Seth Rozin
Playwright
Seth is the author of numerous plays, including SETTLEMENTS, HUMAN RITES (produced at Phoenix Theatre, 2017; InterAct Theatre Company, 2018), THE THREE CHRISTS OF MANHATTAN (InterAct, 2015), TWO JEWS WALK INTO A WAR... (National New Play Network rolling world premieres at Florida Stage, Playwrights Theatre of New Jersey and New Jersey Rep, plus productions at Shadowlands Theater, Merrimack Rep, Unicorn Theatre, InterAct, Florida Studio Theatre, GEVA Theater, Barter Theater, Jewish Theatre of Grand Rapids and New Repertory Theatre; published by Playscripts.com), BLACK GOLD (NNPN rolling world premieres at InterAct, Phoenix Theatre, PROP Thr, Arts West Playhouse), REINVENTING EDEN (InterAct), MISSING LINK (InterAct, Civic Theatre of Schenectady), THE SPACE BETWEEN US (readings at Abington Theatre, Philadelphia Art Alliance) and MEN OF STONE (Theater Catalyst; published by Playscripts.com). He is also the composer, lyricist and book writer of A PASSING WIND a musical about history's greatest "fartiste" that premiered at the Kimmel Center for the Performing Arts' inaugural Philadelphia International Festival of the Arts in 2011. Seth is the winner of two playwriting fellowships from the Pennsylvania Council on the Arts, the 2006 Smith Prize (awarded by the National New Play Network), a 2002 Commission from the National Foundation for Jewish Culture, and two Barrymore Award nominations for Outstanding New Play.
https://newplayexchange.org/users/226/seth-rozin
Representation
Susan Gurman
susan@gurmanagency.com
About the Quarantine Players
When we started, there was no template for creating theater over the internet, which turned out to be perfect because we could remove all the obstacles that held us back.
At the time, we didn’t know what zoom was or how we could use it. Would people even know how to use it? How much would it cost? And what the heck is a virtual background? We had so many questions, but we watched all of our productions canceled in those horrible first days of Spring 2020.
We didn’t have to create a “season” of plays; we could choose any plays we wanted to do. It gave us a kind of freedom. We choose the plays, cast the roles, then we find an audience. We can create theater for a specific audience, for example, 25 -30-year-old parents in Des Moines, Iowa. We can do that.
Join us every week for a new play.
Website: QuarantinePlayers.org
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