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VANCOUVER THEATER REVIEWS

The latest reviews and critic recommendations from Vancouver

Our Vancouver Critics

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BWW Review: THE BOOK OF MORMON Rings Vancouver's Doorbell To Say 'HELLO!'

BWW Review: THE BOOK OF MORMON Rings Vancouver's Doorbell To Say 'HELLO!'

by Alyson Eng — September 30, 2018
Invigorating music, impressive choreography, and unexpected hilarious humour are a few things that THE BOOK OF MORMON brought to its tour stop in Vancouver with Broadway Across Canada. With its original opening number, 'Hello', audiences were greeted with enthusiastically wide grins and high-energy ...
BWW Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Serves An Unforgettable

BWW Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Serves An Unforgettable Dynamic Performance!

by Alyson Eng — September 15, 2018
On Wednesday September 12th, Arts Club's production of the play: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME had its opening night at the Stanley Industrial Alliance Theatre in Vancouver. This 2015 Tony Award winning play (Best Play) is based on the best-selling novel by Mark Haddon with the s...
BWW Review: Fabulist Theatre's OUR TIME: AN EMPOWERMENT CABARET Shines Bright

BWW Review: Fabulist Theatre's OUR TIME: AN EMPOWERMENT CABARET Shines Bright

by Alyson Eng — August 19, 2018
What do you get when you combine many talented women with phenomenal voices with inspiring stories and songs from many beloved Broadway musicals? You get a truly amazing show, which is exactly what Fabulist Theatre presented with OUR TIME: AN EMPOWERMENT CABARET. Performed at the Kitsilano Neighbour...
BWW Review: AS YOU LIKE IT is a Unique Shakespearean Experience!

BWW Review: AS YOU LIKE IT is a Unique Shakespearean Experience!

by Alyson Eng — August 13, 2018
In their highly successful 29th season, Bard on the Beach is breaking records this year with the production of Shakespeare's play: AS YOU LIKE IT. As one of Canada's largest non-profit Shakespeare festivals, attending a Bard on the Beach play is something that all Vancouverites need to experience at...
BWW Review: LES MISERABLES Deserves 24601 Rounds of Applause

BWW Review: LES MISERABLES Deserves 24601 Rounds of Applause

by Alyson Eng — July 13, 2018
There are very few musicals that leave you experiencing a whirlwind of emotions and are supplemented by truly remarkable music. LES MISERABLES is the perfect combination of both and is definitely a must-see for all theatre-goers. On July 10th the touring production of LES MISERABLES presented by Bro...
BWW Review: MAMMA MIA! Brings A Refreshing New Look To A Classic Musical

BWW Review: MAMMA MIA! Brings A Refreshing New Look To A Classic Musical

by Alyson Eng — May 20, 2018
With its well-known songs such as 'Honey Honey' and 'Dancing Queen,' the beloved story of Sophie Sheridan, her mother Donna, and Sophie's 3 possible fathers: Sam, Harry, and Bill brought many laughs and warmed the hearts of audience members during Mamma Mia's opening night at the Stanley Industrial ...
BWW Review: MOTOWN: THE MUSICAL Is An Uplifting Blast From The Past!

BWW Review: MOTOWN: THE MUSICAL Is An Uplifting Blast From The Past!

by Alyson Eng — February 8, 2018
The minute the curtain was raised and a familiar tune of the Four Tops reached my ears, I knew that both the audience and I were going to be dancing in our seats all night. Throughout the evening, the audience was serenaded with many hits such as the sweet sound of The Temptations singing 'My Girl' ...
BWW Review: BROOKLYN RAGA MASSIVE Deepens at Rubin Museum Theater

BWW Review: BROOKLYN RAGA MASSIVE Deepens at Rubin Museum Theater

by Matt Hanson — September 30, 2015
Opening in Chelsea in 2004, the Rubin Museum of Art has since enlightened worldly art lovers and enriched the masses with a sense of the sacred in the heart of New York....
BWW Review: TINARIWEN Warms at The Imperial

BWW Review: TINARIWEN Warms at The Imperial

by Matt Hanson — September 30, 2015
There are a few reasons why a nomadic ethnic minority from the Western Sahara has become the poster child of world music in the 21st century. In truth, no one can really put his or her finger on Tinariwen definitively, because they are the living, pure sound of a people, a place, and a time so authe...
BWW Review: MAESTRO AMJAD ALI KHAN & SONS Mesmerizes at Orpheum Theatre

BWW Review: MAESTRO AMJAD ALI KHAN & SONS Mesmerizes at Orpheum Theatre

by Matt Hanson — October 1, 2015
There are other paths in this world than the clearest, largest, and most trod. The dominant paradigm is not the only way. That is the message of cultural integrity in the 21st century. The truth about other paths is that they begin from a different place and so have a different perspective on the wo...
BWW Review: VANCOUVER SYMPHONY ORCHESTRA Revels at Bard on the Beach

BWW Review: VANCOUVER SYMPHONY ORCHESTRA Revels at Bard on the Beach

by Matt Hanson — September 25, 2015
Mozart isn't exactly casino music. In 1788, it was. "So you can see how far we've come," said Vancouver Symphony Orchestra conductor Gordon Gerrard, reminding a full house audience of how, at times, historical progress is truly linear....
BWW Review: LOVE'S LABOUR'S LOST Cheers at Bard on the Beach

BWW Review: LOVE'S LABOUR'S LOST Cheers at Bard on the Beach

by Matt Hanson — September 24, 2015
British Columbia is still British in more ways than one. Along the scenic walkway to Vanier Park, fans of The Bard sidle past the sail-strewn glittering facades overlooking False Creek and the craft beer mecca of Granville Island....
BWW Review: VANCOUVER FOLK MUSIC FESTIVAL Inspirits at Jericho Beach Park

BWW Review: VANCOUVER FOLK MUSIC FESTIVAL Inspirits at Jericho Beach Park

by Matt Hanson — September 15, 2015
Folk people are the People's People. Folk signify kith, kin, family, ancestry, and flesh and blood....
BWW Review: NINEEIGHT Stuns at Firehall Arts Centre

BWW Review: NINEEIGHT Stuns at Firehall Arts Centre

by Matt Hanson — September 10, 2015
98. Seventeen years ago, Hong Kong became independent. "DEAR HK," a projector blinked to a visceral thump, as the pulsing paroxysm lingered (HK = Hong Kong). Dancers Michelle Lui, Alex Tam, and Milton Lim shook spasmodically under stroboscopic shadows....
BWW Review: WEAVER WOMAN Entrances at Scotiabank Dance Centre

BWW Review: WEAVER WOMAN Entrances at Scotiabank Dance Centre

by Matt Hanson — September 10, 2015
For fear of falling into the Eurocentric trap of appreciating East Asian literature through an Anglophone lens, what must be said first is that Korean author O Ch?ngh?i is an incomparable visionary of the heart....
BWW Review: KOKORO Enlightens at Wreck Beach

BWW Review: KOKORO Enlightens at Wreck Beach

by Matt Hanson — September 10, 2015
Butoh is a sacred modern art. Originally spawned of postwar Japan, Butoh has since invigorated the world to a new style of movement. Kokoro dances Butoh in the nude. From the lower mainland of British Columbia to the world, this Dancing on the Edge Festival surely lives up to its name....
BWW Review: EDGE SERIES Tantalizes at Firehall Arts Centre

BWW Review: EDGE SERIES Tantalizes at Firehall Arts Centre

by Matt Hanson — September 10, 2015
If art does not make the public more capable of feeling, of seeing the world through other eyes, and wanting positive change for all, then it only perpetuates class division, and in so doing, social strife....
BWW Reviews: MOVE Celebrates at Vancouver Playhouse

BWW Reviews: MOVE Celebrates at Vancouver Playhouse

by Matt Hanson — July 13, 2015
Preeminent dance companies of New York, London, and Winnipeg all collaborated to celebrate the tenth birthday of Move: the company with a world premiere collection of works by company choreographer Joshua Beamish....
BWW Reviews: MISFIT BLUES Understands at Firehall Arts Centre

BWW Reviews: MISFIT BLUES Understands at Firehall Arts Centre

by Matt Hanson — July 7, 2015
The uncanny and ingenious artistic resemblance of human relationships, Misfit Blues performs the tragicomic complex of relative mental states, the interplay of caustic vagaries, and invites onlookers to peek into a womb of loving solidarity....
BWW Reviews: SNARKY PUPPY Barks at The Vogue

BWW Reviews: SNARKY PUPPY Barks at The Vogue

by Matt Hanson — June 28, 2015
If the first casualty of war is truth, the first casualty of capitalism is music. Snarky Puppy is a reminder to the American (and thus, global) consciousness that in a culture homogenizing music faster than milk, there are still authentic explosions of human ingenuity in the midst of the seemingly ...
BWW Reviews: THE BAD PLUS JOSHUA REDMAN Answers at The Vogue

BWW Reviews: THE BAD PLUS JOSHUA REDMAN Answers at The Vogue

by Matt Hanson — June 28, 2015
It's that awake-and-thinking style of jazz that has become the peerless sonic pulse in the brainwaves of audiophiles around the globe. Unmistakable by name, The Bad Plus has galvanized the musical horizon, armed with nothing more than honest-to-goodness originality. Joshua Redman is the cherry on to...
BWW Reviews: OKA Grooves at Fortune Sound Club

BWW Reviews: OKA Grooves at Fortune Sound Club

by Matt Hanson — June 28, 2015
The symbol of the sun, a perfect yellow disc, shone brilliantly onstage, over red, for the spirit of the land, and black, for Aboriginal Peoples. Likely the only act at the TD Vancouver International Jazz Festival to vocally pay respects to the "traditional custodians of the land," OKA front man Stu...
BWW Reviews: THE STANLEY CLARKE BAND Explodes at The Vogue

BWW Reviews: THE STANLEY CLARKE BAND Explodes at The Vogue

by Matt Hanson — June 25, 2015
"I am Louis Armstrong," said the man under the spotlight at center stage. "No! You're the great Stanley Clarke!' a festivalgoer called out from the audience. Clarke is one of the few still ticking who has spent the better part of the century among the pantheon of jazz gods and goddesses....
BWW Reviews: DÁLAVA Intrigues at The Ironworks

BWW Reviews: DÁLAVA Intrigues at The Ironworks

by Matt Hanson — June 23, 2015
Over a hundred years ago, in the land now known as Czechoslovakia, a Moravian biologist named Dr. Vladimir Úlehla walked the cemeteries and fields of Stražnice. He composed folk songs, enchanted by a world between the wings of grey doves and the hooves of the hussar's horse....
BWW Reviews: VIGIL Challenges Portland Stage Audience

BWW Reviews: VIGIL Challenges Portland Stage Audience

by Carla Maria Verdino-Süllwold — November 4, 2013
The Portland Stage production of Canadian playwright Morris Panych's black comedy, Vigil, is a provocative and challenging mounting of an often off-putting play. That the company once again has the courage to undertake a work that has had mixed success in the U.S. and clearly pushes the limits of da...
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