Jenni Meador

Horse Trade Theater Group will present Less Than Rent Theatre's World Premiere of Ben Diserens' BECKETT IN BENGHAZI, today, July 25-August 10 at UNDER St. Marks.

Horse Trade Theater Group will present Less Than Rent Theatre's World Premiere of Ben Diserens' BECKETT IN BENGHAZI, July 25-August 10 at UNDER St. Marks (94 St. Marks Place). The production will be directed by James Presson (FringeNYC Award Winner for Directing in 2010) and feature Julie Voshell (Movin' Out; Pop), Becca Ballenger (American Stare), Adam Weppler (Waiting for Lefty with Roundabout; Puppet Hamlet), Rachel B. Joyce (Muskego Lake, Desire! A Varsouviana), Brendan McDonough (Three Sisters with The Assembly), and Patrick Dooley (Words, Razors, and the Wounded Heart). Designs will feature sets by Dan Geggatt (Asuncion; Billy Witch), costumes by Jenni Meador, sound by Emily Auciello (The Dance and the Railroad at Signature Center), choreography by Jennifer Delac, and fight design by Cory Asinofsky (Richard 3).

New Georges presents the World Premiere of Lynn Rosen's (Apple Cove with Women's Project) GOLDOR $ MYTHYKA: A HERO IS BORN directed by Shana Gold (Food and Fadwa with New York Theatre Workshop) now through April 27 at The New Ohio Theatre (154 Christopher Street between Greenwich and Washington). BroadwayWorld has a first look at the cast in action below!

New Georges will present the World Premiere of Lynn Rosen's (Apple Cove with Women's Project) GOLDOR $ MYTHYKA: A HERO IS BORN directed by Shana Gold (Food and Fadwa with New York Theatre Workshop) tonight, April 3-27 at The New Ohio Theatre (154 Christopher Street between Greenwich and Washington).

New Georges will present the World Premiere of Lynn Rosen's (Apple Cove with Women's Project) GOLDOR $ MYTHYKA: A HERO IS BORN directed by Shana Gold (Food and Fadwa with New York Theatre Workshop) April 3-27 at The New Ohio Theatre (154 Christopher Street between Greenwich and Washington).

As I arrive, things in the Walter Kerr Theatre seem fairly at ease. The team is joking and bantering across the house, and the actors mill about comfortably. But, work is happening fervently all around me. Between acts, the play travels 50 years in a 15 minute intermission, and the crew is busy dressing the not-quite-dry set. Will the sanding (and the noise that comes with it) be done in time for the run? And the milling actors are not shy with their questions for playwright Bruce Norris, or director Pam MacKinnon.