ALPINE THEATRE PROJECT Equity Principal Auditions - Alpine Theatre Project Auditions

Posted February 5, 2016
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ALPINE THEATRE PROJECT - Alpine Theatre Project

Alpine Theatre Project 2016 Season - NYC EPA
Alpine Theatre Project | Whitefish, MT

Date of Audition:
3/16/2016


Call Type
Equity Principal

Time(s)
Equity Principal Auditions
Wednesday, March 16, 2016
10 AM to 6 PM
lunch 1 to 2

Contract
LORT Non-Rep
$1000/week

Location
Ripley-Grier 520 (Everyone must show
government photo ID to enter building.
)
520 8th Ave. (36th/37th)
New York, NY 10018
16th floor


Seeking
Equity actor/singers for various roles in the upcoming season.

Shows run in rep with a core company of actors who do all three shows.

See breakdown for details.

Preparation
Please prepare a brief musical theatre song appropriate for the season. Singing material from the shows listed is acceptable and encouraged.

Please bring sheet music. An accompanist will be provided.

Other Dates
See breakdown for show dates.

Other
www.atpwhitefish.org

Personnel
Expected to be in attendance at the EPA:
Betsi Morrison: Director/Artistic Director and
Brandon James Gwinn: Music Director

· EPA Rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

2016 SUMMER SEASON

All shows rehearse simultaneously beginning rehearsal on June 7, 2016. Season closes August 7, 2016

THE FULL MONTY
Book: Terrance McNally
Music and Lyrics: David Yazbek
Director: Betsi Morrison
Music Director: Brandon James Gwinn
Choreographer: TBD
Opens July 7

Seeking:

DAVE BUKATINSKY
Jerry's best friend and fellow unemployed mill worker. Very much a man's man, but more of a follower than leader. The definitive sidekick. Prideful. Self-conscious about his size. Gender: Male Age: 30 to 40 Vocal range top: E6 Vocal range bottom: C4

GEORGIE BUKATINSKY
Dave's wife. She loves her husband, and worries about him. Loud, outgoing and brash. She is the leader of her group of girlfriends. Gender: Female Age: 30 to 40 Vocal range top: A5 Vocal range bottom: G3

HAROLD NICHOLS
An unemployed supervisor at the mill. Hot Metal's choreographer. Thinks his worth comes from providing for his wife, so he hides his unemployment from her. Gender: Male Age: 35 to 45 Vocal range top: A5 Vocal range bottom: B3

VICKI NICHOLS
Harold's wife. She enjoys the finer things in life. Loves her husband more than anything, and supports him no matter what. Gender: Female Age: 30 to 40 Vocal range top: A5 Vocal range bottom: G3

ETHAN GIRARD
An unemployed mill worker. Lonely. Has a blind determination and confidence to succeed. Finds company with Malcolm. Gender: Male Age: 25 to 35 Vocal range top: A5 Vocal range bottom: D3

NOAH Horse T. SIMMONS
A retired mill worker. Embarrassed about being an average sized Black man. Despite being old and slow when walking, he still has explosive dance moves. Frequently grumpy. Gender: Male Age: 50 to 60 Vocal range top: B5 Vocal range bottom: F2

JEANETTE BURMEISTER
A piano player of indeterminate years and show-business pro. Sassy, quick-witted, and larger than life. Has slowed down in recent years. Gender: Female Age: 65 to 75 Vocal range top: B5 Vocal range bottom: F4

---------------

ROCK OF AGES
Book: Christopher D'Arienzo
Music and Lyrics: A bunch of really sweet 80's bands!
Director: Betsi Morrison
Music Director: Brandon James Gwinn
Choreographer: TBD
opens July 8

Seeking:

SHERRIE
Caucasian female, an in-shape, pretty, fresh faced, innocent Midwestern girl stepping right off the bus into a new world to pursue her dreams of stardom. Strong comedic timing, strong rock belt, good movement ability. Should be comfortable in revealing/skimpy clothing. Gender: Female Age: 20 to 30

DENNIS DUPREE
Classic stoner type guy who runs the famous Bourbon Room club. Torn about whether he should sell the club to Hertz, a German businessman. Very strong comedic timing. A laid back, easy going dude real dude. Bari-tenor rock vocals. Gender: Male Age: 30 - 50

STACEE JAXX/FATHER
A sexy rock star. Decided to leave his successful hair/metal-rock band to try it solo. Self important, confident intriguing in all the wrong ways, the ultimate bad boy; he is all about sex, drugs and rock-n-roll. Great strong comedic timing and strong rock tenor voice. Gender: Male Age: 25-45

JUSTICE/MOTHER
African American female, strong presence, an easy sensuality about her, once a performer, she now operates a strip club where Sherrie winds up working. Takes on the maternal role for the girls that work for her. Strong, soulful vocals and belt needed. Gender: Female Age: 40-60

HERTZ KLINEMANN
An attractive older German male. Uptight, cold, intimidating businessman trying to buy up the Strip to develop it. The bad guy of the piece. Strong comedic timing and baritone vocals. Gender: Male Age: 50-60

FRANZ KLINEMANN
Hertz’s son, young German male. Works for his father but not by choice. Pressured and intimidated by his father. Shy, gentle with a big heart. Strong vocals and comedic timing. Gender: Male Age: 20-35

REGINA
A fun, hippie type, in shape, earthy girl who fights against the attempted take over of The Strip. Strong comedic timing, belt vocals and comfortable in revealing/skimpy clothing. Gender: Female Age: 20-30

-------------------

MAN OF LA MANCHA
Book: Dale Wasserman
Music: Mitch Leigh
Lyrics: Joe Darion
Director: Betsi Morrison
Music Director: Brandon James Gwinn
Choreographer: TBD
opens July 14

Seeking:

DON QUIXOTE (Cervantes):
Tall, thin man in his late forties, he is an actor, playwright, and would-be knight. He is a romantic—some say crazy—and has a vision of a far better and nobler world, where knights and chivalry rule the day. GENDER: Male AGE RANGE: Adult, Mature Adult HIGH NOTE: F4 LOW NOTE: B2 VOCAL TECHNIQUE: Operatic, Legit

SANCHO (The Manservant):
Older than Don Quixote, Sancho is short and squat. He has served Quixote/Cervantes for many years and is devoted to him, even with all his idiosyncracies. AGE RANGE: Adult, Mature Adult VOICE: Tenor HIGH NOTE: G4 LOW NOTE: C3 VOCAL TECHNIQUE: Belting

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