Dutchman 2007 - Articles Page 3

Cincinnati Opera releases the live audio recording of the world premiere production of Gregory Spears and Greg Pierce's ravishing new opera, Fellow Travelers, directed by Kevin Newbury and featuring the Cincinnati Symphony Orchestra conducted by Mark Gibson (out September 15 (digital) and September 29 (physical) on Fanfare Cincinnati).

Cincinnati Opera releases the live audio recording of the world premiere production of Gregory Spears and Greg Pierce's ravishing new opera, Fellow Travelers, directed by Kevin Newbury and featuring the Cincinnati Symphony Orchestra conducted by Mark Gibson (out September 15 (digital) and September 29 (physical) on Fanfare Cincinnati).

Cincinnati Opera releases the live audio recording of the world premiere production of Gregory Spears and Greg Pierce's ravishing new opera, Fellow Travelers, directed by Kevin Newbury and featuring the Cincinnati Symphony Orchestra conducted by Mark Gibson (out September 15 (digital) and September 29 (physical) on Fanfare Cincinnati).

The New York premieres and world premiere production of Gordon Getty's Scare Pair, a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost - together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).  Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).  Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).  Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.

Goodman Theatre is proud to support Chicago's off-Loop theater companies Teatro Vista, Definition Theatre Company and Collaboraction as a producing partner on several high-profile productions this summer - two of which open this week.

People's Light is delighted to announce the headliners for the upcoming world premiere of Lights Out: Nat 'King' Cole by Colman Domingo and Patricia McGregor, slated to open the Theatre's season in October 2017. Emmy-nominated actor Dule Hill (The West Wing) will play Cole, and Broadway regular Daniel J. Watts will appear as Sammy Davis, Jr.

Houston Grand Opera (HGO) today announced plans for Seeking the Human Spirit (STHS), a six-year multidisciplinary initiative designed to highlight the universal spiritual themes raised in opera and to expand and deepen Houstonians' connections to opera and to art. Launching in the fall of 2017, STHS comprises three mainstage operas each season-one of which will be a new work-united by a single theme, and complementary projects by HGO and partner organizations created to enhance and enrich the community's experience of the themes. Some of these activities will be available to the public; others will offer personal access to opera and HGO artists and staff for groups such as hospital patients, women who are rebuilding their lives after homelessness, and young people pursuing interfaith projects. 

Steppenwolf Theatre Company presents the world premiere production ofPass Over by Antoinette Nwandu, directed by Danya Taymor. A provocative and hilarious riff on Waiting for Godot, the complete cast features ensemble member Jon Michael Hill (Moses), Julian Parker (Kitch) and Ryan Hallahan (Mister). Pass Over runs June 1 - July 9, 2017 in the Upstairs Theatre, 1650 N Halsted St. Press performances are Saturday, June 10 at 3pm and Tuesday, June 13 at 7:30pm. Tickets ($20-$89) are available through Audience Services at 312-335-1650 or steppenwolf.org. Note: There are a limited number of $30 seats for all performances located in the first front two rows of the theatre with code "CLOSEUP."

As part of the Finborough Theatre's celebrations of Canada's 150th birthday, a new production commissioned by the Finborough Theatre of the European premiere of Footprints On The Moon by one of Canada's most acclaimed playwrights, Maureen Hunter, runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 28 May 2017.

In the third of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead an enhanced concert production of Wagner's Das Rheingold. Soloists include bass-baritone Eric Owens as Wotan, mezzo-soprano Jamie Barton as Fricka (in her New York Philharmonic debut), baritone Christopher Purves as Alberich (debut), tenor Russell Thomas as Loge, mezzo-soprano Kelley O'Connor as Erda, bass Morris Robinson as Fasolt (debut), bass Stephen Milling as Fafner (debut), soprano Rachel Willis-Sorensen as Freia (debut), tenor Brian Jagde as Froh (debut), bass-baritone Christian Van Horn as Donner (debut), tenor Peter Bronder as Mime (debut), soprano Jennifer Zetlan as Woglinde, mezzo-soprano Jennifer Johnson Cano as Wellgunde, and mezzo-soprano Tamara Mumford as Flosshilde. The enhanced concert production will be directed by Louisa Muller with costume design - featuring character-based treatment of modern concert attire - by David C. Woolard. The performances will take place Thursday, June 1, 2017, at 7:30 p.m.; Saturday, June 3 at 8:00 p.m.; and Tuesday, June 6 at 7:30 p.m.

Steppenwolf Theatre Company has announced accomplished director Danya Taymor will direct Steppenwolf's world premiere production of Pass Over by Antoinette Nwandu.

Future Met Music Director Yannick Nézet-Séguin conducts his first Wagner opera with the company, Der Fliegende Holländer, beginning April 25. The opera, which has not been seen at the Met since 2010, featuresMichael Volle as the Dutchman, the ghostly sailor damned to sail the seas in search of the love that will set him free. Amber Wagner sings the role of Senta, opposite Jay Hunter Morris as the huntsman Erik. The cast also features Dolora Zajick as Senta's nurse Mary with Ben Bliss as the Steersman and Franz-Josef Selig as Senta's father Daland. 

Fort Worth Opera (FWOpera) announced today details of the company's full line-up of thrilling productions scheduled to take the stage during the 2018 season, running April 27 – May 13. In 2018, the company will offer opera lovers an entirely new Festival experience with the first production of Richard Wagner's magnificent fantasy opera Das Rheingold; Gaetano Donizetti's hysterical bel canto gem, Don Pasquale; and composer Astor Piazzolla's genre-defying tango opera, María de Buenos Aires. The Festival will also usher in the sixth year of Fort Worth Opera's critically-lauded new works showcase, Frontiers, featuring eight unpublished operas from some of the most talented composers and librettists in the 21st-century.

According to Variety, during a panel on Broadway's THE LION KING, Julie Taymor was asked what film she wants to bring to the stage next. 'Across the Universe,' she said. 'It belongs onstage.'

Austin Opera Oct. 24 announced the appointment of Annie Burridge as General Director of Austin Opera. Currently the Managing Director of Opera Philadelphia, an opera company recognized for its groundbreaking audience engagement and programming model, Ms. Burridge will assume her new position in November 2016, with a 5-year contract through October 2021. The announcement was made today by Elisabeth Juen Waltz, Chairman of the Austin Opera Board of Trustees and Jon Nash, President of the Austin Opera Board of Trustees. Ms. Burridge's nomination was confirmed at a special Board of Trustees meeting on Monday, October 24th.

The American Repertory Theater (A.R.T.) at Harvard University begins performances of FINGERSMITH by Alexa Junge, based on the novel by Sarah Waters, directed by Bill Rauch. Performances begin on Sunday, December 4, 2016 and run through Sunday, January 8, 2017 at the Loeb Drama Center, 64 Brattle Street, Cambridge.

San Francisco Opera General Director Matthew Shilvock today announced the casting and schedule for the Company's summer 2018 presentations of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). The four-opera cycle of Das Rheingold,Die Walkure, Siegfried and Gotterdammerung-widely considered the greatest and most ambitious work ever conceived for the lyric stage-will be presented in three complete cycles from June 12 through July 1, 2018. 

The 2016 May Festival, which celebrates and concludes Music Director James Conlon's 37-year tenure, ends Friday and Saturday, May 27-28 with grand scale performances at Music Hall. These will be the final performances at Music Hall prior to its closing for renovation. On Friday, May 27 at 8 p.m., Mr. Conlon leads Dvo?ak's deeply personal cantata, Stabat Mater, a work was written during a time of deep grief for the composer following the death of his children. This rarely-performed work is full of symbolism, following a journey of mourning to hope of Paradise. At the invitation of James Levine, Mr. Conlon made his May Festival debut in 1978 conducting Stabat Mater (the following year he began his storied tenure as Music Director). Joining the Cincinnati Symphony Orchestra and May Festival Chorus will be soloists Julianna DiGiacomo (soprano), Elizabeth DeShong (mezzo-soprano), Anthony Dean Griffey (tenor) and Kristinn Sigmundsson (baritone).

From king of the gods to wicked nobleman to villainous prison warden, bass-baritone Greer Grimsley has impressed audiences worldwide with his astonishing vocal and dramatic range

Join Seattle Opera this April for a black-tie gala featuring Greer Grimsley, star of Seattle Opera's famous Ring cycle and title character in the company's upcoming Flying Dutchman. Gala attendees can share their experience on social media using the hashtag #SOCelebrate.  

Julie Taymor could be in the midst of plotting her big Broadway comeback.

Join Seattle Opera this April for a black-tie gala featuring Greer Grimsley, star of Seattle Opera's famous Ring cycle and title character in the company's upcoming Flying Dutchman. Gala attendees can share their experience on social media using the hashtag #SOCelebrate.