Based on the legendary Hilton twins, Daisy and Violet, SIDE SHOW follows their heartwarming search for first love and acceptance amidst the spectacle of fame and scrutiny under the spotlight. The world of SIDE SHOW is set against the backdrop of 1920's and '30s show business that seamlessly blend the worlds of carnival, vaudeville, and Hollywood glamour.
Directed by Academy Award-winner Bill Condon (Chicago, Dreamgirls, Twilight: Breaking Dawn Parts 1 and 2, Gods and Monsters) making his Broadway debut, this exciting new staging of SIDE SHOW has "the flash and velocity of a Hollywood motion picture" and "puts gripping emotion in the main tent" (Los Angeles Times).
Don't miss this remarkable true story of two sisters. The very thing that makes them different... makes them extraordinary.
What hasn't changed is the punch delivered by those symbiotic girls. Here Erin Davie plays the retiring Violet, who wants to be 'like everyone else/So no one will point and stare.' She's attached -- via strong, hidden magnets -- to Emily Padgett's bolder Daisy, who wants to be 'like everyone else/But richer and more acclaimed.' Both actresses are impeccable, funny and affecting...Inevitably, love complicates matters. If you think relationships are hard, try having one with a conjoined twin...Even after all the surgery, 'Side Show' is far from a great musical. The second act piles on heavy-handed calls for tolerance. The production's also handicapped by the blandness of Silverman and Hydzik, who have matinee-idol good looks but little acting depth. Yet this show also has a strange, slightly demented charm, especially in the vaudeville and carnival scenes. And while it makes its plea for tolerance with a big heart, it's not afraid to unleash even bigger anthems.
Those who saw the original 1997 Broadway production might see Condon's 'Side Show' as more of a reworking than a revival...Many of the changes work, especially new numbers like 'Ready to Play' and 'Stuck With You,' which present Violet and Daisy at their vaudeville-best...But there are problems...What remains constant in both productions of 'Side Show,' though, are the near flawless performances by its two leading ladies. Davie and Padgett, like Emily Skinner and Alice Ripley before them, are masterful here. Each colors her twin with a distinguishable personality, yet gracefully moves together as a single unit...They sound great, too, with bright, bold vibratos on display in perfect harmony...There's not a weak link among our ensemble...They do an excellent job at establishing the community among society's outcasts...Still, there's something amiss in this new 'Side Show.' It could be the polish of Condon's direction, which can leave you feeling empty. Or the production design itself, which appears far more grand and cinematic than the story can support. The danger never feels dangerous enough. The challenges, never that hard to overcome.
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