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THE PRICE by Arthur Miller premiered on Broadway in 1968 and was nominated for two Tony Awards, for Best Play and Best Scenic Design. It is a timeless piece regarding the choices we make and the consequences we eventually face. It is about family dynamics, the price of furniture and the price of one's decisions, taking place in a soon to be demolished family house where two brothers, estranged for decades, meet together to dispose of their late parents' property. The resulting confrontation leads them to examine the events and qualities of their very different lives and the price each of them has had to pay to have the lives they now lead.
In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines. This five-year autobiographical project not only honors the lineage of American postmodern dance, but also traces the influences and impulses that have shaped choreographer Stephen Petronio, an artist uniquely positioned to preserve this postmodern tradition.
The holidays are officially here at Blue Note Hawaii and December kicks them off with an epic series with local legend Henry Kapono with his Back in the Day; The Songs of C&K shows.
The holidays are officially here at Blue Note Hawaii and December kicks them off with an epic series with local legend Henry Kapono with his Back in the Day; The Songs of C&K shows. Next up are more local favorites ManoaDNA and Danny and Nicholas Kaleikini. Average White Band returns by popular demand followed by Willie K and a celebration of Frank Sinatra's birthday with the Mike Lewis Big Band. Robert Cazimero continues his residency followed by the incomparable Herb Alpert and Lani Hall. Donavon Frankenreiter returns for three nights, followed by Jake Shimabukuro and a heart-warming Charlie Brown Christmas show. It wouldn't be New Year's without the much-anticipated return of legendary jazz saxophonist Kenny G.
Acclaimed choreographer Kirk Peterson returns to New York City with two works, The Eyes that Gently Touch (set to Philip Glass' Mad Rush) and the New York premiere of his Carmen (with music by Rodion Shchedrin), when American Repertory Ballet performs today, October 5 at 8pm, at the Gerald W. Lynch Theatre of John Jay College of Criminal Justice (524 W. 59th Street).
Acclaimed choreographer Kirk Peterson returns to New York City with two works, The Eyes that Gently Touch (set to Philip Glass' Mad Rush) and the New York premiere of his Carmen (with music by Rodion Shchedrin), when American Repertory Ballet performs on Thursday, October 5 at 8pm, at the Gerald W. Lynch Theatre of John Jay College of Criminal Justice (524 W. 59th Street).
Stu served in the U.S. Army from January 1968 to January 1970. Through much of 1969, he was a combat photographer/writer with the 1st Infantry Division in Vietnam; it is that service which provided the impetus for this solo, stage performance.
This October, American Repertory Ballet (ARB) will present a new triple-bill program in New York City and in New Brunswick, N.J. The performance features work by American Repertory Ballet's Resident Choreographers Kirk Peterson and Mary Barton: Peterson's Carmen and The Eyes that Gently Touch and Barton's Straight Up with a Twist.
Young families join La Marcha de la Reconquista along a dusty highway through the farm land of Southern California. 1971. La Raza Newspaper & Magazine records. Para leer el comunicado de prensa en español, por favor haga un clic aqui. Los Angeles, CA (August 10, 2017)-Between 1967 and 1977, the Chicano newspaper-turned-magazine La Raza was witness to and participant in the struggle for social justice as it unfolded across Los Angeles and into the world beyond. Marking the 50th anniversary of the publication's founding, and drawing from a previously inaccessible archive of more than 25,000 images recently gifted by the photographers to UCLA's Chicano Studies Research Center, the exhibition LA RAZA opens on September 16, 2017, at the Autry Museum of the American West in Griffith Park.
Stu served in the U.S. Army from January 1968 to January 1970. Through much of 1969, he was a combat photographer/writer with the 1st Infantry Division in Vietnam; it is that service which provided the impetus for this solo, stage performance.
A CHORUS LINE was the creation of Michael Bennett, one of Broadway's finest choreographers, who held a series of workshops in the mid 1970's to explore a way to examine the life that dancers lead. Then book writers James Kirkwood, Jr. and Nicholas Dante crafted a musical from this wealth of material collected to tell the story of Broadway's 'gypsies', the singers and dancers of the chorus that make their living by moving from production to production. And, it's how those stories are often vividly brought to life that distinguishes the current production at The MUNY. Instead of just relying solely on the compelling reasons that each character became a dancer, although some are left to stand alone in truly dramatic fashion, younger versions of themselves, whether through video projections or by using actual younger performers to act out their recollections as they speak are incorporated. It's an utterly charming touch that really stands out in stunning fashion. It makes this version particularly special, and when you combine that with a very talented ensemble, and an orchestra that sounds superb, you wind up producing a must-see show!
In 1970, Tampa-based rockers Blues Image took audiences on the trip of a lifetime with their smash hit single “Ride Captain Ride”
In 1970, Tampa-based rockers Blues Image took audiences on the trip of a lifetime with their smash hit single “Ride Captain Ride”
West Africa's iconic dance-band, Orchestra Baobab premiere their new single “Fayinkounko” from their forthcoming record at Clash who call it, “sparkling West African pop with a touch of class...a real ear-worm of a track,' raving that it, 'unfolds with a palpable sense of grace, the coy, playful rhythms matched by delirious melody...[it] seems to radiate with shimmering, beatific light.'
Simon Callow directs a new production of Oscar winner Christopher Hampton's most celebrated play, The Philanthropist, at the Trafalgar Studios, starring Matt Berry, Simon Bird, Lily Cole, Charlotte Ritchie and Tom Rosenthal.
In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines, which began with Merce Cunningham's iconic RainForest (1968) and Trisha Brown's proscenium masterpiece Glacial Decoy (1979).
Theatre enthusiasts packed the Mountain View Center for the Performing Arts tonight to hear Founding Artistic Director Robert Kelley and Managing Director Phil Santora of TheatreWorks Silicon Valley unveil the lineup for the company's 48th season.
Legendary vocalist Sonny Turner, former lead singer of The Platters, brings his signature style to Access Showroom at Aliante Casino + Hotel + Spa on Today, Feb. 11.
MotorCity Casino Hotel is proud to welcome Lynyrd Skynyrd to Sound Board today, February 2, 2017 at 8:00 p.m.
BroadwayWorld is saddened to report the passing of Mary Tyler Moore - best known as a television icon for The Mary Tyler Moore Show.
Uproar Entertainment is proud to announce that 'Chillennial' by Feraz Ozel has debuted at #9 on The Billboard Comedy Chart in its first week of release
OPERA America, the national service organization for opera and the nation's leading champion for American opera, announces the details for the New Opera Showcase, taking place today, January 13 at 8:00 p.m. at historic Town Hall in the heart of New York City's Times Square.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, announces the details for the New Opera Showcase, taking place on Friday, January 13 at 8:00 p.m. at historic Town Hall in the heart of New York City's Times Square.
Legendary vocalist Sonny Turner, former lead singer of The Platters, brings his signature style to Access Showroom at Aliante Casino + Hotel + Spa on Saturday, Feb. 11.
The Rocky Horror Show is a rare theatrical phenomenon. After debuting in a small room in London's underground circuit in 1973, it became a movie, became a pop icon and never left the stage and movie screens. A true legion of fans helps maintain the aura of the musical, in special exhibitions, meetings and happenings all over the world. Four decades after its launch, Charles Moeller & Claudio Botelho will present their Brazilian version at Teatro Porto Seguro.
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