A stellar cast brightens a Romberg favorite. Operetta, as a genre, arose in the 1850's and swelled into a widely beloved form of entertainment. In America its chief luminaries were Sigmund Romberg, Victor Herbert, and Rudolf Friml. From the 1920's to the '40's the modern musical gradually drove operettas from the stage (except for the happily undying works of Gilbert & Sullivan). And I miss them! So I greatly approve of Winter Opera's offering us this old piece.
Director Caitlin Lopez, the Associate Artistic Director of Ophelia's Jump Productions (OJP) who also serves as Improv Director for the company elaborates, 'Twelfth Night tells the story of Viola who has washed up on the shores of the vibrant and uninhibited Illyria after a shipwreck. In this modern queer fairytale, she and a cast of colorful characters all must discover what it means to truly love and embrace their heart's desires.' I decided to speak with Caitlin about both her directing and appearing in the production, as well as her background with the history of OJP.
'Hey Nonny Nonny!' 'Sigh No More!' Shakespeare's classic, playful comedy, Much Ado About Nothing, is this year's rip-roaring Season 5 opener for the vibrant, 30 by Ninety Theatre in Mandeville, Louisiana. This suburban playhouse, positioned just across the lake from New Orleans, is named for its' common latitude and longitude, but doesn't hold back on big city ambitions to invigorate, entertain, and challenge local audiences to grow from shared experiences through the stage. It is an idea not lost on Shakespeare himself nearly five millennials ago.
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