IOLANTA / FRANCESCA DA RIMINI at Theater an der Wien

Dates: (1/19/2012 - 1/31/2012 )

Theatre:

Theater an der Wien

Linke Wienzeile 6 1060 VIENNA AUSTRIA
Vienna,Vienna 1060

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Phone: 0043 -1- 513 11 11

Tickets: €42,00-€162,00

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Iolanta, Peter Ilyich Tchaikovsky´s final opera, and Sergei Rachmaninoff´s Francesca da Rimini are two love stories that differ not only on account of the endings – one happy, one sad – but especially on account of the diametrically opposed relationship to the power of God: Iolanta has a fairytale ending, closing with rapturous songs in praise of God, whereas the last scene of Francesca da Rimini shows the damned souls in hell – and doubts begin to surface about divine justice, because guilt is not readily apparent to us here.

Princess Iolanta has been blind since birth. Her father, King René, decreed that no one should reveal this to her. A physician believes that an operation could help her, but she would have to know that she is blind and the wish to see would have to come from her. Two men enter Iolanta´s park: the man chosen to be her husband, Robert of Burgundy, and the knight Vaudémont. In conversation with the knight, Iolanta realises what it means to see and that she is unable to do this. Because of this revelation, René wants to kill Vaudémont. In order to save him, Iolanta agrees to have the operation. It is successful, Vaudémont is permitted to live and marry Iolanta.

In the second circle of the Inferno (fifth canto) Dante and Virgil, on their journey through the Hereafter, discover two souls whose torment is particularly severe: Francesca and Paolo. Francesca was the wife of the deformed warrior Lanceotto. In order to persuade her to marry him, he had sent his handsome brother Paolo to court her on his behalf. It was not until later that she discovered whom she had really married. Lanceotto, however, was plagued by jealousy: he pretended to leave Francesca and Paolo alone, caught them kissing and killed them both. The souls of the two lovers are swept away by the whirlwind of the Inferno.

In their atmospheric evocations both composers allow their full brilliance to unfold. The works are fin-de-siècle masterpieces: Iolanta´s garden is, musically, a miniature Garden of Eden. In this fully scored idyll the Fall of Man occurs in reverse, as it were. Through love, Iolanta comes to recognise light and darkness. Rachmaninoff, on the other hand, creates an overwhelming, roaring Inferno with an unusual choral part and paints polished psychological portraits of three people left at each other´s mercy in claustrophobic, emotional torment.

Cast and Creative team for IOLANTA / FRANCESCA DA RIMINI at Theater an der Wien

Conductor: Kirill Petrenko
Director: Stephen Lawless
Set design: Benoît Dugardyn
Costume design: Jorge Jara
Choreographer: Lynne Hockney
Light design: Patricia Collins
King René: David Pittsinger
Robert: Dalibor Jenis
Godefroy de Vaudémont: Saimir Pirgu
Ibn-Hakia: Elchin Azizov
Alméric: Ladislav Elgr
Bertrand: Vladimir Baykov
Iolanta: Olga Mykytenko
Martha: Svetlana Shilova
Brigitta: Rinnat Moriah
Laura: Victoria Zaytseva
Mathilda (Tänzerin): Barbora Kohoutková
Dante: Ladislav Elgr
Vergil´s ghost: David Pittsinger
Francesca: Olga Mykytenko
Lanceotto Malatesta: Dmitry Beloselsky
Paolo: Saimir Pirgu
Dancers: Sébastien Thill, Anderson Pinheiro da Silva, Paul Kellner
Orchestra: ORF Radio-Symphonieorchester Wien
Chorus: Arnold Schoenberg Choir

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