The musical comedy takes place in turn-of-the-century Paris, where La Mome Pistache, proud owner of the Bal du Paradis, famous for its sexy can-can girls, spars with Aristide Forestier, a self-righteous judge determined to close all Parisian dance halls.
Keifer's superbly cast five-member ensemble delivers a performance that is compelling and provocative, bringing Beckett's rather nonsensical, although altogether shocking and introspective, premise to vivid life. Since its 1953 premiere, Waiting for Godot has left many of the world's greatest writers and thinkers pondering the meaning of Beckett's work; the significance - or perhaps insignificance - of the five characters; and the meaning behind the characters and their situation. Every word has been parsed, every exchange debated and still we are left to question and to wonder.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
According to the Rodgers and Hammerstein Theatricals History, when the very first national tour of South Pacific played Atlanta's Tower Theatre in February 1953, the Georgia state legislature issued a vehement protest, mainly in response to the song "You've Got to Be Carefully Taught". When the award winning Broadway revival of this classic musical plays Atlanta's Fox Theatre April 6 - 11, the reception should be much different. Singing that haunting song and playing the role of Lt. Joseph Cable will be Anderson Davis. I caught up with Anderson recently and had a chat about his career, his character and the show.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
So what's the problem with Moon Over Buffalo? Oh yeah, despite all the good stuff, Ken Ludwig's script is also leaden, filled with cliches and one-dimensional characters, with enough convoluted situations to render the play stupefying. With the Towne Centre Theatre production, this is clearly a case of eight fine actors and one competent director in search of a much-better script. No matter how hard they work and how thoughtfully they approach the material, if that material is inferior there's not a lot they can do to save it from mediocrity.
It is love American style when two people fall for each other and their mismatched families finally meet. The Farmington Players will open Valentine's Day weekend with, 'You Can't Take It with You,' a screwball comedy that has been stealing hearts since it debuted on Broadway in 1936.
Have you ever wondered what it was like to swim in a giant martini? The SpyAnts Theatre Company presents the long-awaited Los Angeles premiere of Charles L. Mee's delightful, kaleidoscopic play, 'bobrauschenbergamerica'. Director Bart DeLorenzo teams up with choreographer Ken Roht to dish up Mee's rollicking collage-montage tribute to Robert Rauschenberg that captures the happy, improvisational quality of the artist's singular vision. 'bobrauschenbergamerica' opens at [Inside] the Ford on January 23, with Pay-What-You-Can previews on January 21 and 22.
Have you ever wondered what it was like to swim in a giant martini? The SpyAnts Theatre Company presents the long-awaited Los Angeles premiere of Charles L. Mee's delightful, kaleidoscopic play, 'bobrauschenbergamerica'. Director Bart DeLorenzo teams up with choreographer Ken Roht to dish up Mee's rollicking collage-montage tribute to Robert Rauschenberg that captures the happy, improvisational quality of the artist's singular vision. 'bobrauschenbergamerica' opens at [Inside] the Ford on January 23, with Pay-What-You-Can previews on January 21 and 22.
Set in French Guiana, a region where on Christmas Eve the temperature has graciously dropped to 104 degrees, three amiable convicts are employed as roofers above the Ducotel's general store. The roof winds up being the least of the family's troubles.
The Auditorium Theatre of Roosevelt University (ATRU, 50 E. Congress Parkway) proudly opens its 2009 - 2010 Dance Series and kicks off its 120th Anniversary celebration with the Chicago debut of the internationally captivating Miami City Ballet Friday, Oct. 2 and Saturday, Oct. 3 at 8 p.m. and Sunday, Oct. 4 at 2 p.m.
The Auditorium Theatre of Roosevelt University (ATRU, 50 E. Congress Parkway) proudly opens its 2009 - 2010 Dance Series and kicks off its 120th Anniversary celebration with the Chicago debut of the internationally captivating Miami City Ballet Friday, Oct. 2 and Saturday, Oct. 3 at 8 p.m. and Sunday, Oct. 4 at 2 p.m.
The Auditorium Theatre of Roosevelt University (ATRU, 50 E. Congress Parkway) proudly opens its 2009 - 2010 Dance Series and kicks off its 120th Anniversary celebration with the Chicago debut of the internationally captivating Miami City Ballet Friday, Oct. 2 and Saturday, Oct. 3 at 8 p.m. and Sunday, Oct. 4 at 2 p.m.
The Auditorium Theatre of Roosevelt University (ATRU, 50 E. Congress Parkway) proudly opens its 2009 - 2010 Dance Series and kicks off its 120th Anniversary celebration with the Chicago debut of the internationally captivating Miami City Ballet Friday, Oct. 2 and Saturday, Oct. 3 at 8 p.m. and Sunday, Oct. 4 at 2 p.m.
Triad Stage opens its 2009-2010 Season - 'A Season Together' - with Picnic, William Inge's portrait of life in the American heartland. The greatest risk is love. It's a peaceful time for a quiet Kansas town in the early 1950s and summer is drawing to a close with the excitement of the annual Labor Day picnic. But the sudden arrival of Hal Carter, a handsome young drifter, stirs the emotions of a group of neighbors as he develops an instant attraction with Madge, one of the most beautiful girls in town. As Hal hides deep insecurities with grand shows of bravado, Madge is torn between her heart and her head in this Pulitzer Prize-winning drama where passions turn one small community upside down. Picnic runs September 6 through 27, 2009. Opening Night is Friday, September 11.
Triad Stage opens its 2009-2010 Season - 'A Season Together' - with Picnic, William Inge's portrait of life in the American heartland. The greatest risk is love. It's a peaceful time for a quiet Kansas town in the early 1950s and summer is drawing to a close with the excitement of the annual Labor Day picnic. But the sudden arrival of Hal Carter, a handsome young drifter, stirs the emotions of a group of neighbors as he develops an instant attraction with Madge, one of the most beautiful girls in town. As Hal hides deep insecurities with grand shows of bravado, Madge is torn between her heart and her head in this Pulitzer Prize-winning drama where passions turn one small community upside down. Picnic runs September 6 through 27, 2009. Opening Night is Friday, September 11.
The Auditorium Theatre of Roosevelt University (ATRU, 50 E. Congress Parkway) proudly opens its 2009 - 2010 Dance Series and kicks off its 120th Anniversary celebration with the Chicago debut of the internationally captivating Miami City Ballet Friday, Oct. 2 and Saturday, Oct. 3 at 8 p.m. and Sunday, Oct. 4 at 2 p.m.
Presenting quality theater at affordable prices is a Farmington Players' tradition - one that began in 1953 and continues with the staging of four memorable shows for the 2009-2010 season, beginning in October and running through May.
Triad Stage opens its 2009-2010 Season - 'A Season Together' - with Picnic, William Inge's portrait of life in the American heartland. The greatest risk is love. It's a peaceful time for a quiet Kansas town in the early 1950s and summer is drawing to a close with the excitement of the annual Labor Day picnic. But the sudden arrival of Hal Carter, a handsome young drifter, stirs the emotions of a group of neighbors as he develops an instant attraction with Madge, one of the most beautiful girls in town. As Hal hides deep insecurities with grand shows of bravado, Madge is torn between her heart and her head in this Pulitzer Prize-winning drama where passions turn one small community upside down. Picnic runs September 6 through 27, 2009. Opening Night is Friday, September 11.
The 2009-2010 Season at the Farmington Players Barn.
Presenting quality theater at affordable prices is a Farmington Players' tradition - one that began in 1953 and continues with the staging of four memorable shows for the 2009-2010 season, beginning this October and running through May.
Today's Broadway Blogs on BroadwayWorld.com from Friday, May 1, 2009.
Today's Broadway Blogs on BroadwayWorld.com from Thursday, April 30, 2009.
ANDRÉA BURNS (May 4) began her career touring the opera houses of Europe as Maria in West Side Story. Since then she has appeared on Broadway as Daniela in In The Heights, as Belle in Disney's Beauty and the Beast, and as Vicki Nichols in The Full Monty. She has appeared in concerts at Carnegie Hall and many other symphonic halls across the country. She can also be heard on the original cast recordings of Songs for A New World, Saturday Night, Shine, Broadway Bound, The Broadway Musicals of 1953, and It's Only Life as well as her debut solo album A Deeper Shade of Red.
The Milk Can Theatre Company has announced its spring 2009 season: Galileo, written by Bertolt Brecht and directed by Julie Fei-Fan Balzer, and The Science Plays, six short plays inspired by the history of science. Galileo and The Science Plays will run in repertory April 30 through May 17. All performances will take place at Urban Stages, 259 West 30th Street.
The Milk Can Theatre Company has announced its spring 2009 season: Galileo, written by Bertolt Brecht and directed by Julie Fei-Fan Balzer, and The Science Plays, six short plays inspired by the history of science. Galileo and The Science Plays will run in repertory April 30 through May 17. All performances will take place at Urban Stages, 259 West 30th Street.
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