Olivia Cristina Delgado

Los Angeles Chamber Orchestra concludes its critically acclaimed CLOSE QUARTERS interdisciplinary digital series melding musical and visual arts with a joyous and optimistic episode featuring Tchaikovsky's enduring masterpiece Serenade for Strings laced with a poignant visual tone poem that reflects the diverse artistic family that LACO built through the series and chronicles Los Angeles' emergence from the global pandemic.

Los Angeles Chamber Orchestra will continue its all-digital 2020-21 Season, CLOSE QUARTERS, with two varied  visual episodes curated musically by Latin GRAMMY®-nominated composer Juan Pablo Contreras, premiering Fridays, January 1 and January 15, 2021, 6:30 pm (PT).

24th Street Theatre finds color in the lives of two orphan girls living in a silent film world of black, white and varying shades of gray. Debbie Devine directs the West Coast premiere of Kerry Muir's magical, surreal, dream-like movie-within-a play, The Night Buster Keaton Dreamed Me, for an April 11 opening. Performances will continue through May 31, with low-priced previews taking place March 28 through April 5.

Hero Theatre announced today that One Day at a Time stars Justina Machado and Isabella Gomez, Jane the Virgin's Ivonne Coll and Imagen Award-winning veteran stage and film actress Wanda De Jesus round out the company of Hero Theatre's The Floating Island Plays.

Thomas Gibbons' rarely seen exploration of responsibility in reporting black culture and sensibility Bee-Luther-Hatchee is receiving an engrossing production at Sierra Madre Playhouse with meticulous direction from Saundra McClain and a superb cast of five,

The essence of Latino Theatre Company's monumental production of A MEXICAN TRILOGY: An American Story is beautifully captured in the simple photograph above. In this starry night scene, a family poised on the edge of major change looks to the infinite sky with hope. Quietly, in these few moments of silence, we as audience members know exactly how they feel. For what parent has not dreamed of providing a better life for his or her children and what child has not longed for a future where dreams come true?

An epic, theatrical event! For the first time, Evelina Fernandez's award-winning trilogy, 'Faith,' 'Hope' and 'Charity,' will be presented in its entirety as one unforgettable tour de force. The first production in the Latino Theater Company's fall programming celebrating the company's 30th anniversary and its 10th year operating the Los Angeles Theatre Center, audiences can choose to enjoy this adventure over the course of two evenings - or as one thrilling, all-day immersive experience (box dinners available for purchase).

An epic, theatrical event! For the first time, Evelina Fernandez's award-winning trilogy, 'Faith,' 'Hope' and 'Charity,' will be presented in its entirety as one unforgettable tour de force. The first production in the Latino Theater Company's fall programming celebrating the company's 30th anniversary and its 10th year operating the Los Angeles Theatre Center, audiences can choose to enjoy this adventure over the course of two evenings - or as one thrilling, all-day immersive experience (box dinners available for purchase).

An epic, theatrical event! For the first time, Evelina Fernandez's award-winning trilogy, 'Faith,' 'Hope' and 'Charity,' will be presented in its entirety as one unforgettable tour de force. The first production in the Latino Theater Company's fall programming celebrating the company's 30th anniversary and its 10th year operating the Los Angeles Theatre Center, audiences can choose to enjoy this adventure over the course of two evenings - or as one thrilling, all-day immersive experience (box dinners available for purchase).

The Colony Theatre is pleased to announce that it is bringing to its mid-size Equity theatre the wildly successful, LA Times Critic's Choice production of EL GRANDE CIRCUS DE COCA-COLA by Ron House, directed by Alan Shearman and based on El Grande de Coca-Cola by Ron House, Diz White, Alan Shearman, and John Neville-Andrews. Check out photos from the show below!

Ron House's original El Grande de Coca Cola was a huge hit and ran for 3 years off-Broadway. It's about the five-member Hernandez family, an in.your.face incompetent troupe of Mexican cabaret performers who have spent many many years performing in run-down over.the.border clubs. Now House returns with his latest version of the show, an ultra-satirical El Grande Circus de Coca Cola which sold out houses at the Skylight Theatre in Hollywood last summer. It has just reopened at the Colony in Burbank with the same cast headed by Marcelo Tubert as padre Pepe Hernandez. The family may be worthless performers but their Hispanic pride and ambition are unstoppable and drive them across the border into Burbank with the hope of full-out Hollywoodland success. It's lunacy with about a laugh every second, and under Alan Shearman's well-honed direction, the riotous troupe are bound to bring Colony audiences much pre-holiday joy through December 13.

The Colony Theatre is pleased to announce that it is bringing to its mid-size Equity theatre the wildly successful, LA Times Critic's Choice production of EL GRANDE CIRCUS DE COCA-COLA by Ron House, directed by Alan Shearman and based on El Grande de Coca-Cola by Ron House, Diz White, Alan Shearman, and John Neville-Andrews.

Legendary Off-Broadway extravaganza spawns a sequel, El Grande CIRCUS de Coca-Cola is now making its World Premiere in Los Angeles at the Skylight Theatre, and will add performances through September 30, 2015.

Legendary Off-Broadway extravaganza spawns a sequel, El Grande CIRCUS de Coca-Cola is now making its World Premiere in Los Angeles at the Skylight Theatre, and will add performances through September 20, 2015.

The talented five-member cast, directed by Alan Shearman, certainly must be commended on their commitment and enthusiasm as they interact with the audience as second-rate circus artists and plow through their intentionally bad vaudeville routines. Just as a clown must know the correct techniques to pratfall or look ridiculous, best acts hit their intended, targeted reactions of laughter and applause when the audience's allowed to realize the good, solid techniques behind these really bad circus feats.