Women In Theatre and Screen Reveals Increased Gender Parity in Sydney 2017 Theatre Scene
"Not only has DTC's changed attitude manifested in their 2017 programming, but DTC also offered invaluable in-kind support to give a platform to Sydney's best Independent female theatre-makers by housing WITS' inaugural women's theatre festival, Festival Fatale, in October this year. DTC has set an impressive example for the rest of the industry, and showed that with initiative, parity can happen almost instantly."
A year after Women in Theatre and Screen (WITS) formed in response to Darlinghurst Theatre Company's (DTC) record low percentages of female directors and playwrights in its 2016 programming, the theatre company has made a complete reversal with a female-led 2017 season.
This revelation comes following WITS' publication of its independent analysis of mainstage Sydney Theatre Companies' recently announced 2017 Seasons (attached below).
In 2017, DTC (59% women) and Belvoir (50%) will be the only two theatre companies out of five to achieve gender parity in their programming of writers and directors. Griffin (44%), Sydney Theatre Company (34%) and Ensemble Theatre (16%) have male-dominant seasons, again.
DTC has seen a 42 per cent increase in the employment of female writers and directors, while Ensemble Theatre remains the lowest, with a further 14 per cent drop since last season.
"WITS is thrilled to see DTC make such a complete reversal in approach to gender parity. The company who sparked the fire for the most recent wave of women's equality rallying in the industry because of their almost entirely absent female voices in 2016 has taken concerted and successful action to give voice to Australia's talented female creatives," WITS co-founder Maryann Wright said.
"Not only has DTC's changed attitude manifested in their 2017 programming, but DTC also offered invaluable in-kind support to give a platform to Sydney's best Independent female theatre-makers by housing WITS' inaugural women's theatre festival, Festival Fatale, in October this year. DTC has set an impressive example for the rest of the industry, and showed that with initiative, parity can happen almost instantly."
WITS continues its mission to empower female creatives and encourage theatre companies and producers to introduce effective gender parity targets. WITS believes in equality for diversity of women, and in affirmative action in pursuit of gender parity.
To see affirmative action in action, join WITS for the inaugural Festival Fatale 29 and 30 October at the Eternity Playhouse consisting of two days of female-led Theatre Projects. Full festival line-up at www.festivalfatale.com.
|
A Taste of Ireland - The Irish Music and Dance Sensation Burdekin Theatre (8/12-8/12) |
|
HAIR - THE TRIBAL LOVE-ROCK MUSICAL Theatre Royal Sydney (6/06-7/05) |
|
Juicy Riot The Eternity Playhouse (6/29-6/29) |
|
A Taste of Ireland - The Irish Music and Dance Sensation Shoalhaven Entertainment Centre (9/12-9/12) |
|
A Taste of Ireland - The Irish Music and Dance Sensation Innisfail Shire Hall (8/07-8/07) |
|
Play In A Day: Henry VI Part 2 The Neilson Nutshell, Pier 2/3 (9/15-9/15) |
|
The Shark Is Broken Foundry Theatre (8/28-9/27) |
|
Disney Presents The Lion King - Auslan Interpreted Performance Capitol Theatre, Sydney (8/12-8/12) |
|
A Beautiful Noise Sydney Lyric (11/14-12/20) |
|
Weddings and Parties Over Coffee Wesley Music Centre (8/11-8/11) |