drawn from the short stories of Ryonsuke Akutagawa
Signature Theatre is currently presenting the Washington area premiere of the innovative musical See What I Wanna See, a fascinating exploration of three stories of lust, greed, murder, faith, and redemption. Written by Michael John LaChiusa, considered one of today's most intelligent and innovative musical theater composers.
BroadwayWorld Presents The 2009 Tony Award Nominees: 'Best Performance by A Featured Actor In A Musical'
LaChiusa Works Well in Intimate ARK Theatre
Signature Theatre presents the Washington area premiere of the innovative musical See What I Wanna See, a fascinating exploration of three stories of lust, greed, murder, faith, and redemption. Written by Michael John LaChiusa, considered one of today's most intelligent and innovative musical theater composers, See What I Wanna See has been hailed for its cool, jazz-infused score and smart book and called 'a little powerhouse of a show whose sheer intensity will knock you flat - and make you think' (The Wall Street Journal). The show was named one of the Best Musicals of 2005 by New York Magazine and nominated for nine Drama Desk Awards, including Best Musical. See What I Wanna See runs in Signature's intimate 110-seat ARK Theatre from April 7 through May 31. Signature will also produce the world premiere of LaChiusa's Giant in the MAX Theatre April 28 through May 31.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
Oskar Eustis, Artistic Director of The Public Theater, has announced the 26-member Broadway cast of HAIR: The American Tribal Love-Rock Musical. Newcomers to the cast include Gavin Creel, Caissie Levy and Sasha Allen, who join the rest of the tribe, who are reprising their roles from Central Park last summer. HAIR begins preview performances on Friday, March 6 at the Al Hirschfeld Theatre (302 West 45th Street, NYC) with an Opening Night set for Tuesday, March 31, 2009.
Eric Schaeffer, Artistic Director of Signature Theatre, today announced casting for the world premiere production of the musical Giant by composer Michael John LaChiusa and playwright Sybille Pearson.
The first New York revival of Michael John LaChiusa's musical See What I Wanna See is being presented this weekend on February 27th and 28th. The original production premiered at the Public Theatre in the fall of 2005, and this limited engagement is being presented by 5th Floor Productions.
See What I Wanna See is based on a collection of short stories by Ryunosuke Akutagawa, with original music and lyrics by Michael John LaChiusa. Spanning from feudal Japan to present day New York City, the contemporary musical examines the nature of truth in a post 9/11 world through the eyes of several distinct and unique characters.
The first New York revival of Michael John LaChiusa's musical See What I Wanna See will be presented next month on February 27th and 28th. The original production premiered at the Public Theatre in the fall of 2005, and this limited engagement is being presented by 5th Floor Productions.
The first New York revival of Michael John LaChiusa's musical See What I Wanna See is being presented this weekend on February 27th and 28th. The original production premiered at the Public Theatre in the fall of 2005, and this limited engagement is being presented by 5th Floor Productions.
See What I Wanna See is based on a collection of short stories by Ryunosuke Akutagawa, with original music and lyrics by Michael John LaChiusa. Spanning from feudal Japan to present day New York City, the contemporary musical examines the nature of truth in a post 9/11 world through the eyes of several distinct and unique characters.
Signature Theatre presents the Washington area premiere of the innovative musical See What I Wanna See, a fascinating exploration of three stories of lust, greed, murder, faith, and redemption. Written by Michael John LaChiusa, considered one of today's most intelligent and innovative musical theater composers, See What I Wanna See has been hailed for its cool, jazz-infused score and smart book and called 'a little powerhouse of a show whose sheer intensity will knock you flat - and make you think' (The Wall Street Journal). The show was named one of the Best Musicals of 2005 by New York Magazine and nominated for nine Drama Desk Awards, including Best Musical. See What I Wanna See runs in Signature's intimate 110-seat ARK Theatre from April 7 through May 31. Signature will also produce the world premiere of LaChiusa's Giant in the MAX Theatre April 28 through May 31.
Oskar Eustis, Artistic Director of The Public Theater, has announced the 26-member Broadway cast of HAIR: The American Tribal Love-Rock Musical. Newcomers to the cast include Gavin Creel, Caissie Levy and Sasha Allen, who join the rest of the tribe, who are reprising their roles from Central Park last summer. Currently in rehearsal at the Union Square Theatre, HAIR begins preview performances on Friday, March 6 at the Al Hirschfeld Theatre (302 West 45th Street, NYC) with an Opening Night set for Tuesday, March 31, 2009.
The first New York revival of Michael John LaChiusa's musical See What I Wanna See will be presented next month on February 27th and 28th. The original production premiered at the Public Theatre in the fall of 2005, and this limited engagement is being presented by 5th Floor Productions.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
New Repertory Theatre, in residence at the Arsenal Center for the Arts, is proud to present Kander and Ebb's Tony Award-winning musical Cabaret. Cabaret opens for the press on Wednesday, January 14, 2009 and plays through February 1, 2009 at the Arsenal Center for the Arts in the Charles Mosesian Theater.
New Repertory Theatre, in residence at the Arsenal Center for the Arts, is proud to present Kander and Ebb's Tony Award-winning musical Cabaret. Cabaret opens for the press on Wednesday, January 14, 2009 and plays through February 1, 2009 at the Arsenal Center for the Arts in the Charles Mosesian Theater.
Producer Howard Panter for Ambassador Theatre Group and co-producers Tulchin/Bartner/Jenkins, Bill Kenwright, Northwater Entertainment, Darren Bagert, and Tom Gregory announced the complete cast and design team for the new Broadway production of the greatest musical comedy GUYS AND DOLLS. The first joint Broadway project by two-time Tony Award winning director Des McAnuff and choreographer Sergio Trujillo since their collaboration on the Tony Award winning musical Jersey Boys, GUYS AND DOLLS will begin previews on February 3, 2009 at Broadway's newly refurbished Nederlander Theatre (208 West 41st Street). Opening Night is March 1, 2009.
Signature Theatre invites young professionals to 'Signature Scene,' special Thursday night performances of Les Mis?rables, The Little Dog Laughed, Giant, and See What I Wanna See featuring half-price tickets and festive pre-show receptions. Mix and mingle with other theater-goers at the innovative theater The New York Times calls 'positively swanky' and The Washington Post calls 'a signature space to match its reputation.'
Signature Theatre invites young professionals to 'Signature Scene,' special Thursday night performances of Les Mis?rables, The Little Dog Laughed, Giant, and See What I Wanna See featuring half-price tickets and festive pre-show receptions. Mix and mingle with other theater-goers at the innovative theater The New York Times calls 'positively swanky' and The Washington Post calls 'a signature space to match its reputation.'
The American Theatre Wing's 'Working in the Theatre' Features 'Arias to Showstoppers: The Worlds of Opera and Theatre' on CUNY TV Premieres Sunday, November 16 at 5 p.m.
Additional Air Dates:
Friday, November 21 at 9 a.m, 2 and 7:30 p.m.
Saturday, November 22 at 11 a.m.
The American Theatre Wing's 'Working in the Theatre' Features 'Arias to Showstoppers: The Worlds of Opera and Theatre' on CUNY TV Premieres Sunday, November 16 at 5 p.m.
Additional Air Dates:
Friday, November 21 at 9 a.m, 2 and 7:30 p.m.
Saturday, November 22 at 11 a.m.
PREMIERES, a not-for-profit musical theater development company, proudly announces the world premiere of INNER VOICES: SOLO MUSICALS, three new works created by and starring some of the industry's brightest talents.
Signature Theatre, today announced the 2008-2009 season, which runs from August 26, 2008 through May 31, 2009 and features five productions as well as the special concert presentation
Ted Sperling has joined The Public as Director of The Musical Theater Initiative.
The Academy of Motion Picture Arts and Sciences revealed Tuesday the 79th Academy Awards poster design, which features dozens of the most memorable and quotable lines from motion pictures, including a handful of films adapted from Broadway hits...
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