Sandra Ross

Franz Welser-M st will lead concerts on three continents as part of The Cleveland Orchestra's 100th season in 2017-18, including two trips to Europe, appearances in New York City, and a return to Tokyo's Suntory Hall. All told, over 20 concerts are planned across seven weeks of touring, in addition to the Orchestra's regular home season in Cleveland at Severance Hall.

Music Director Franz Welser-Most continues his emphasis on operatic and choral repertoire with a compelling new production of Leos Janacek's The Cunning Little Vixen, performed with The Cleveland Orchestra at Severance Hall today, May 17-24. Presented with innovative and original animation, this world premiere production explores the depths of human experience in a charming tale of love, peril, freedom, and family. On the surface, the opera's story is about childish things, but underneath, human emotions boil over and burst apart between the 'animals of the forest' and their human interlocutors.

Music Director Franz Welser-Most continues his emphasis on operatic and choral repertoire with a compelling new production of Leos Janacek's The Cunning Little Vixen, performed with The Cleveland Orchestra at Severance Hall, May 17-24. Presented with innovative and original animation, this world premiere production explores the depths of human experience in a charming tale of love, peril, freedom, and family. On the surface, the opera's story is about childish things, but underneath, human emotions boil over and burst apart between the 'animals of the forest' and their human interlocutors. Click below to go behind the making of the production!

Music Director Franz Welser-Most continues his emphasis on operatic and choral repertoire with a compelling new production of Leos Janacek's The Cunning Little Vixen, performed with The Cleveland Orchestra at Severance Hall May 17-24. Presented with innovative and original animation, this world premiere production explores the depths of human experience in a charming tale of love, peril, freedom, and family. On the surface, the opera's story is about childish things, but underneath, human emotions boil over and burst apart between the 'animals of the forest' and their human interlocutors.

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