Gary Naylor - Page 40

Gary Naylor sees a fine addition to the Shakespeare 400 season with a return of The Comedy of Errors to its original venue but with a 1929 vibe.

Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.

Gary Naylor sees Zola's tale of lust and murder brilliantly staged and performed.

Gary Naylor sees a show that had been forgotten, but is thrillingly brought to the London stage for the first time

Gary Naylor sees an adaptation of the classic tale that never quite finds its tone, but provides thrills and spills in its outdoor setting.

Gary Naylor sees young people perform an adaptation of the Tony Award show that's aimed at young people but can be enjoyed by all.

Gary Naylor sees an unblinking, fearless adaptation of Leo Tolstoy's often censored story, delivered with panache and menace by Greg Hicks.

Gary Naylor sees an adaptation of a classic play that packs plenty of punch despite some less than satisfactory casting.

Gary Naylor sees a powerful, important play that speaks to a 2016 audience explicitly about the defining issue of our times.

Gary Naylor sees a production that has much to commend it, bringing a little of Athens wooded peace to the hurly-burly of London.

Gary Naylor sees a unique and completely delightful production of one of Shakespeare's sillier comedies in an environment that could have been made for it.

Gary Naylor sees a fine comedy by Moliere brought to the stage in English and French by a company dedicated to resurrecting rarely performed Francophone plays.

Gary Naylor sees a courageous and demanding production of Maxim Gorky's play about a family and society breaking apart as authority oversteps itself.

Gary Naylor sees a new comedy that takes aim at the power of supermarket multinational companies and skewers them like a £3.99 kebab from the delicatessen counter.

Gary Naylor sees an close-up, no holds barred production of Howard Barker's sexy, sweary, sinful take on Hamlet and tries not to think of Sid James's laugh.

Gary Naylor sees a big, bold production deliver a tremendous evening's entertainment as a 2013 smash hit is revived to great acclaim.

Gary Naylor sees an interesting, if ultimately somewhat unsatisfactory, slice of life set amongst the twenty-somethings of London.

Gary Naylor sees a very fine production of one of the most popular plays of the last twenty years, crowned by a superb central performance.

Gary Naylor sees a high octane, fourth wall smashing, hugely enjoyable production of Shakespeare's much loved comedy

Gary Naylor sees a musical that starts with a good idea and fades due to a script that lacks the pace and humour to drive the plot forwards.