Marion George

Sierra Madre Playhouse will present The Camera Is Ours, a silent film festival featuring films before and after the passage of the Nineteenth Amendment (1920).

Celebration, under the artistic direction of Michael Matthews & Michael A. Shepperd, has announced that the fastest selling show in its history and the second show in its 2017-2018 season, the Los Angeles intimate theatre premiere of PRISCILLA QUEEN OF THE DESERT The Musical, book by Stephan Elliott and Allan Scott, based on the Latent Image/Specific Films Motion Picture Distributed by Metro-Goldwyn-Mayer Inc., presented in special arrangement with Theatrical Rights Worldwide (TRW) with choreography by Roman Pantoja, musical direction by Jennifer Lin, directed by Jessica Hanna and produced by Stephen Soucy and Jay Marcus is EXTENDING through SUNDAY, APRIL 15 at Celebration Theatre @ the Lex Theatre, 6760 Lexington Ave. in Los Angeles.

Celebration presents under the artistic direction of Michael Matthews & Michael A. Shepperd, the second show in its 2017-2018 season, the Los Angeles intimate theatre premiere of PRISCILLA QUEEN OF THE DESERT The Musical,book by Stephan Elliott and Allan Scott, based on the Latent Image/Specific Films Motion Picture Distributed by Metro-Goldwyn-Mayer Inc., presented in special arrangement with Theatrical Rights Worldwide (TRW) with choreography by Roman Pantoja, musical direction by Jennifer Lin, directed by Jessica Hanna and produced by Stephen Soucy and Jay Marcus.

Vocalist Shepley Metcalf, critically lauded by the Boston Globe as a 'superb cabaret/jazz singer,' is celebrating the release of her third recording, 'Don't Bother to Knock,' with a series of shows on the east coast this Fall. New Yorkers can catch Metcalf at the Metropolitan Room for one show tonight, November 1st at 7pm, singing music from the CD along with some other lesser-known gems from the Great American Songbook. Musical partner, Ron Roy, will be at the piano. The Metropolitan Room is in Manhattan at 34 West 22nd Street. Call 212.206.0440 for reservations or contact: http://metropolitanroom.com . 'Don't Bother to Knock' was released on September 30, 2014.

Vocalist Shepley Metcalf, critically lauded by the Boston Globe as a "superb cabaret/jazz singer," is celebrating the release of her third recording, "Don't Bother to Knock," with a series of shows on the east coast this Fall. New Yorkers can catch Metcalf at the Metropolitan Room for one show on November 1st at 7pm, singing music from the CD along with some other lesser-known gems from the Great American Songbook. Musical partner, Ron Roy, will be at the piano. The Metropolitan Room is in Manhattan at 34 West 22nd Street. Call 212.206.0440 for reservations or contact: http://metropolitanroom.com . "Don't Bother to Knock" was released on September 30, 2014.

Lyric Stage presents the premiere of the restored Rodgers & Hart musical gem TOO MANY GIRLS, tonight, April 26-May 5 in the Irving Arts Center's Carpenter Performance Hall.

Lyric Stage presents the premiere of the restored Rodgers & Hart musical gem TOO MANY GIRLS, April 26-May 5 in the Irving Arts Center's Carpenter Performance Hall.

Lyric Stage presents the premiere of the restored TOO MANY GIRLS April 26-May 5 in the Irving Arts Center's Carpenter Performance Hall. Performances are April 26, 27, May 2, 3 and 4 @ 8:00 PM and April 28 and May 5 @ 2:30 PM. Tickets are available online or by calling the box office @ 972-252-2787.

One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.