Michael Tippett News

Maggie Smith was presented with the Critics' Circle Award 2015 for Services to the Arts at a private lunch held at the National Liberal Club in London on March 31, receiving an engraved crystal rose bowl. The event hosted byJeffery Taylor, president of the Critics' Circle and Mark Shenton, chairman of the Drama section of the Critics' Circle. 

Finnish violinist, Pekka Kuusisto, kicks off the ACO's 2016 national season in his new role as Artistic Director of ACO Collective (formerly known as ACO2).

To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?

To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?

Liverpool's Unity Theatre is delighted to announce the appointment of Matthew Linley as Artistic Director and Chief Executive Officer.

Joy In Singing presents the debut recital of soprano Tami Petty, winner of its 2014 Artist Award, tonight, October 29th at 8 at Merkin Concert Hall.

Joy In Singing proudly presents the debut recital of soprano Tami Petty, winner of its 2014 Artist Award, on Wednesday, October 29th at 8 at Merkin Concert Hall.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, tonight, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

Audiences are set to enjoy Olivier Award-winning performances if they head to Exeter Northcott Theatre next month.

This most ambitious season is themed around ancient and modern myths, starting with Mozart's final opera, The Magic Flute. Arguably, the world's favourite opera, its wit and charm has enchanted music-lovers of all ages for hundreds of years. ETO's second offering at The Marlowe Theatre is Michael Tippett's King Priam, a tale of gods and men, character and destiny, set in the world of classical myth in the besieged city of Troy.

This most ambitious season is themed around ancient and modern myths, starting with Mozart's final opera, The Magic Flute. Arguably, the world's favourite opera, its wit and charm has enchanted music-lovers of all ages for hundreds of years. ETO's second offering at The Marlowe Theatre is Michael Tippett's King Priam, a tale of gods and men, character and destiny, set in the world of classical myth in the besieged city of Troy.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, on Thursday, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

Tonight, April 4 at 7:30 p.m. in Weill Recital Hall, violinist Pamela Frank, violist Nobuko Imai, and cellist Clemens Hagen perform Johann Sebastian Bach's Goldberg Variations, BWV 988, arranged for strings by Dmitry Sitkovetsky. Originally composed for harpsichord Bach's work takes listeners on an aural journey through 30 variations of a single aria in an array of styles and forms. Named after harpsichordist, Johann Gottlieb Goldberg, the probable first performer, this work remains a monument of virtuosity, now given a refreshing update in this singular arrangement for strings.

The Little Orchestra Society is reaching out to fellow New Yorkers to help craft its new name. Long time fans of the Orchestra and new enthusiasts alike will have the opportunity to submit their favorite names for an institution beloved by generations of concert-goers. Today through March 9th, music lovers are invited to visit the Orchestra's website: littleorchestra.org, and recommend a new name for an Orchestra known for its audience engagement, inclusive educational mission and commitment to innovative music and multi-disciplinary performances. The Orchestra's new name will be announced later this year.

On Friday, April 4 at 7:30 p.m. in Weill Recital Hall, violinist Pamela Frank, violist Nobuko Imai, and cellist Clemens Hagen perform Johann Sebastian Bach's Goldberg Variations, BWV 988, arranged for strings by Dmitry Sitkovetsky. Originally composed for harpsichord Bach's work takes listeners on an aural journey through 30 variations of a single aria in an array of styles and forms. Named after harpsichordist, Johann Gottlieb Goldberg, the probable first performer, this work remains a monument of virtuosity, now given a refreshing update in this singular arrangement for strings.

In the New York Philharmonic's concerts this week celebrating the centennial of English composer, conductor, and pianist Benjamin Britten, conducted by Music Director Alan Gilbert, tenors Dominic Armstrong, Anthony Dean Griffey, and Michael Slattery will replace Paul Appleby, who has withdrawn due to illness. On November 21-22, 2013, Michael Slattery will make his Philharmonic debut in Britten's Serenade for Tenor, Horn, and Strings, and tenor Dominic Armstrong will make his Philharmonic debut in Britten's Spring Symphony. The concert on November 23 will feature tenor Anthony Dean Griffey in both works, and he will sing the Serenade on November 26 on a program that also includes Mozart's Symphonies Nos. 39 and 41, Jupiter.

Music Director Alan Gilbert will lead the New York Philharmonic in a celebration of the centennial of English composer, conductor, and pianist Benjamin Britten. The program will include Britten's Serenade for Tenor, Horn, and Strings, featuring tenor Paul Appleby and Philharmonic Principal Horn Philip Myers, and Britten's Spring Symphony, with soprano Kate Royal (in her Philharmonic debut), mezzo-soprano Sasha Cooke (Philharmonic subscription debut), tenor Paul Appleby, New York Choral Artists directed by Joseph Flummerfelt, and Brooklyn Youth Chorus directed by Dianne Berkun-Menaker. The concerts, which include a performance on the composer's 100th birthday, November 22, will take place tonight, November 21, 2013, at 7:30 p.m.; Friday, November 22 at 8:00 p.m.; and Saturday, November 23 at 8:00 p.m.

Bernard Labadie will return to the New York Philharmonic to conduct Mozart's Requiem; J.S. Bach's Cantata No. 51, Jauchzet Gott in allen Landen!; and Handel's 'Let the Bright Seraphim' from Samson. The program's soloists will include soprano Miah Persson, mezzo- soprano Stephanie Blythe, tenor Frederic Antoun in his Philharmonic debut, bass Andrew Foster- Williams, Philharmonic Principal Trumpet Philip Smith, and the New York Choral Artists directed by Joseph Flummerfelt. The concerts will take place tonight, November 7, 2013, at 7:30 p.m.; Friday, November 8 at 8:00 p.m.; and Saturday, November 9 at 8:00 p.m.

The Bach Festival Society of Winter Park has announced the program for the November 9 and 10, 2013, choral concerts. The program includesHymn of Eternal Flame by Stephen Paulus, featuring the Bach Festival Choir; Remembrance by Michael Isaacson, featuring Joni Roos, violin; Theme From Schindler's List by John Williams, featuring Brenda Higgins, cello; Little David Play Your Harp by Morton Gould; and The Road Home by Stephen Paulus, featuring the Bach Festival Choir.

Artistic Director Daniel Evans today reveals Sheffield Theatres' spring season for 2014. The spring includes a season of work dedicated to playwright Brian Friel running across all three auditoria, the world premiere of a new dance-theatre adaptation of Kes, by Barnsley born director Jonathan Watkins; a major revival of fast-paced French farce Boeing Boeing, directed by Jonathan Humphreys, and The Sheffield Mysteries, the new Sheffield People's Theatre production directed by Daniel Evans. The company will also co-produce a brand new production with Third Angel, The Life and Loves of a Nobody.