Mikhail Baryshnikov News

Break the Floor Productions and Performing Arts Fort Worth are pleased to announce SHAPING SOUND will perform one night only at Bass Performance Hall tonight, January 28, at 7:30 p.m.

Die Produzenten Peter Schneider und Elisabetta di Mambro haben gemeinsam mit Broadway Across America und Mehr! Entertainment die weltweiten Rechte von Sara Gruens Roman WASSER FÜR DIE ELEFANTEN erworben. Der Roman wurde in 43 Landern veroffentlicht und weltweit mehr als zehn Millionen Mal verkauft. Nun wird die erfolgreiche Geschichte auf der Buhne als Musical neu inszeniert.

Open World Dance Foundation has a passion for creating hallmark events and training programs to preserve and promote the traditions and philosophy of classical ballet training. In the summer of 2015, they will bring an illustrious group of instructors to New York unmatched by any other program and unlikely to be repeated. Instructors who have committed to be part of this summer's programs include the world's top pedagogues.

Miss Hill: Making Dance Matter tells the inspiring and largely unknown story of Martha Hill, a visionary whose life was defined by her love for dance, and who successfully fought against great odds to establish modern dance as a legitimate art form in America.

The Baltimore Symphony Orchestra (BSO) Principal Pops Conductor Jack Everly will lead the BSO SuperPops in a concert featuring actor and Broadway star Jason Alexander, tonight, January 22 at 8 p.m. at The Music Center at Strathmore, and on Friday, January 23 at 8 p.m., Saturday January 24 at 8 p.m. and Sunday, January 25 at 3 p.m. at the Joseph Meyerhoff Symphony Hall.

Break the Floor Productions and Performing Arts Fort Worth are pleased to announce SHAPING SOUND will perform one night only at Bass Performance Hall on Wednesday, January 28, at 7:30 p.m. Tickets start at $27.50 and are on sale NOW!

Grammy and Oscar award-winning vocalist ?Patti Austin returns to the Baltimore Symphony Orchestra for a performance devoted to the brilliance of Washington, DC native Duke Ellington and 'The First Lady of Song,' Ella Fitzgerald, Thursday, February 19 at 8 p.m. at The Music Center at Strathmore, and Friday, February 20 at 8 p.m. Saturday, February 21 at 8 p.m. and Sunday, February 22 at 3 p.m. at the Joseph Meyerhoff Symphony Hall.

Continuing in a tradition of storytelling and music, Hershey Felder announces the star cast for the Chicago stage premiere of Academy Award winning director Taylor Hackford's LOUIS AND KEELY, 'LIVE' AT THE SAHARA.

Baryshnikov Arts Center (BAC) celebrates its tenth anniversary in 2015, beginning with the spring season performance and residency series running January 14 to June 28. Programs at BAC throughout 2015 will exemplify the kind of creative engagement for which BAC has earned recognition during the last decade: presenting and nurturing artists from around the world, at varying stages in their careers, and who are working innovatively across disciplines.

Break the Floor Productions and Performing Arts Fort Worth are pleased to announce SHAPING SOUND will perform one night only at Bass Performance Hall on Wednesday, January 28, at 7:30 p.m. Tickets start at $27.50 and are on sale NOW!

Baltimore, Md. (January 12, 2015) — The Baltimore Symphony Orchestra (BSO) Principal Pops Conductor Jack Everly will lead the BSO SuperPops in a concert featuring actor and Broadway star Jason Alexander, Thursday, January 22 at 8 p.m. at The Music Center at Strathmore, and on Friday, January 23 at 8 p.m., Saturday January 24 at 8 p.m. and Sunday, January 25 at 3 p.m. at the Joseph Meyerhoff Symphony Hall. Best known for his iconic portrayal of George Costanza on the hit series “Seinfeld,” Alexander first had a successful and lengthy Broadway career. He joins the Orchestra to reminisce about his remarkable and versatile career on the stage and screen, performing songs from several Broadway favorites, including Music Man, Pippin and Merrily We Roll Along. Please see below for complete program details.

The Baltimore Symphony Orchestra (BSO) Principal Pops Conductor ?Jack Everly will lead the BSO SuperPops in a concert featuring actor and Broadway star Jason Alexander, Thursday, January 22 at 8 p.m. at The Music Center at Strathmore, and on Friday, January 23 at 8 p.m., Saturday January 24 at 8 p.m. and Sunday, January 25 at 3 p.m. at the Joseph Meyerhoff Symphony Hall.

The Willow Theatre in Sugar Sand Park will resonate with the sounds of music in January. No... not 'those' sounds of music, but sounds unique to South Florida... fast paced, exciting, and exotic.

Miss Hill: Making Dance Matter tells the inspiring and largely unknown story of Martha Hill, a visionary whose life was defined by her love for dance, and who successfully fought against great odds to establish modern dance as a legitimate art form in America.

According to his official website, stage and screen star Rene Auberjonois will make his musical return in ENTER LAUGHING- THE MUSICAL, playing at the Wallis Annenberg Center for the Performing Arts February 10 - March 1, 2015. Based on the play of the same name, the musical features a book by Joseph Stein and music & lyrics by Stan Daniels.

The Merce Cunningham Trust (MCT), founded to preserve and extend the artistic legacy of the choreographer Merce Cunningham, announces major gifts to two significant arts organizations. The Trust has awarded the Foundation for Contemporary Arts (FCA) $375,000 to establish and endow the Merce Cunningham Award, and the Baryshnikov Art Center (BAC) $250,000 to support the establishment of The John Cage and Merce Cunningham Studio, as well as the creation of a Cage Cunningham Fellowship.

As part of the tenth edition of the COIL festival, Performance Space 122 and New Ohio Theatre present the world premiere of Sorry Robot, the playwriting debut of beloved performer and Bessie-Award-winning composer Mike Iveson, best know for his work with Sibyl Kempson, Elevator Repair Service and choreographer Sarah Michelson. In Sorry Robot, four performers and a piano create a haunting world where robots long to experience the same emotions that their embarrassing, sort-of-pathetic human masters feel. In a hotel that doubles as a software development facility in an ever-dystopian Florida, the machines of the future set out to prove they can do almost anything but shut up.