weird Al' Concert of All
Review: Why a 'Weird Al' Concert Without Any Parodies Is the Most 'Weird Al' Concert of All
October 19, 2022

An evening with 'Weird Al' on stage is always a blend of concert, comedy, and community. The Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour feels like an opportunity to give back — letting Al show us everything else he can do while indulging our own inner geeks at the same time. When you think about it, being into something really specific and relatively unpopular is really what nerdom is all about, which makes a parody-free “Weird Al” show surprisingly the “Weird Al”-iest show of all.

BWW Review: Even Refreshed for its 50th Anniversary, JESUS CHRIST SUPERSTAR Remains Dated & Divisive — Dr. Phillips Center
BWW Review: Even Refreshed for its 50th Anniversary, JESUS CHRIST SUPERSTAR Remains Dated & Divisive — Dr. Phillips Center
June 9, 2022

What did our critic think of JESUS CHRIST SUPERSTAR at Dr. Phillips Center? The show remains fundamentally a relic of the precise moment in time that Short summed up so well, when the convergence of counterculture and rock & roll meant that an irreverent but ultimately thin concept like this one — “the Bible but make it a concert” — seemed utterly avant-garde...

BWW Interview: Julie Andrews Talks AFI Life Achievement Award, Princess Diaries 3, New Memoir & More
BWW Interview: Julie Andrews Talks AFI Life Achievement Award, Princess Diaries 3, New Memoir & More
June 8, 2022

On the cusp of her AFI Lifetime Achievement Award, we talk with Julie Andrews for an update on The Princess Diaries 3, her next installment in her series of memoirs, the potential of her returning to the Broadway stage and the upcoming Minions movie.

BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL Returns to Dr. Phillips Center; Still Better Than Most Jukebox Musicals
BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL Returns to Dr. Phillips Center; Still Better Than Most Jukebox Musicals
May 16, 2022

But BEAUTIFUL is structured differently than most 'backstage biomusicals.' It's not a rags to riches story, exactly, nor the routine tale of one woman's ascent to superstardom. Mercifully, we are spared the obligatory plot points of that particular formula. King never learns her contract is unconscionable nor fires a manager in dramatic fashion. There is no descent into addiction, fall from grace, dramatic career slump, or climatic comeback...

BWW Review: BEAUTY AND THE BEAST Feels New Again in Outstanding Garden Theatre Production
BWW Review: BEAUTY AND THE BEAST Feels New Again in Outstanding Garden Theatre Production
April 26, 2022

Director Roberta Emerson has devised an intriguing way to approach the story's outer framework without altering the libretto. The story opens not with an unseen narrator recounting the enchantress's spell on a prideful prince and his servants but instead with a young Black girl (played sweetly by Gabriella Milchman) who opens a storybook in a modern-day bedroom and reads those words aloud from it, soon seeing herself in the story - just in time for the glorious opening notes of 'Belle'...

BWW Review: Alan Cumming Is Not Acting His Age (In the Best Way) — Dr. Phillips Center
BWW Review: Alan Cumming Is Not Acting His Age (In the Best Way) — Dr. Phillips Center
April 4, 2022

The biggest draw to an evening with Alan Cumming may be just that: it’s an evening with Alan Cumming, a playful and energetic personality you like right away. His easy wit and effortless charm create an atmosphere that feels distinctly personal and intimate, even a thousand miles south of Club Cumming...

BWW Review: Why I'm Not Crazy About CATS at Dr. Phillips Center
BWW Review: Why I'm Not Crazy About CATS at Dr. Phillips Center
March 31, 2022

Now I would never wish harm on cats, of course. It's just that they ought not wish it on me either. But as I sat there bored nearly to felicide Tuesday night and praying for a cat-pocalypse on stage, I couldn't help but wonder why there's not a PETA for theatregoers - and if there were whether they'd douse the producers of CATS with cola or whatever liquid might represent the precious gasoline we wasted to reach the theatre.

BWW Review: FRANKIE VALLI Not Quite 'In Concert' with THE FOUR SEASONS at Dr. Phillips Center
BWW Review: FRANKIE VALLI Not Quite 'In Concert' with THE FOUR SEASONS at Dr. Phillips Center
March 23, 2022

Frankie Valli introduced his ninth song at Dr. Phillips Center on Sunday night as one of his all-time favorites: a 1964 B-side called 'Silence Is Golden.' He might have taken the title a little too much to heart. It's a golden oldie for sure, and Valli sounded great... impossibly great for an 87-year-old on a live concert stage...

BWW Review: Strong Performance and Timely Staging Elevate Theater West End's War-Torn Musical, DOGFIGHT
BWW Review: Strong Performance and Timely Staging Elevate Theater West End's War-Torn Musical, DOGFIGHT
March 21, 2022

Powerful as that theme may be, DOGFIGHT as written isn't fully the righteous proposition it hopes to be. At its core are some deeply troublesome male figures who engage in truly horrendous behavior, and while theatre is always welcome to put unseemly or complicated characters on the stage, DOGFIGHT never entirely deals with their deeds, which include among other things attempted rape. Playwright Peter Duchan clearly understands his character to be problematic, but their brisk redemption by way of jaunty music and degrees of forgiveness from the women on stage can at times feel like unearned absolution...

BWW Review: LaBelle Brings Les Bops to Dr. Phillips Center
BWW Review: LaBelle Brings Les Bops to Dr. Phillips Center
March 21, 2022

An OG, indeed. She is voulez-vous coucher's iconic 'moi,' the phenom who gave us 'New Attitude' but is every bit as famous for her own attitude - the diva who in 2019 famously lamented all of Top 40's 'little heifers who can't sing' and here tonight in Orlando was calling her own high heels 'heifers that got to go.' Ladies and gentlemen, that is rock and roll...

BWW Review: Garden Theatre's Timely Musical PARADE Puts Anti-Semitism and Southern Justice on Trial
BWW Review: Garden Theatre's Timely Musical PARADE Puts Anti-Semitism and Southern Justice on Trial
March 1, 2022

As news of Nazi rallies throughout Orlando and a white nationalist conference just outside of Walt Disney World rock Central Florida, Garden Theatre opens a musical this week that meets the moment: PARADE...

BWW Review: At Dr. Phillips Center, Top-Notch FROZEN is No Fixer-Upper
BWW Review: At Dr. Phillips Center, Top-Notch FROZEN is No Fixer-Upper
February 27, 2022

Caroline Bowman approaches Elsa with a studied understanding of this show's central themes: the inner confusion of outward identity, the struggle between family ties and the daggers of life that threaten to slice them, and the feeling of danger inherent in any quest for self-acceptance - especially on the part of those marginalized by the masses. It's a story of coming (out?) into one's own. It is a love letter to the fairy tale form and the Disney classics of yore, but also a challenge to their conventions and ideals. Bowman's dynamic performance contains all that turmoil and triumph within it, the totality of it exploding in Act One's 'Let It Go' (reworked here for even greater musical might than the movie) and Act Two's brand-new 'Monster' (which has more oomph in the studio cast recording than on the tour stage, but it's still a powerful identity statement and an indisputable jam.)



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