Tammie Whited

Hailed as a a?oenear-perfect movie musical,a?? Singin' in the Rain is nonetheless a challenge for companies mounting a full-scale version of it a?oelive and onstage.a?? It's not just about making it rain onstage during the show's eponymous song and dance number, but more about capturing the magic of bringing movies to life without all the technical wizardry of a film studio at one's behest.

Somewhere among the cards and letters, photographs and souvenirs from my misspent youth is a picture (circa 1978) of me clad in a powder blue tuxedo, with a ruffled-front shirt edged in the same hue, all capped off by an impossibly wide bow tie to match a?" my costume to serve as a groomsman in the wedding of two friends. That image has been prominent in my mind for the past 12 hours after experiencing déjà vu of a particular sort, thanks to a rousing, rollicking and downright rocking production of The Wedding Singer, the latest offering at Chaffin's Barn Dinner Theatre, which opened last night and continues through October 19 at the venerable Nashville venue.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

No matter how hackneyed and corny the script, if you have an experienced ensemble of actors who are adept at physical comedy, who have perfected their timing through years onstage and who are relatively fearless in their approach to a script (any script, most likely), chances are you can deliver a show that audiences will find delightful. That's certainly the case with If The Shoe Fits, the comedy now onstage through February 13 at Gaslight Dinner Theatre, the company in residence at Freed Hardeman University's Renaissance Center in Dickson.

Thus, we are happy to present one of our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come

Thus, we are happy to present one of our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2016 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

Granted, most of my research can be credited to two plays by J. Dietz Osborne and Nate Eppler (known professionally as the eponymously named Osborne and Eppler, in the spirit of Rodgers and Hart, Rodgers and Hammerstein, Kaufman and Hart and George and Ira…Gershwin…which sorta ruins the sound of my sentence, but what can you do?), an impressive and noteworthy Nashville playwriting team, who seemingly have cornered the theatrical market on such Dixiefied ceremonies and celebrations in their comedies Southern Fried Funeral (which was debuted by Franklin's Bethlehem Players in 2010) and Southern Fried Nuptials (now onstage at Bethlehem Methodist Church in its world premiere production). I'll be sure to include them in the footnotes when my findings are published.

First presented in 2010 by the Bethlehem Players (of Franklin's Bethlehem United Methodist Church), Southern Fried Funeral, now onstage through November 26 at Chaffin's Barn Dinner Theatre (where Osborne and Eppler staged their First Night Award-winning Rear Widow last year), is aging gracefully, taking on the patina normally reserved for the sterling silver serving pieces in that breakfront in the dining room. Lustrous and heartfelt - yet uproariously funny in a way that only Southerners can be - the story told in Southern Fried Funeral is authentic and genuine, farfetched and unbelievable.

Southern Fried Funeral, the latest collaboration from playwrights Dietz Osborne and Nate Eppler, opens at Chaffin's Barn Dinner Theatre on October 22, running through November 26 at the venerable Nashville dinner theater.

Southern Fried Funeral, the latest collaboration from playwrights Dietz Osborne and Nate Eppler, opens at Chaffin's Barn Dinner Theatre on October 22, running through November 26 at the venerable Nashville dinner theater.

One of the new events added to the line-up for 2011 First Night, The Theatre Honors was The Women In Theatre Luncheon - which saluted the inaugural eight recipients of The First Night Star Award - held Tuesday, August 30, at The Listening Room Cafe in Cummins Station. Co-chaired by Corrie Miller and Neely O'Brien Green, the event was produced by Jeffrey Ellis, founder and executive producer of First Night.

Chaffin's Barn, the venerable Nashville theatrical venue where you get top-flight productions served up alongside some mighty tasty roast beef, is on a roll this year. Coming off the success of its excellent production of 'Til Beth Do Us Part, Chaffin's mines their estimable comedy vault to bring back Larry Shue's Southern-fried and Georgia-bred classic The Foreigner - and audiences will be flocking to the Barn for a thoroughly delightful experience.

Derek Whittaker stars in the title role in the latest incarnation of The Foreigner, Larry Shue's classic stage comedy, opening at Chaffin's Barn Dinner Theatre March 24, running through April 30. The production is helmed by director Dietz Osborne.

Derek Whittaker stars in the title role in the latest incarnation of The Foreigner, Larry Shue's classic stage comedy, opening at Chaffin's Barn Dinner Theatre March 24, running through April 30. The production is helmed by director Dietz Osborne.

At first blush, Beth Bailey - the anti-heroine of 'Til Beth Do Us Part, the new comedy from the crackerjack writing triumvirate otherwise known as Jessie Jones, Nicholas Hope and Jamie Wooten - is a Southern-bred, country-fried rube with questionable fashion taste and amazing organizational skills. Delve a little bit deeper and you'll find that she's a manipulative, conniving bitch of a 100% cotton barracuda. And played by Kim Thornton Nygren, she's one heck of looker with a flair for over-the-top pratfalls and expert timing.

Just in time for Valentine's Day, Chaffin's Barn Dinner Theatre presents 'Til Beth Do Us Part, a comedy by Jessie Jones, Nicholas Hope, and Jamie Wooten - the successful trio of playwrights behind Dearly Beloved and Christmas Belles - for a February 10-March 19 run at the venerable Nashville dinner theater. Directed by Martha Wilkinson, 'Til Beth Do Us Part features Lydia Bushfield, Warren Gore, Kim Nygren, Debbie Kraski, Tammie Whited and Charlie Winton.

Just in time for Valentine's Day, Chaffin's Barn Dinner Theatre presents 'Til Beth Do Us Part, a comedy by Jessie Jones, Nicholas Hope, and Jamie Wooten - the successful trio of playwrights behind Dearly Beloved and Christmas Belles - for a February 10-March 19 run at the venerable Nashville dinner theater. Directed by Martha Wilkinson, 'Til Beth Do Us Part features Lydia Bushfield, Warren Gore, Kim Nygren, Debbie Kraski, Tammie Whited and Charlie Winton.

Chaffin's Barn Dinner Theatre offers up two home-grown productions for the holiday season, with Martha Wilkinson's It's A Wonderful Wife, running November 18 through December 31 on the mainstage of the venerable dinner theater, and John Chaffin's The Late, Late Show in residence on the Backstage at the Barn stage November 23-December 31.

Chaffin's Barn Dinner Theatre offers up two home-grown productions for the holiday season, with Martha Wilkinson's It's A Wonderful Wife, running November 18 through December 31 on the mainstage of the venerable dinner theater, and John Chaffin's The Late, Late Show in residence on the Backstage at the Barn stage November 23-December 31.

In Chaffin's comedy, an inept private detective (whose car breaks down on a lonely stretch of country road late at night in a rain storm) seeks shelter in a secluded country mansion, only to be greeted at the door by a beautiful yet strange young woman - and a corpse lying on the foyer floor. It's the butler and hes been stabbed to death!