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UK Regional Theater Reviews

The latest reviews and critic recommendations from UK Regional.

BWW Review: MEDUSA, Nuffield Southampton Theatres

BWW Review: MEDUSA, Nuffield Southampton Theatres

by Jo Fisher — October 11, 2018

The ancient Greek gorgon, Medusa, has been reimagined and reincarnated as a feisty and foul-mouthed rock star in a new, creative production at Nuffield Southampton Theatres.

BWW Review: YOU DON'T PAY? WE WON'T PAY!, York Theatre Royal

BWW Review: YOU DON'T PAY? WE WON'T PAY!, York Theatre Royal

by Sarah Ryan — October 10, 2018

Developed in partnership with York Theatre Royal, Fo's farcical comedy follows two working class women who take advantage of a riot at a local supermarket to stock up their cupboards, and the chaos that ensues as they concoct increasingly outlandish plans to hide their crime from their straight-lace

BWW Review: LOVE GENIUS AND A WALK, Drayton Arms Theatre

BWW Review: LOVE GENIUS AND A WALK, Drayton Arms Theatre

by Gary Naylor — October 9, 2018

There's much promise in this play that speculates on what Sigmund Freud and Gustav Mahler may have spoken about on a walk they shared, but pedestrian writing and underdeveloped characters scupper any chance of its reaching its potential.

BWW Review: TO HAVE TO SHOOT IRISHMEN, Omnibus Theatre

BWW Review: TO HAVE TO SHOOT IRISHMEN, Omnibus Theatre

by Gary Naylor — October 5, 2018

To Have To Shoot Irishmen brings the tragic story of Francis Sheehy Skeffington to the stage, with music and lyricism, a reminder of Ireland's fractured past and a warning about its fragile present.

BWW Review: COCK, Minerva Theatre

BWW Review: COCK, Minerva Theatre

by Debbie Gilpin — October 4, 2018

First performed at the Royal Court in 2009, Mike Bartlett's play Cock has been revived as part of the Chichester Festival season at the Minerva Theatre, following on from Michael Frayn's Copenhagen.

BWW Review: BLOOD WEDDING, Omnibus Theatre

BWW Review: BLOOD WEDDING, Omnibus Theatre

by Gary Naylor — September 21, 2018

Lorca's masterpiece transported and updated to present day London, but retaining its power to shock as it lays bare the souls of men and women.

BWW Review: TWELFTH NIGHT, Wilton's Music Hall

BWW Review: TWELFTH NIGHT, Wilton's Music Hall

by Gary Naylor — September 14, 2018

A spectacular re-imaging of Shakespeare's tale of mistaken identities, cross-dressing and cruelty time-traveled to a speakeasy populated by extraordinary actor-musicians.

BWW Review: WOMEN IN POWER, Nuffield Southampton Theatres

BWW Review: WOMEN IN POWER, Nuffield Southampton Theatres

by Jo Fisher — September 14, 2018

Opening with its world premiere at Nuffield Southampton Theatres' City venue, Women in Power gives life to a classic Greek comedy, bringing it into the twenty-first century with music, mayhem and mischevious humour.

BWW Review: THE HABIT OF ART, York Theatre Royal

BWW Review: THE HABIT OF ART, York Theatre Royal

by Sarah Ryan — September 6, 2018

After opening to critical acclaim in 2009, the Original Theatre Company in collaboration with York Theatre Royal are bringing back Alan Bennett's The Habit of Art in its first revival since the original sell-out run.

BWW Review: CATERPILLAR, Theatre503

BWW Review: CATERPILLAR, Theatre503

by Gary Naylor — September 4, 2018

Caterpillar takes us to a seaside town guesthouse within which three dysfunctional people circle each other, troubled and needy.

BWW Review: THE MEETING, Chichester Festival Theatre

BWW Review: THE MEETING, Chichester Festival Theatre

by Natalie Fordham — July 30, 2018

Charlotte Jones's new play for nearly a decade, The Meeting, is an emotional twister that evokes concerns about female empowerment, treatment of those who are different, and the limitations of religious teachings.

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