Cameron Anderson News

The Niceties begins performances this Friday, October 12 at The Studio at Stage II - Harold and Mimi Steinberg New Play Series at New York City Center (131 W. 55th Street). Get a first look at the production below!

Brookline playwright and former Huntington Playwriting Fellow Eleanor Burgess captures the zeitgeist in her fast-paced and intense new play, THE NICETIES, now receiving its world premiere by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts. Inspired by a 2015 firestorm at Yale University, her alma mater, Burgess dives head first into the deep end of racial politics in academia, and tackles difficult questions that are most often avoided in discourse in America today. She employs a millennial black student and a 60-year old white professor to effectively argue opposing sides of the debate, but Burgess is smart enough not to choose sides, leaving it up to the audience to contemplate their own thoughts and feelings.

After developmental productions that drew high praise from prominent theatre critics, and left audiences alternately speechless and effusive, engaged and enraged, the Huntington Theatre Company presents the world premiere of Eleanor Burgess's explosive new play, The Niceties, running August 31 to October 6 at the South End/Calderwood Pavilion at the Boston Center for the Arts. The Huntington is pleased to produce the play in association with two other leading theatre companies. The production will move Off Broadway to Manhattan Theatre Club immediately following the Boston run, and then continue on to Princeton, NJ for performances at McCarter Theatre Center.  

MTC announces casting for the first two 2018-2019 New York City Center productions: India Pale Ale, the world premiere by Jaclyn Backhaus, and The Niceties, the New York premiere by Eleanor Burgess, in association with Huntington Theatre Company and McCarter Theatre Center.

After developmental productions that drew high praise from prominent theatre critics, and left audiences alternately speechless and effusive, engaged and enraged, the Huntington Theatre Company presents the world premiere of Eleanor Burgess's explosive new play, The Niceties, running August 31 to October 6 at the South End/Calderwood Pavilion at the Boston Center for the Arts. The Huntington is pleased to produce the play in association with two other leading theatre companies. The production will move Off Broadway to Manhattan Theatre Club immediately following the Boston run, and then continue on to Princeton, NJ for performances at McCarter Theatre Center.  

Boston Playwrights' Theatre hosted the North American premiere of THE ROSENBERGS (AN OPERA) the past two weekends. It moves to Spingold Theater Center at Brandeis University for three performances next weekend. A co-production of Boston University and Brandeis, the opera features music by Joachim Holbek, libretto by Rhea Leman, and is directed by Dmitry Troyanovsky. Moving performances by Brian Church and Christie Lee Gibson breathe life into Julius and Ethel Rosenberg as real people who lived a tragic love story.

Opera Saratoga's Artistic and General Director Lawrence Edelson announced the complete casting and programming for the company's 2018 Summer Festival, which will feature new productions of four operas at The Spa Little Theater in Spa State Park, along with a wide variety of free and ticketed concert events from May 26th through July 15th at venues throughout the region. Single tickets, as well as subscription packages, are on sale now at www.operasaratoga.org.

Trinity Repertory Company will open the heartwarming new comedy Into the Breeches! this month. Set in 1942 Providence, the play follows the women of the fictional Oberon Playhouse, who endeavor to continue with their Shakespearean production even though the company's men (including their director) are fighting overseas in World War II. The women's dedication to each other and the theater is a delightful celebration of art and community.

Trinity Repertory Company will open the heartwarming new comedy Into the Breeches! this month. Set in 1942 Providence, the play follows the women of the fictional Oberon Playhouse, who endeavor to continue with their Shakespearean production even though the company's men (including their director) are fighting overseas in World War II. The women's dedication to each other and the theater is a delightful celebration of art and community.

Actors' Shakespeare Project opens its 14th season, The Downfall of Despots, with a comedy about a narcissistic despot who is having difficulty accepting his mortality. Director Dmitry Troyanovsky has the good fortune to work with a stellar ensemble, lead by the inimitable Richard Snee, and Sarah Newhouse and Jesse Hinson as his two dissimilar wives. Rounding out the cast are Dayenne Walters, Rachel Belleman, and Gunnar Manchester.

When Assistant Professor Dmitry Troyanovsky '98 chose his first production for the Brandeis Department of Theater Arts, he did not hesitate to fix his gaze beyond the borders of the United States.

Actors' Shakespeare Project begins Season 14 with Eugene Ionesco's Exit The King, a parable on ego and mortality offering comedic respite from real-life woes that some may find topical, even cautionary.

Actors' Shakespeare Project begins Season 14 with Eugene Ionesco's Exit The King, a parable on ego and mortality offering comedic respite from real-life woes that some may find topical, even cautionary.

Well, three cheers for On Site Opera, for completing its trilogy of works based on Beaumarchais' 18th century 'Figaro' plays and digging deep into the repertoire to deliver some lesser known works. First, a BARBIERE DI SIVIGLIA not by Rossini (theirs, by Giovanni Paisiello) and then a FIGARO not by Mozart (instead, Marcos Portugal). This week, the whip-smart company presented the American premiere, in partnership with the Darius Milhaud Society, of Milhaud's LA MERE COUPABLE (THE GUILTY MOTHER), based on the least known and, to some, the unknown, among the Beaumarchais plays.

SpeakEasy Stage Company's Boston premiere of Marsha Norman's (Book) and Jason Robert Brown's (Music and Lyrics) adaptation of Robert James Waller's novel is elevated by the luminescent Jennifer Ellis and hunky Christiaan Smith. The libretto wobbles, but the leads and ensemble warble Brown's soaring score beautifully. Bring tissues.

From May 6 - June 3, 2017, SpeakEasy Stage Company will proudly present the Boston Premiere of THE BRIDGES OF MADISON COUNTY, a lush, lyrical musical by Tony Award-winners Marsha Norman (book) and Jason Robert Brown (music & lyrics), based on the best-selling novel by Robert James Waller.

The Screwtape Letters, the provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon's point of view, will play the Christmas season at Park Theatre from tonight 8 December 2016 - 7 January 2017, with a press night on 9 December.

The Screwtape Letters, the provocative and wickedly witty theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon's point of view, will play the Christmas season at Park Theatre from 8 December 2016 - 7 January 2017, with a press night on 9 December.

The Screwtape Letters, the provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon's point of view, will play the Christmas season at Park Theatre from 8 December 2016 - 7 January 2017, with a press night on 9 December.

“Bride's side or groom's? I'm Count Almaviva,” said the elegant actor as we entered what, we are told, is the Count's summer palace. “Bride's side or groom's?” says the seductive brunette in a bath towel, stepping out of the tub. She introduces herself as the Countess, Rosina. Upstairs, downstairs, in my lady's chamber (and the atrium), we are cordially invited to the world of THE MARRIAGE OF FIGARO--the name of the event as well as the opera--joining the Jack of all trades and the lovely Susanna, compliments of the ever-creative On Site Opera.