'This broadcast and webcast event was the perfect way to spread the word about Andres' Inaugural Season to an even broader audience and build upon the momentum generated from our Centennial Season,' said Houston Symphony Executive Director and CEO Mark C. Hanson. 'It symbolizes our commitment to innovation, community partnerships, and becoming more relevant to even more Houstonians. We're grateful to Houston Public Media for collaborating on this important and exciting announcement.'
The Finborough Theatre's acclaimed Celebrating British Music Theatre series returns with Ivor Novello's very last musical, Valley of Song, playing a a two week run from Sunday, 12 January 2014. (Press Night: Tuesday, 14 January 2014 at 7.30pm).
JANUARY 2014
FOREIGN GODS, INC.
BY OKEY NDIBE
Soho Press | Hardcover | 9781616953133
'Like the love child of Chinua Achebe and Victor LaValle.'-Tayari Jones,Silver Sparrow
After reading an article in New York Magazine about a high-end Manhattan art dealer specializing in the sale of divine effigies, a rakish Nigerian emigre cabdriver-who has had no end of frustrations while living in New York City-plots to resolve his gambling debts and other woes by stealing the god of war from his home village in Nigeria. At once a post-colonial novel reminiscent of Rushdie and Achebe's early works-with strong themes concerning race and the clash of culture and religion-Foreign Gods, Inc. yet also invokes the existential crisis of Dostoevsky's devilish morality tales.
With the end of 2013 fast creeping up upon us, it is time to look at some of the productions that appeared on stage in South Africa during the past 12 months. Today's column focuses on original South African theatre.
The Finborough Theatre's acclaimed Celebrating British Music Theatre series returns with Ivor Novello's very last musical, Valley of Song, playing a week of Sunday and Monday evening and Tuesday matinee performances from Sunday, 5 January 2014 (Press Night: Monday, 6 January 2014 at 7.30pm), followed by a two week run from Sunday, 12 January 2014.
The Houston Symphony's December calendar features a special one-night-only performance as John Williams Joins Yo-Yo Ma tonight, December 5 at Jones Hall.
On Saturday, December 14th, 2013 at 8PM, GRAMMY Award-winning guitarist Sharon Isbin returns to the 92nd St. Y for a solo recital. The concert celebrates her 35th anniversary of her New York Debut (at Alice Tully Hall in 1979), the 25th anniversary of The Juilliard School guitar department (which Sharon Isbin created in 1989, the first in the institution's 100-year history), and honors the 100th birthday on this date of her mentor Rosalyn Tureck, as well as the centenary of Benjamin Britten.
Vancouver, BC ~ Effervescent, intoxicating, and just a little daft, Vancouver Opera's colourful production of Albert Herring bursts onto the Queen Elizabeth Theatre Stage in less than two weeks. Benjamin Britten's fast-paced, clever and hummable opera, directed by Glynis Leyshon, transports audiences to the 1950s in a riot of scrumptious costumes, devastating satire, and charming slapstick.
The busybodies of proper English village life are brilliantly skewered in Benjamin Britten's devastatingly satirical Albert Herring, onstage at Vancouver Opera for four performances only. Fast-paced, effervescent and musically clever, this sparkling 1950s-style company premiere is a scrumptious treat for Vancouver audiences.
Actors' Equity Association President Nick Wyman spoke at AEA's centennial celebration in St. Louis on Monday, November 25, 2013, and BroadwayWorld has his full speech below!
Vancouver, BC ~ Effervescent, intoxicating, and just a little daft, Vancouver Opera's colourful production of Albert Herring bursts onto the Queen Elizabeth Theatre Stage in less than two weeks. Benjamin Britten's fast-paced, clever and hummable opera, directed by Glynis Leyshon, transports audiences to the 1950s in a riot of scrumptious costumes, devastating satire, and charming slapstick.
This weekend, November 15, 16 and 17, Megan Hilty, the multi-talented star of NBC's Smash and Sean Saves the World, will take the Houston Symphony stage to pay special tribute to the tunes made famous by stars like Frank Sinatra, Ella Fitzgerald, Etta James and Dolly Parton. Along with vocalist Aaron Lazar, Hilty will perform cherished songs like 'The Lady is a Tramp,' 'The Best is Yet to Come' and '9 to 5.' The show wouldn't be complete without beloved classics 'Diamonds Are a Girl's Best Friend' and 'New York, New York,' as well as popular songs of Cole Porter, Harold Arlen and music from Ms. Hilty's upcoming album.
On November 15, 16 and 17, Megan Hilty, the multi-talented star of NBC's Smash and Sean Saves the World, will take the Houston Symphony stage to pay special tribute to the tunes made famous by stars like Frank Sinatra, Ella Fitzgerald, Etta James and Dolly Parton. Along with vocalist Aaron Lazar, Hilty will perform cherished songs like "The Lady is a Tramp," "The Best is Yet to Come" and "9 to 5." The show wouldn't be complete without beloved classics "Diamonds Are a Girl's Best Friend" and "New York, New York," as well as popular songs of Cole Porter, Harold Arlen and music from Ms. Hilty's upcoming album.
The busybodies of proper English village life are brilliantly skewered in Benjamin Britten's devastatingly satirical Albert Herring, onstage at Vancouver Opera for four performances only. Fast-paced, effervescent and musically clever, this sparkling 1950s-style company premiere is a scrumptious treat for Vancouver audiences.
The Houston Symphony's December calendar features a special one-night-only performance as John Williams Joins Yo-Yo Ma on December 5 at Jones Hall. The Symphony will also celebrate the holidays with concerts for the entire family. On December 13, 14 and 15, the Symphony and Chorus will perform Very Merry Pops, which celebrates the season with holiday hits including a special piece, Glad Tidings, which features spiritual leaders from the Houston community as guest narrators.
Today we are talking to a Tony Award-winning composer and lyricist celebrated for his many impressive musical theatre scores since his astonishing debut in the 1990s with SONGS FOR A NEW WORLD and PARADE, the one and only Jason Robert Brown. Discussing the finer points of the vastly different scores for his two new stage musicals premiering this year, THE BRIDGES OF MADISON COUNTY and HONEYMOON IN VEGAS, Brown paints a vivid portrait of his composing process in creating both the serious romantic drama and bubbly musical comedy, respectively. Additionally, Brown outlines his experiences collaborating with theatre legends Harold Prince and Alfred Uhry on his first big Broadway musical, PARADE, and also reflects on the subsequent successful national tour which he himself conducted. Most importantly, Brown sheds some light on the sparkling new cast recording of his recent self-directed revival of his two-character cult mainstay THE LAST FIVE YEARS and how the last ten years have shaded his perspective on the piece, particularly as anticipation builds for the release of the highly anticipated feature film adaptation starring Anna Kendrick and Jeremy Jordan, directed by Richard LaGravenese and set for release next year, which Brown confirms he has completed his scoring duties on this month and offers an enticing endorsement of the indie movie musical. All of that, a discussion of his solo album and specialty material penned over the years, astute observations on his sporadic collaborations with wife, songwriter and fellow InDepth InterView participant Georgia Stitt as well as much, much more in this quick catch-up chat with one of Broadway's busiest musical craftsmen.
We write to advise that City Opera Vancouver is giving the world premiere of PAULINE at the York Theatre in Vancouver at 8pm, Friday 23 May 2014.
Curious Theatre Company, in association with the National New Play Network (NNPN), presents Steven Dietz's Rancho Mirage, directed by Artistic Company Member Christopher Leo. The production runs October 31 - December 7, 2013 at 1080 Acoma Street, Denver. The opening night is November 2, 2013, at 8 p.m.
With its engaging performances and effective staging, Kensington Arts Theatre provides an emotionally capturing night of theatre in its latest production of PARADE.
Some people, especially some cabaret reviewers and cabaret fans, might think it's lazy or a copout or both for a performer to keep recycling previous shows. But when the Café Carlyle comes a'callin' you: A) May not have enough time to create a totally new show or B) Want to pitch the big game with your best stuff or C) All of the above. Since I only started reviewing cabaret in late 2010, I missed the Laurie Beechman Theatre debut of Jennifer Sheehan's 2009 show You Made Me Love You: Celebrating 100 Years of the Great American Songbook, and missed it again when she brought it to the Metropolitan Room in 2010. So I, for one, am not complaining that she dusted off the critically praised set again (with the new slug 'Timeless Classics and New Treasures' from said Songbook show) for her debut last Saturday night at the prestigious Café Carlyle. Sheehan may have been booked for the room's new 10:45 late night series and not the prime time slot, but at least the Carlyle is giving opportunities to exciting young cabaret performers like Sheehan (and Marissa Mulder, who will make her debut at the room on November 7). With You Made Me Love You, Sheehan made everything old new again-at least for me.
PHOENIX, Oct. 15, 2013 /PRNewswire/ In 1913 America fell under the spell of an addictive European collectivist ideology called Progressivism that took our nation on a 100-year detour away from the sound money and values of America's Framers.
New York Live Arts has announced this week's lineup Details below!
The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.
The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.
Ted Sod: Will you tell us about yourself? Where were you born and educated? When did you decide to become a designer?
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