BWW Reviews: THE BFG, Birmingham Rep Theatre, December 2 2014

The BFG is one of Roald Dahl's much loved children's books. Recent times have seen Matilda, Charlie and the Chocolate Factory, James and the Giant Peach plus several other of his successful tales being adapted for stage to massive acclaim. Therefore, how would The BFG fare onstage?

Roald Dahl is incredibly good at appealing to what children want to hear and read about. His books consistently have a child heroine and at least one slightly repulsive character. The BFG is this until little Sophie discovers that he is a big bundle of love who does not want to harm, but help people. He wants to stop the other giants from eating humans and is a dream blower to send nice dreams to children everywhere. The morals are very poignant; another strength in Dahl's writing.

Robert Innes Hopkins' set design is rudimentary. With one rhombus-like platform which could be transported and a couple of flying pieces, this is all the story relied on. There is some projection and a pair of large giant hands/feet which was quite nice but Peter Mumford's lighting is what brings it to life. The costumes are interesting, particularly the ensemble in the first half in overcoats and masks - bizarre but noteworthy. It was always going to be a difficult aspect to address but I do feel more could have been done to make the BFG more giant-like. Apart from heavy boots and large ears, nothing really insinuates he is a giant which is a shame.

Frank Moon and Martin Riley's music works very well as incidental music. The songs almost seemed unnecessary and a bit random but as music to perform choreography to, it worked.

In last night's performance, Lara Wollington played Sophie and she was absolutely fantastic. She captures the essence of the character from the outset and really impressive with her dance/movement skills. It was no surprise to read that she has fairly recently played the title role of Matilda in London. Joshua Manning as the BFG competently delivered what he had been instructed to in the role. He kept his native accent and is believable.

The ensemble have a fair amount to do throughout the show, especially Danny Chase and Nyron Levy who impress greatly with their aerial work. Mei Mac is also brilliantly entertaining as Pup-Pup the Dog in the second half.

Teresa Ludovico has kept the spirit of Dahl's tale with some exciting direction, however I feel more risks could have been taken. It is a very good production but could have been excellent with a few more components addressed.

The BFG runs at the Birmingham Repertory Theatre until 24 January 2015.

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