The Tony Award® nominated hit musical IRVING BERLIN'S WHITE CHRISTMAS, the stage reinvention of the beloved classic film, directed by Walter Bobbie and choreographed by Randy Skinner, with music supervision by Rob Berman, is pleased to announce Broadway principal casting.
James Clow, Melissa Errico, Tony Yazbeck and Mara Davi will star in the Broadway return production also starring Ruth Williamson, Peter Reardon, Remy Auberjonois, Cliff Bemis, Madeleine Yen and David Ogden Stiers, who will lead a cast of 33 in the limited holiday engagement at the Marquis Theatre (1535 Broadway).
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El?na Garan?a sings the title role of La Cenerentola, Rossini's charming version of the Cinderella story, for the first time with the company beginning May 1. The Latvian mezzo-soprano made her highly acclaimed Met debut last season as Rosina in Il Barbiere di Siviglia.
Donizetti's comic masterpiece L'Elisir d'Amore returns to the Met with Angela Gheorghiu reprising her acclaimed portrayal of Adina and three tenors singing the role of Nemorino for the first time with the company: Massimo Giordano, Rolando Villazón, and Joseph Calleja. Other members of the cast also making role debuts include Franco Vassallo as Belcore and Simone Alaimo as the quack Doctor Dulcamara.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.
A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.
Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.
The Colony Theatre Company presents the fourth production of its 2008 - 2009 season, CANDIDA, written by George Bernard Shaw and directed by Kathleen F. Conlin. CANDIDA will preview on Wednesday, February 4; Thursday, February 5 and Friday, February 6 at 8:00pm and will open on Saturday, February 7 at 8:00pm and continue through Sunday, March 8 at The Colony Theatre, 555 North Third Street (at Cypress) adjacent to the Burbank Town Center.
CANDIDA is the delightful, light-hearted classic from George Bernard Shaw, writer of Major Barbara and Arms and the Man, winner of the Academy-Award for writing Pygmalion, and recipient of the Nobel Prize for Literature.
Reverend Morell thinks he and his wife, Candida, have the perfect marriage, but when a passionate young poet also declares his love for her, Morell begins to doubt whether his wife loves him after all. Written over 100 years ago, George Bernard Shaw shows that marriage hasn't changed all that much. Directed by Kathleen F. Conlin, from her acclaimed production at the Utah Shakespearean Festival.
Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.
Verdi's popular masterpiece Rigoletto returns to the repertory on January 24 with baritone Roberto Frontali making his Met role debut as the hunchback jester and conductor Riccardo Frizza in his company debut. They are joined by Aleksandra Kurzak as Gilda and Giuseppe Filianoti as the Duke of Mantua, both of whom are also singing their roles for the first time at the Met. Viktoria Vizin makes her Met debut as Maddalena, and Mikhail Petrenko sings his first Sparafucile with the company.
Georgian bass George Gagnidze makes his Met debut on January 27 in the title role and sings the following five performances through February 12. Piotr Beczala, whose performances as Edgardo in Lucia di Lammermoor last fall drew wide acclaim, sings the Duke on February 12.
A second run of performances begins April 1 and features the first Met Gilda of Diana Damrau, who earlier this season created a sensation with her interpretation of the title role of Lucia di Lammermoor. She will be partnered with Joseph Calleja as the Duke and Roberto Frontali as Rigoletto. Frontali returns for the April performances which run through April 17. Tamara Mumford sings Maddalena and Raymond Aceto is Sparafucile in the April cast.
About the performers
The Colony Theatre Company presents the fourth production of its 2008 - 2009 season, CANDIDA, written by George Bernard Shaw and directed by Kathleen F. Conlin. CANDIDA will preview on Wednesday, February 4; Thursday, February 5 and Friday, February 6 at 8:00pm and will open on Saturday, February 7 at 8:00pm and continue through Sunday, March 8 at The Colony Theatre, 555 North Third Street (at Cypress) adjacent to the Burbank Town Center.
CANDIDA is the delightful, light-hearted classic from George Bernard Shaw, writer of Major Barbara and Arms and the Man, winner of the Academy-Award for writing Pygmalion, and recipient of the Nobel Prize for Literature.
Reverend Morell thinks he and his wife, Candida, have the perfect marriage, but when a passionate young poet also declares his love for her, Morell begins to doubt whether his wife loves him after all. Written over 100 years ago, George Bernard Shaw shows that marriage hasn't changed all that much. Directed by Kathleen F. Conlin, from her acclaimed production at the Utah Shakespearean Festival.
Kirsten Chavez will sing the role of Orfeo in Gluck's Orfeo ed Euridice at the Met on January 14, replacing Stephanie Blythe, who is ill.
Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.
Roundabout Theatre Company (Todd Haimes, Artistic Director) has announced that Tony® award winner Mary-Louise Parker (Hedda Gabler), Tony® award winner Michael Cerveris (Jorgen Tesman), Paul Sparks (Ejlert Lovborg) and Peter Stormare (Judge Brack) in a new Broadway production of Hedda Gabler by Henrik Ibsen. The production features a new adaptation by Christopher Shinn and will be directed by Ian Rickson.
Roundabout Theatre Company (Todd Haimes, Artistic Director) is proud to announce Tony® award winner Michael Cerveris (Jorgen Tesman) & Paul Sparks (Ejlert Lovborg) will join previously announced Tony® award winner Mary-Louise Parker (Hedda Gabler) in a new Broadway production of Hedda Gabler by Henrik Ibsen. The production features a new adaptation by Christopher Shinn and will be directed by Ian Rickson. Hedda Gabler will begin previews on Tuesday, January 6th, 2009 and open officially on Sunday, January 25th, 2009 at the American Airlines Theatre on Broadway (227 West 42nd Street). This will be a limited engagement.
After an absence of 82 years, Puccini's bittersweet romance La Rondine returns to the Met in a new production with a gala premiere performance on New Year's Eve. La Rondine stars Angela Gheorghiu as Magda, the Parisian socialite, and Roberto Alagna as Ruggero, her lover. Lisette Oropesa, Marius Brenciu, in his Met debut, and Samuel Ramey are the other principal singers. Marco Armiliato conducts.
Roundabout Theatre Company (Todd Haimes, Artistic Director) is proud to announce John Goodman (Pozzo) and David Strathairn (Lucky) will join Bill Irwin (Vladimir) and Nathan Lane (Estragon) in a new Broadway production of Waiting for Godot by Samuel Beckett and directed by Tony? award winner Anthony Page.
Julie Taymor's hit production of Mozart's The Magic Flute returns to the Met as this season's special holiday presentation beginning December 22. The abridged, English-language version is specially priced to appeal to families and will have four matinees and one holiday evening performance, running through January 1.
Puccini's most popular work returns to the Metropolitan Opera on Monday, December 15, at 8:00 p.m. in the visually stunning classic production by Franco Zeffirelli. Fr?d?ric Chaslin conducts the performances which run through Saturday, January 10, 2008 and feature Mexican tenor Ram?n Vargas and Latvian soprano Maija Kovalevska as Puccini's star-crossed lovers, Rodolfo and Mim?. Fellow Bohemians in the cast are portrayed by Susanna Phillips as Musetta in her Met debut, Mariusz Kwiecien as the painter Marcello, Tommi Hakala as the musician Schaunard, and Oren Gradus as the philosopher Colline. Paul Plishka sings both Benoit and Alcindoro. Massimo Giordano sings Rodolfo in the final two performances.
Daniel Barenboim Makes his Met Debut conducting Tristan and Isolde on November 28
Katarina Dalayman and Peter Seiffert sing the title roles for the first time at the Met, and René Pape reprises his acclaimed portrayal of King Marke
Puccini's most popular work returns to the Metropolitan Opera on Monday, December 15, at 8:00 p.m. in the visually stunning classic production by Franco Zeffirelli. Fr?d?ric Chaslin conducts the performances which run through Saturday, January 10, 2008 and feature Mexican tenor Ram?n Vargas and Latvian soprano Maija Kovalevska as Puccini's star-crossed lovers, Rodolfo and Mim?. Fellow Bohemians in the cast are portrayed by Susanna Phillips as Musetta in her Met debut, Mariusz Kwiecien as the painter Marcello, Tommi Hakala as the musician Schaunard, and Oren Gradus as the philosopher Colline. Paul Plishka sings both Benoit and Alcindoro. Massimo Giordano sings Rodolfo in the final two performances.
Ren?e Fleming and Thomas Hampson star in the Met's first new production of Jules Massenet's richly melodic Tha?s in thirty years. The rarely performed opera opens at the Met on Monday, December 8, and runs through January 8, with the December 20 matinee transmitted live worldwide as part of The Met: Live in HD series. 'Fleming and Hampson made a heavenly match,' Chicago Sun-Times critic Wynne Delacoma wrote when this production, which comes from the Lyric Opera of Chicago, opened there in 2002.
In response to the recession, the Metropolitan Opera's Board of Directors has decided to subsidize some of the best seats for weekend evening performances for the duration of the opera season. Approximately 16,000 prime seats in the Orchestra and Grand Tier, ranging in price from $295 to $140, will be available for $25 through a weekly drawing beginning December 8. Entries for the drawing to purchase the $25 seats will be available only at the Met's web site, www.metopera.org. The $3 million dollar cost to underwrite the program has been contributed entirely from among the Board's 45 managing directors.
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