Roberto Aguirre-Sacasa News

Talking to Don Imus this morning, legendary New York Times writer (and soon to be New York Magazine writer) Frank Rich said 'There is no way to fix a show this far into previews, according to Broadway history... it's a fool's errand at this point, if you know, follow history.' That said however, he also revealed that he has not seen the show, which has been in previews for months, because 'life is too short.'

The Wall Street Journal reports today that despite going public with the news that Julie Taymor will no longer move forward with SPIDER-MAN, her exit deal has not yet been finalized. Issues surrounding royalties, copywrites, and a non-disclosure have not yet been settled upon. Tamor's camp declined to comment on the separation negotiations. Litigation is not out of the question. Taymor will officially step down as head creative on March 15, 2011.

We're told that the cast today will be meeting with Actors Equity to explore their options and union protection. Many of the cast are up in arms since they've been rehearsing the show now since August of 2010 (or earlier) with much exhaustion and no end in site. Jeremy Gerard at Bloomberg News is the first with more details on what will be cut from the show, and what changes will occur during the show's as of yet unannounced shutdown. He reports that the Julie Taymor creation of Arachne will be heavily cut down, with her scenes being minimized and cut entirely, along with the song 'Deeply Furious' in which she and her minions go shopping for shoes, also said to be a Taymor favorite. Also on the chopping block? The Green Goblin's Act I death scene, which will make his Act II appearance more logical. We're told that he'll be getting a big new Act II opening number as well.

In today's New York Post, Michael Riedel provides additional details about what's next for the show, most notably that Bono and The Edge are now expected to be fully, hands-on collaborators in the show as well as Bono himself going out to be the new 'face of the musical' for press.

It's not a great day for SPIDER-MAN on Broadway, as the show was halted tonight for several minutes mid-show for safety concerns.According to audience member reports, the show was stopped at the beginning of what is one of the most extensive aerial sequences in which the Green Goblin fights SPIDER-MAN above the audiences heads. During tonight's show, the Green Goblin stopped mid-flight, after a malfunction caused his steering mechanism to fail. The actor playing SPIDER-MAN was held on the balcony from making his flight while they attempted to discover what went wrong.

Lead producers Michael Cohl and Jeremiah J. Harris announced today that SPIDER-MAN Turn Off The Dark has a newly expanded creative team in place. The team will be implementing a new plan to make significant and exciting revisions to the production. Opening night (previously set for March 15, 2011) has been rescheduled to an evening in early summer, 2011. This amended schedule will allow the time necessary to execute the plan, which will include revisions to the script.

Lead producers Michael Cohl and Jeremiah J. Harris announced today that SPIDER-MAN Turn Off The Dark has a newly expanded creative team in place. The team will be implementing a new plan to make significant and exciting revisions to the production. Opening night (previously set for March 15, 2011) has been rescheduled to an evening in early summer, 2011. This amended schedule will allow the time necessary to execute the plan, which will include revisions to the script.

On Monday, March 7, 2011, New Rep will be holding its very first Premiere Party at the historic Commander's Mansion. New Rep's Premiere Party 2011 is an exciting evening of entertainment to celebrate the announcement of New Rep's 2011-2012 Season.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce Manhattan Theatre Club's lineup for the Ernst C. Stiefel "7@7" Reading Series. The readings kick off Monday, February 28 and will be held on consecutive Mondays through April 11.

New Repertory Theatre, in residence at the Arsenal Center for the Arts, is pleased to announce DollHouse, a drama by playwright Theresa Rebeck, based on Henrik Ibsen's A Doll's House.

According to the New York Times, yet another Spider-Man show will be making its New York debut this March. The Tank (W. 45th Street) will welcome Seattle import SPIDERMANN on March 13 for three performances. News of this third Spidey show comes just days after THE SPIDEY PROJECT: WITH GREAT POWER COMES GREAT RESPONSIBLITY was announced for a run at People's Improv Theatre on March 14.

On Monday, March 7, 2011, New Rep will be holding its very first Premiere Party at the historic Commander's Mansion. New Rep's Premiere Party 2011 is an exciting evening of entertainment to celebrate the announcement of New Rep's 2011-2012 Season.

Second Stage Theatre (Carole Rothman, Artistic Director) has announced the two world premiere plays which will be presented as part of the company's ninth annual Second Stage Theatre Uptown Series this summer: Michael Mitnick's Sex Lives of Our Parents, directed by Davis McCallum, and Anna Kerrigan's The Talls, directed by Carolyn Cantor.

Having a credited new bookwriter added to make wholesale changes while a show is previewing has been done before with mixed results.

The hits just keep on coming for SPIDER-MAN, but some help is on the way to the show. The New York Times is reporting and we've confirmed that the show has officially brought on Paul Bogaev, a multi-award winning music director-producer, arranger and composer to work on improving the show's many sound issues, including to 'help improve the performance, vocal and orchestration arrangements, and sound quality of the songs and numbers'. Word has also been coming from multiple sources that it's expected that the production will officially announce another delay later in the week (it's sixth) that might push the official opening as far forward as AFTER this year's Tony Awards. The Times is also reporting that 'Bono and Edge are writing new music for 'Spider-Man' now, but Mr. Miramontez said that Mr. Bogaev's role was far greater than adding that music once it is ready. No significant additions have been made to the score so far.'

It's Roger Friedman at Showbiz411 vs. Michael Riedel at the New York Post today. Friedman writes that 'I spoke to Julie Taymor this morning. She was working on some changes with her own co-writer, Glenn Berger. She told me she's had lots of input about changes from friends and colleagues. 'No one has been hired or is being hired,' Taymor said. 'The director they mentioned is a friend of Michael Cohl's. I'm sure he asked his opinion. When a show's in previews, everyone gives their opinion. Try this, that. And the other guy, I've never even heard of him.'

Lahr writes 'Taymor has a dynamic, painterly sense of space; she can marshal all the sensual elements of movement, light, and perspective into amazing stage pictures. (Two minutes after the show had ended, I couldn't recall a line of dialogue, a song lyric, or a melody, but I do remember any number of the show's images.) Before our eyes, for instance, the New York sky line is tipped ninety degrees, so that what begins at street level ends up a bird's-eye view, with buglike yellow cabs skittering below; in another scene, the spider chorines dance before us, with their eight syncopated limbs. In these moments-and there are plenty of them-the audience finds itself exactly where Taymor wants it to be: in a waking dream. The technicians of wonder are the real stars of 'Spider-Man': George Tsypin and his ravishing angular cityscape, with its monumental Cubist and Constructivist touches; Kyle Cooper and his ingenious projection design; Eiko Ishioka and her witty, beautifully made costumes (I loved Swarm, a one-man killer-bee hive, and the Green Goblin's scaly carapace). The stagecraft is about as good as it gets: all 'Spider-Man' needs now is a new book and new songs. Call me, Mister Mercury, this show will never be frozen.'

Michael Riedel reported this morning in the New York Post that SPIDER-MAN producers had reached out to Philip Wm. McKinley to potentially join the production as co-director along with Julie Taymor. In response, a production spokesperson for SPIDER-MAN has issued a statement that 'There is no truth to the rumor of a co-director. The production has not brought anyone on and the original creative team remains firmly in place, with Julie Taymor at the helm.'

Some have compared the situation of SPIDER-MAN: TURN OFF THE DARK to that of a circus, so perhaps it's fitting today that Michael Riedel reports in the New York Post that the production has reached out to Phil McKinley, who has a background directing the Ringling Bros. and Barnum & Bailey Circus. He is also known however, for directing THE BOY FROM OZ on Broadway along with THE DESERT SONG at the New York City Opera, THE MOST HAPPY FELLA and more.

According to a report by Deadline.com, producers of SPIDER-MAN : TURN OFF THE DARK have asked Roberto-Aguirre-Sacasa to rewrite the book to the show. The original book was a collaboration between Julie Taymor and Glen Berger. THis time around, the show will be reworked by a Spidey expert, as Aguirra-Sacasa has written Spider-Man comics for Marvel in the past. Additionally, he penned the book for Dallas Theatre Center's IT'S A PLANE, IT'S SUPERMAN!