John Corigliano News

Variety reports that Kristin Chenoweth has been picked to star in NBC's David E. Kelley legal drama 'Legally Mad,' which takes place at a Chicago law practice.

Theatre Askew will present the World Premiere of CORNBURY: THE QUEEN'S GOVERNOR, a play by Tony Award and Pulitzer Prize-nominated writer William M. Hoffman and Anthony Holland. This satirical look at a lost chapter in New York history stars Obie Award winning actors David Greenspan and Everett Quinton. Previews begin January 24, 2009 at the Hudson Guild Theatre.

Ren?e Fleming and Thomas Hampson star in the Met's first new production of Jules Massenet's richly melodic Tha?s in thirty years. The rarely performed opera opens at the Met on Monday, December 8, and runs through January 8, with the December 20 matinee transmitted live worldwide as part of The Met: Live in HD series. 'Fleming and Hampson made a heavenly match,' Chicago Sun-Times critic Wynne Delacoma wrote when this production, which comes from the Lyric Opera of Chicago, opened there in 2002.

Entertainment Weekly is reporting that Kristin Chenoweth (whose most recent TV gig, Pushing Daisies, appears to be all but cancelled) has joined the cast of Fox's new animated comedy Sit Down, Shut Up, about the staff at a small-town Florida high school.

Ren?e Fleming and Thomas Hampson star in the Met's first new production of Jules Massenet's richly melodic Tha?s in thirty years. The rarely performed opera opens at the Met on Monday, December 8, and runs through January 8, with the December 20 matinee transmitted live worldwide as part of The Met: Live in HD series. 'Fleming and Hampson made a heavenly match,' Chicago Sun-Times critic Wynne Delacoma wrote when this production, which comes from the Lyric Opera of Chicago, opened there in 2002.

The Metropolitan Opera celebrates its 125th anniversary year with a unique gala performance on March 15, 2009 at 6:00 p.m., featuring Met stars in recreations of historic classic productions and high points in the company's past. Music Director James Levine conducts the evening of 26 staged scenes that, with the use of projections, and scenic and costume recreations, will evoke the Met's illustrious history.

The Metropolitan Opera has cancelled a highly anticipated 2010 production of John Corigliano's 'Ghosts of Versailles' due to the economic downturn.

Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.

The Met's acclaimed production of Puccini's Madama Butterfly, directed by the late Academy Award-winning film director Anthony Minghella, returns to the stage for twelve performances beginning Friday, October 24, 2008. Reprising their portrayals in the production this season are sopranos Patricia Racette and Cristina Gallardo-Domâs in the title role, tenors Roberto Aronica and Marcello Giordani as Pinkerton, and baritone Dwayne Croft as Sharpless. Patrick Summers conducts the opera for the first time at Met.

Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.

The Met's acclaimed production of Puccini's Madama Butterfly, directed by the late Academy Award-winning film director Anthony Minghella, returns to the stage for twelve performances beginning Friday, October 24, 2008. Reprising their portrayals in the production this season are sopranos Patricia Racette and Cristina Gallardo-Domâs in the title role, tenors Roberto Aronica and Marcello Giordani as Pinkerton, and baritone Dwayne Croft as Sharpless. Patrick Summers conducts the opera for the first time at Met.

Thanks to the generosity of one of its board members, the Metropolitan Opera announced today that a number of prime orchestra seats, usually $175 - $220, will be available for $30 for all nine performances of John Adams's Doctor Atomic. Agnes Varis, a managing director of the Met board, and her husband Karl Leichtman, have purchased $500,000 worth of some of the best orchestra seats for Doctor Atomic, so that they can be redistributed at this lower price.

For the first time, the Metropolitan Opera will present a work by Pulitzer Prize-winning composer John Adams: Doctor Atomic, his opera about J. Robert Oppenheimer and the creation of the atomic bomb. The piece is set in New Mexico in the summer of 1945, as scientists, led by Oppenheimer, and the military prepare to test the first nuclear bomb, events that will radically change the course and fabric of history. The new production, starring Gerald Finley in the title role, will open at the Met on Monday, October 13, at 8:00 p.m. When the opera premiered in San Francisco in October of 2005, The Guardian said, 'Adams's ecstatically lyrical writing and the music's visionary eloquence make this a modern masterpiece.' The New York Times later wrote that Doctor Atomic was 'the most complex and inventive of Mr. Adams's works, an engrossing operatic drama.'

Franco Zeffirelli's lavish production of Verdi's poignant masterpiece about love and sacrifice, La Traviata, returns to the Metropolitan Opera stage on October 20 for nine performances through November 20, 2008. Anja Harteros sings the title role for the first time at the Met.

The Atlanta Symphony Orchestra will present a four week 'American Originals' festival, celebrating music written by American and European composers while living in America. The festival opens with a program of works by Bernstein, Barber and Rachmaninov on Thursday, October 30, 2008, and concludes with the Atlanta debut of a concert-staged production of John Adams' Dr. Atomic on Sunday, November 23, 2008.

Continuing its innovative use of electronic media to reach a global audience, the Metropolitan Opera introduces Met Player, a new subscription service that will make its extensive video and audio catalog of full-length performances available to the public for the first time online, and in exceptional, state-of-the-art quality. Beginning on October 22, 120 historic audio recordings and 50 full-length opera videos will be available during the first month of the new service, including over a dozen of the company's acclaimed The Met: Live in HD transmissions, known for their extraordinary sound and picture quality. New content, including HD productions and archival broadcasts, will be added monthly.

The Metropolitan Opera opens its 2008-09 season on September 22 with a gala performance that kicks off its 125th anniversary, starring Renée Fleming in three fully-staged scenes, including some of her most acclaimed portrayals. Costumes for Fleming have been specially created for each of the scenes in the Opening Night Gala by three of the world's legendary fashion designers: John Galliano, Christian Lacroix, and Karl Lagerfeld for Chanel.

Absurdist singer/guitarist Aldo Perez and company will host an evening of clown cabaret. The Renaldo Ensemble is a musical exercise in human ridiculousness and musically flits between bizarre episodes and silly antics.

Two of opera's leading sopranos - both acclaimed for their dramatic and vocal skills - sing the demanding title role in Donizetti's Lucia di Lammermoor for the first time at the Met this season. In the opening performance, October 3, 2008, Diana Damrau - who last season became the first soprano to achieve the feat of singing both leading soprano roles in Mozart's Die Zauberflote, Pamina and the Queen of the Night, in the same Met season - sings the role of Lucia for the first time in her career. Polish tenor Piotr Beczala is her beloved Edgardo in his Met role debut.

When Erwin Schrott took on the title role in Mozart's Don Giovanni last year at London's Royal Opera House, Covent Garden, The New York Times wrote: 'The surprise was the riveting Giovanni: the seductively handsome young Uruguayan bass Erwin Schrott, who boasts a strong, dusky voice and chiseled physique. Exuding charisma, he galvanized the audience with his unabashedly narcissistic portrayal.' Now Schrott, who sang the role when the Met toured Japan in 2006, is bringing his portrayal to the Met stage for the first time beginning Saturday, September 27.