Lorin Maazel News

The Pittsburgh Symphony Orchestra continues its commitment to nurture new work and young composers with its 11th Annual Reading Session today, March 21 at 11 a.m. in Heinz Hall for the Performing Arts.

Jeanette Sorrell returns to Heinz Hall as guest conductor and harpsichordist for Bach's Coffeehouse, a BNY Mellon Grand Classics weekend with concerts today, March 20 and Sunday, March 22.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

On Saturday, April 18 at 3:00 p.m. in Stern Auditorium / Perelman Stage, Tony Award winner Jessie Mueller (Beautiful: The Carole King Musical) joins musical director and co-host Leslie Stifelman and director and choreographer Melissa Rae Mahon from Chicago: The Musical, co-host Thomas Cabaniss, and The Broadway All-Star Chorus-comprising top performers from the Great White Way-for a fun, interactive Carnegie Hall Family Concert that gives parents and their children the opportunity to sing and dance along with their favorite Broadway numbers.

Hartford Stage Artistic Director Darko Tresnjak has promoted Elizabeth Williamson, currently Senior Dramaturg and Director of New Play Development for the Tony Award-winning theatre, to the position of Associate Artistic Director. She replaces Maxwell Williams, now Artistic Director of Le Petit Theatre du Vieux Carre in New Orleans.

World-renowned pianist Joyce Yang showcases her dazzling artistry during Sergei Prokofiev's electrifying Third Piano Concerto when the Brevard Symphony Orchestra takes the stage tonight, March 14, 2015, at the King Center for the Performing Arts.

Internationally celebrated pianist Jeffrey Siegel has been soloist with the world's great orchestras, collaborated with many of the pre-eminent conductors of our time, and his ongoing series of Keyboard Conversations flourish in numerous American cities. Harris Center for the Arts is pleased to welcome Mr. Siegel back for yet another of his Keyboard Conversations, concerts with lively commentary.

The Pittsburgh Symphony Orchestra welcomes guest conductor Andres Orozco-Estrada for his Heinz Hall debut in "Four Horns," A BNY Mellon Grand Classics concert weekend, March 27-29.

For more than 60 years, audiences have fallen in love with 'Singin' in the Rain' and its award-winning on-screen performances by Gene Kelly, Donald O'Connor and Debbie Reynolds. This weekend, March 13-15, audiences can experience the film in a new way with the Pittsburgh Symphony Orchestra as part of the PNC Pops series.

Baritone Mark Stone, in his New York Philharmonic debut, will replace Simon Keenlyside, who has withdrawn due to illness, in the performances of the U.S. Premiere of Thomas Ades's Totentanz, led by the composer in his Philharmonic conducting debut, and also featuring mezzo- soprano Christianne Stotijn in her Philharmonic debut. The performances will also feature Beethoven's Symphony No. 1 and Berlioz's Les Francs-juges Overture, tonight, March 12, 2015, at 7:30 p.m.; Friday, March 13 at 7:30 p.m.; and Saturday, March 14 at 8:00 p.m.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

After a worldwide search, Houston Grand Opera has chosen seven new members for the 2015–16 HGO Studioprogram. One of the most respected and highly competitive young artist programs in the world, the HGO Studio provides comprehensivecareer development to young singers, pianist/coaches, and conductors who have demonstrated potential to make major contributions to thefield of opera. The HGO Studio received applications from 500 artists; of those, about 275 were heard in Houston, New York, Philadelphia,Cincinnati, and San Francisco. For singers, the audition process culminates in HGO's annual Eleanor McCollum Competition Concert of Arias, held this year on February 5.

World-renowned pianist Joyce Yang showcases her dazzling artistry during Sergei Prokofiev's electrifying Third Piano Concerto when the Brevard Symphony Orchestra takes the stage on Saturday, March 14, 2015, at the King Center for the Performing Arts.

Composer-conductor Thomas Ade?s will make his New York Philharmonic conducting debut leading the U.S. Premiere of his Totentanz, featuring mezzo-soprano Christianne Stotijn and baritone Mark Stone; Beethoven's Symphony No. 1; and Berlioz's Les Francs-juges Overture, Thursday, March 12, 2015, at 7:30 p.m.; Friday, March 13 at 7:30 p.m.; and Saturday, March 14 at 8:00 p.m.

PITTSBURGH - It's going to get hot in Heinz Hall during the BNY Mellon Grand Classics: Stravinsky's Firebird this weekend, March 6-8.

PITTSBURGH – Jeanette Sorrell returns to Heinz Hall as guest conductor and harpsichordist for Bach's Coffeehouse, a BNY Mellon Grand Classics weekend with concerts Friday, March 20 and Sunday, March 22.

The Pittsburgh Symphony Orchestra continues its commitment to nurture new work and young composers with its 11th Annual Reading Session on Saturday, March 21 at 11 a.m. in Heinz Hall for the Performing Arts.

February 11, 2015 - Richmond, Virginia Diva showstoppers from Broadway, opera and popular music join the Richmond Symphony for a wicked good time today, February 28 at 8:00 p.m. at the Carpenter Theatre at Richmond CenterStage. Wicked Divas presents music from the Tony Award-winning musical along with other favorites! Enjoy selections from Gypsy, Ragtime, of course, Wicked for an unforgettable night of the best from the Great White Way. The concert also includes popular music from Chicago, Diana Ross and more and will be led by Associate Conductor, Keitaro Harada. Tickets start at $10 online at richmondsymphony.com or 1.800.514 ETIX. College student tickets are $7 at the Richmond CenterStage box office with valid student ID.

Vancouver, BC ~ Are you ready to waltz? Rehearsals are underway for VO's rollicking production of Die Fledermaus, onstage for four performances only at the Queen Elizabeth Theatre. Vancouverites are in for a treat as the all-Canadian cast gets ready to make audiences laugh with mistaken identities, hypnosis by pocket watch, plenty of bubbly, and of course, the delightful music of Johann Strauss Jr.

Break out the champagne! Every night will be party night when VO's intoxicating Die Fledermaus hits the Queen Elizabeth. Be prepared to laugh as the all-Canadian cast transports audiences to high society Vienna, complete with costume swaps, mistaken identities, hypnosis by pocket watch and plenty of bubbly.