Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in Tsarist Russia in 1905. It is based on Tevye and his Daughters (or Tevye the Dairyman) and other tales by Sholem Aleichem. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and Jewish religious traditions while outside influences encroach upon their lives. He must cope both with the strong-willed actions of his three older daughters-each one's choice of husband moves further away from the customs of his faith-and with the edict of the Tsar that evicts the Jews from their village.
Performances are very good, as is the lively dancing choreographed by Hofesh Schechter that taps tradition and some contemporary moves. But the curious scenery often gets in the show's way. It makes for a distracting, busy and slow-pokey production of a tightknit musical. As always, it ends on a strong note. Tevye's acknowledgment, 'God be with you,' to the disavowed Chava will change the shape of her life, her fathers' and everyone's. You'd have to be made of granite not to be moved to happiness and tears.
Bartlett Sher, the director behind the acclaimed Lincoln Center revivals of 'South Pacific' and 'The King and I,' respects the material while enlivening it. The scenes are staged with acute sensitivity, while a full orchestra plays the timeless score. The opening sequence is somewhat new. Danny Burstein, dressed in modern attire, is apparently looking to retrace his ancestry. As he recites Tevye's opening lines ('A fiddler on the roof. Sounds crazy, no?'), the shtetl community, like a ghost being summoned back, comes forward and breaks into 'Tradition.' The fiddler also flies, a la Peter Pan.
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