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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,445,734 | $1,445,734 | $129 $297 |
11,242 | 11,392 | 8 | 98.70% |
|
ALADDIN (NEW AMSTERDAM) |
$1,457,672 | $1,457,672 | $107 $213 |
13,680 | 13,816 | 8 | 99.00% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$469,296 | $469,296 | $88 $350 |
5,330 | 5,920 | 8 | 90.00% |
|
BE MORE CHILL (LYCEUM) |
$411,116 | $411,116 | $85 $248 |
4,844 | 7,128 | 8 | 68.00% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$623,319 | $623,319 | $92 $247 |
6,810 | 8,208 | 8 | 83.00% |
|
BEETLEJUICE (WINTER GARDEN) |
$818,904 | $818,904 | $81 $298 |
10,086 | 11,944 | 8 | 84.40% |
|
BURN THIS (HUDSON) |
$856,396 | $856,396 | $120 $325 |
7,138 | 7,680 | 8 | 92.90% |
|
CHICAGO (AMBASSADOR) |
$746,861 | $746,861 | $90 $187 |
8,296 | 8,640 | 8 | 96.00% |
|
COME FROM AWAY (SCHOENFELD) |
$959,766 | $959,766 | $113 $297 |
8,471 | 8,368 | 8 | 101.20% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,208,236 | $1,208,236 | $153 $348 |
7,885 | 7,872 | 8 | 100.20% |
|
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (BROADHURST) |
$69,370 | $69,370 | $71 $247 |
974 | 1,163 | 1 | 83.70% |
|
FROZEN (ST. JAMES) |
$1,119,824 | $1,119,824 | $97 $228 |
11,515 | 13,472 | 8 | 85.50% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$314,335 | $314,335 | $54 $273 |
5,817 | 6,160 | 8 | 94.40% |
|
HADESTOWN (WALTER KERR) |
$1,055,456 | $1,055,456 | $142 $399 |
7,433 | 7,344 | 8 | 101.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$3,188,340 | $3,188,340 | $296 $849 |
10,755 | 10,568 | 8 | 101.80% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,602,693 | $1,602,693 | $124 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$429,388 | $429,388 | $79 $297 |
5,453 | 6,296 | 8 | 86.60% |
|
INK (FRIEDMAN) |
$428,622 | $428,622 | $96 $299 |
4,486 | 5,096 | 8 | 88.00% |
|
KING KONG (BROADWAY) |
$620,397 | $620,397 | $69 $248 |
9,041 | 13,904 | 8 | 65.00% |
|
KING LEAR (CORT) |
$493,146 | $493,146 | $89 $273 |
5,554 | 8,392 | 8 | 66.20% |
|
KISS ME, KATE (STUDIO 54) |
$766,861 | $766,861 | $99 $350 |
7,710 | 7,984 | 8 | 96.60% |
|
MEAN GIRLS (AUGUST WILSON) |
$833,504 | $833,504 | $102 $278 |
8,175 | 9,800 | 8 | 83.40% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$719,043 | $719,043 | $102 $323 |
7,068 | 8,552 | 8 | 82.60% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$625,193 | $625,193 | $120 $250 |
5,206 | 5,208 | 8 | 100.00% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$773,022 | $773,022 | $104 $275 |
7,460 | 9,344 | 8 | 79.80% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,001,871 | $1,001,871 | $116 $478 |
8,603 | 8,376 | 8 | 102.70% |
|
THE CHER SHOW (NEIL SIMON) |
$921,366 | $921,366 | $104 $247 |
8,859 | 11,040 | 8 | 80.20% |
|
THE FERRYMAN (JACOBS) |
$560,318 | $560,318 | $99 $223 |
5,678 | 8,152 | 8 | 69.70% |
|
THE LION KING (MINSKOFF) |
$2,221,394 | $2,221,394 | $164 $225 |
13,541 | 13,568 | 8 | 99.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,099,151 | $1,099,151 | $90 $213 |
12,205 | 12,840 | 8 | 95.10% |
|
THE PROM (LONGACRE) |
$527,886 | $527,886 | $80 $247 |
6,594 | 8,360 | 8 | 78.90% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,767,464 | $1,767,464 | $152 $497 |
11,634 | 11,480 | 8 | 101.30% |
|
TOOTSIE (MARQUIS) |
$1,256,769 | $1,256,769 | $113 $247 |
11,129 | 12,816 | 8 | 86.80% |
|
WAITRESS (BROOKS ATKINSON) |
$652,862 | $652,862 | $95 $270 |
6,889 | 8,360 | 8 | 82.40% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$495,660 | $495,660 | $107 $197 |
4,649 | 4,664 | 8 | 99.70% |
|
WICKED (GERSHWIN) |
$1,610,389 | $1,610,389 | $116 $240 |
13,911 | 14,456 | 8 | 96.20% |
| TOTAL | $34,151,624 | $948,656 | $114.95 $299.36 |
297,097 | 331,339 | 281 | 89.67% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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