I suppose the problem with being the greatest Broadway comic actor of your generation is that once the label sticks you rarely get the opportunity to prove that you can also turn in great dramatic performances. (Conversely, not since Garbo laughed has anyone been surprised to see a great dramatic actor excel in a comic part.) In Douglas Carter Beane's ambitious, provocative and lovely protest drama/romantic comedy, The Nance, Nathan Lane finally gets to originate the kind of role that highlights what makes him a genuine stage star. He sings, he says funny lines, he plays love scenes… but most of all he perceptively plays a strikingly original character in what will most likely be considered, up to this point, the best stage performance of his career.
Tickets go on sale today for New York City Center Encores! Off-Center, a new series featuring seminal Off-Broadway musicals filtered through the lens of today's most innovative artists, opening on July 10. In keeping with City Center's founding mission to make the arts accessible to all, the majority of tickets will be $25.
New York City Center goes Off-Broadway this summer with the launch of Encores! Off-Center, a new series featuring seminal Off-Broadway musicals filtered through the lens of today's most innovative artists. In keeping with City Center's founding mission to make the arts accessible to all, the majority of tickets will be $25.
Lyric Stage presents the premiere of the restored TOO MANY GIRLS April 26-May 5 in the Irving Arts Center's Carpenter Performance Hall. Performances are April 26, 27, May 2, 3 and 4 @ 8:00 PM and April 28 and May 5 @ 2:30 PM. Tickets are available online or by calling the box office @ 972-252-2787.
According to an Equity casting notice for next month, the Cole Porter classic CAN-CAN will have a staged reading in New York in July 2013, with the official dates to be announced, before it aims for Broadway in Spring 2014.
Kronos Quartet brings an eclectic program to Zankel Hall at Carnegie Hall on Friday, May 3 (9 pm). A highlight is the world premiere of Missy Mazzoli's You Know Me From Here, a major statement from the 32-year-old composer. According to Mazzoli, the 20-minute work is "about loss, but in the most positive sense; it speaks of the loss of our old selves, the jumps into the unknown, the leaps of faith we all must make and the beautiful moments when we find solace in a person, in an idea, or in music itself. The music itself shifts constantly from earthy, gritty gestures to soaring, leaping melodies that rarely land where we expect." It is her second piece for Kronos, following Harp and Altar (2009), which The New York Times cited as "further evidence that [Mazzoli] is among the more consistently inventive and surprising composers now working in New York."
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'South Pacific' at the Marriott, two shows with Gene Kelly's vibe, cabarets from Porchlight, Brown Paper Box and Darrian Ford, 2014 premieres from Marc Blitzstein and Alan Schmuckler, lots of Doug Peck and more!
If the Broadway revival of a few years back demonstrated the deadly results that can occur when overthinking and underplaying a quality farce, the new Paper Mill mounting is a fast a furious example of Ken Ludwig's madcap Lend Me A Tenor done right. Director Don Stephenson doesn't throw any fancy curveballs with the material, but he and his perfectly cast company of Broadway vets nail every door slam and verbal ping-pong volley with hilarious aplomb.
In every other interpretation of Tom Wingfield that I have ever seen, Tom is always played to show tenderness and solicitude at times for his mother and sister, and a fundamental understanding of their plight, even as he chafes at their dysfunction and lashes out at them. When, at the end, he says he is haunted by his sister even in his flight, this is not just about being unable to spit a bad taste out of his mouth. Yet Matt Lee's Tom gives just that impression.
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
Berkeley Repertory Theatre has announced a limited engagement of George Gershwin Alone, a play with music that invites audiences to enjoy an evening with a great composer. This celebrated production plays two weeks only - June 8 through June 23 - on the intimate Thrust Stage. Tickets for these 18 performances go on sale today to Berkeley Rep's subscribers; the public can access seats beginning on Sunday, February 10. This special presentation features music by George Gershwin and Ira Gershwin with a book by Hershey Felder. Starring Hershey Felder as George Gershwin, it has been staged by acclaimed director Joel Zwick.
The American Contemporary Music Ensemble (ACME) is proud to announce its first worldwide release on New World Records, JOSEPH BYRD: NYC 1960-1963, available today, February 5, 2013.
Throughout the month of February, Sony Movie Channel (SMC) is featuring the early films of the Oscar Award-winning actor Jack Nicholson, as part of its Friday Features franchise.
The Broadhurst Theatre box office opens tomorrow, Friday, January 25 at 10:00 AM for LUCKY GUY, starring two-time Academy Award-winner Tom Hanks, in the final work by three-time Academy Award-nominee Nora Ephron and directed by two-time Tony Award-winner George C. Wolfe. The Broadhurst Theatre is located at 235 West 44th Street. The production will play a strictly limited engagement. Opening night is Monday, April 1. Previews begin Friday, March 1.
Just announced is news that the Cole Porter classic, Can-Can, will kick up its heels in a new production to land on Broadway in Spring 2014. Presented by Jonathan Burrows, nephew of the musical's original book writer Abe Burrows, the new production features a revised book by David Lee (Two By Two and Gigi at Reprise, TV's "Frasier" and "Cheers") and Joel Fields (How I Fell in Love at Abingdon Theatre Company, TV's "Ugly Betty' and 'Raising the Bar'). Lee directs the production, featuring choreography byPatti Colombo (Peter Pan) and musical direction by Tony Award nominee Steve Orich (Jersey Boys). Prior to the Broadway production, a workshop will take place in New York in October 2013. Casting has yet to be confirmed.
If you have a hankering to see a room full of grown-ups acting like those teenagers watching The Beatles on the Ed Sullivan show, then get thee to The Metropolitan Room, where Marilyn Maye is doing her traditional job of knocking 'em dead.
The American Contemporary Music Ensemble (ACME) is proud to announce its first worldwide release on New World Records, JOSEPH BYRD: NYC 1960-1963, available February 5, 2013.
Danny Mastrogiorgio, a member of a heavyweight ensemble cast, explains why GOLDEN BOY still packs a punch with audiences.
Peter Jackson's THE HOBBIT: AN UNEXPECTED JOURNEY opened in theaters on Friday, December 14 in 3D, 2D and IMAX 3D.
Additional casting has been announced for LUCKY GUY on Broadway. The production stars two-time Academy Award-winner Tom Hanks, making his Broadway debut, in a new play by three-time Academy Award-nominee Nora Ephron and directed by two-time Tony Award-winner George C. Wolfe.
The Jewish Museum and the Film Society of Lincoln Center will present the 22nd annual New York Jewish Film Festival at the Film Society's Walter Reade Theater, Jan. 9-24, 2013. The festival's 45 features and shorts from 9 countries - 23 screening in their world, U.S. or New York premieres - provide a diverse global perspective on the Jewish experience. Many film screenings will be followed by filmmakers and special guests in onstage discussions.
Head to Arena Stage for this new, challenging, and entertaining play with music.
Opening Night is tonight, Thursday, December 6, for Lincoln Center Theater's 75th Anniversary production of the Clifford Odets classic Golden Boy, directed by Bartlett Sher, at the Belasco Theatre (111 West 44 Street), the same theatre where the play premiered in 1937. Let's see what the critics had to say...
Peter Jackson's THE HOBBIT: AN UNEXPECTED JOURNEY sas been screened for select media in Los Angeles and New York over the weekend. The film hits theaters on December 14 in 3D, 2D and IMAX 3D. Let's see what the critics had to say
The Pasadena Playhouse announced the first four productions of the 2012 - 2013 season of its HOTHOUSE at The Playhouse new play development, staged reading series. The season will feature the world premiere reading of Lee Blessing's (A Walk in the Woods) A View of the Mountains starring Jane Kaczmarek and Betsy Brandt, Marsha Mason as the title role in Aunt Stossie's Coming for Five Days and Michael Arabian (Ovation nominee, Waiting for Godot) directing a new work supported by the Armenian Dramatic Arts Alliance.
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