Why Not? 1922 - Articles Page 2

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

Osmo Vanska announced plans today at the Minnesota Orchestra's annual meeting to conclude his tenure as Music Director of the Minnesota Orchestra in August 2022. The 2021-22 season, his final as music director, will mark his 19th year at the helm of the Minnesota Orchestra, capping what is widely considered one of the great musical partnerships in Minnesota Orchestra history. Beyond 2022, Mr. Vanska and the Minnesota Orchestra will maintain their musical relationship, with Mr. Vanska returning for ongoing concert engagements.

New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) is proud to announce the 2018/19 season of Next Door at NYTW in the Fourth Street Theatre, NYTW's 65-seat black box space.

On April 21, 2018, Patrick Marber spoke about Travesties with Education Dramaturg Ted Sod as part of Roundabout Theatre Company's lecture series.

Theater Resources Unlimited (TRU) announces the 2018 Bootcamp Weekend Intensive for Showcase Producing on Saturday, April 28, 2018 & Sunday, April 29, 2018 from 10am - 6pm at Nola Studios, 244 W. 54th Street, 5th floor. Registration is $270 for non-members ($225 for TRU members, $290 for Membership/Workshop Package, and $100 for a second attendee). Save $50-$60 with the Early Bird Discount through April 15.

Steep Theatre presents the world-premiere of Calamity West's new play, HINTER. The play was inspired by the Bavarian Hinterkaifeck murders, where six members of one household were brutally murdered in 1922. The case was never solved. HINTER delves into that mystery and attempts to piece together what may have really happened on that fateful night. HINTER opened on January 25th and will run through March 3rd.

An interview with Robert Meffe, the Head of the MFA Musical Theatre Program at SDSU, on opportunities to work with the students on new musicals like 'Enchanted April' which runs Thursday, Nov. 30 through Sunday, Dec. 3 in the Don Powell Theatre at San Diego State University.

The anniversary of both Esther Rolle's birth and death are in November, and to celebrate the achievements of this amazing woman, who is also buried in Pompano Beach, The Rock Road Restoration Historical Group will present a special exhibit at The Historic Ali Cultural Arts Center (www.aliarts.org), which will run from November 1 through December 2, 2017.

The anniversary of both Esther Rolle's birth and death are in November, and to celebrate the achievements of this amazing woman, who is also buried in Pompano Beach, The Rock Road Restoration Historical Group will present a special exhibit at The Historic Ali Cultural Arts Center (www.aliarts.org), which will run from November 1 through December 2, 2017.

From the summer hit IT to the recently released THE DARK TOWER, audiences cannot get enough of Stephen King adaptations. The next addition comes in the form of the new Netflix film 1922. The film will start streaming on Netflix this Friday October 20th. Before then, take a look at the reviews to see if the critics enjoyed the thriller!

Franz Welser-M st will lead concerts on three continents as part of The Cleveland Orchestra's 100th season in 2017-18, including two trips to Europe, appearances in New York City, and a return to Tokyo's Suntory Hall. All told, over 20 concerts are planned across seven weeks of touring, in addition to the Orchestra's regular home season in Cleveland at Severance Hall.

A timely revival for one of Jack Rosenthal's celebrated TV plays of the 70s with much to say about the age of the Uber.

Jasmine Records is proud to announce the release of JUDY GARLAND: I CAN'T GIVE YOU ANYTHING BUT LOVE in 2018. Judy Garland (1922-1969) sang about love throughout her life, but up to now no career-spanning CD collection has ever brought her greatest love songs together.

The Hollywood Bowl's production of Mamma Mia! begins tonight, July 28, at 8 PM and continues Saturday, July 29, at 8 PM and Sunday, July 30, at 7:30 PM.

Final casting has been announced for the Hollywood Bowl's upcoming production of Mamma Mia!, Friday, July 28, at 8 PM, Saturday, July 29, at 8 PM and Sunday, July 30, at 7:30 PM. The new cast members are Tisha Campbell-Martin as Tanya, Hamish Linklater as Harry and Steven Weber as Bill.

Meet new leading lady Taylor Quick, starring in the title role of Goodspeed's THOROUGHLY MODERN MILLIE!

On Friday, June 16, beloved New York fixture Malachy McCourt receives the first Origin in Bloom Literary Award, a new annual Bloomsday award honoring the work of an Irish or Irish-American author.

'This is an excellent season of plays,' Glory Kadigan, founder and curator of Planet Connections Theatre Festivity's Playwrights For A Cause, said, remarking about this year's plays and playwrights, and now, the creative team. 'I'm so proud of the activist artists involved with Planet Connections for continuing to connect with audiences in so many creative ways while drawing attention to organizations who are on the front lines of this important work.'

The Granite Theatre in Westerly RI successfully tackles Taking Sides, the thought-provoking drama set in post-war Berlin.

This week THEATER TALK features the creators of two new Broadway productions – playwright Paula Vogel, whose new play INDECENT is being performed at the Cort Theatre; and writing team David Hein and Irene Sankoff, director Christopher Ashley, and performer Jenn Colella from COME FROM AWAY

According to Deadline Hollywood, Brian d'Arcy James will be joining the Broadway company of HAMILTON as King George, the role he originated but never got to play on Broadway due to conflicts with SOMETHING ROTTEN. 

Celebrated Chicago chamber ensemble Lincoln Trio honors its families' national origins on a highly personal new album of substantial 20th-century piano trios by composers from England, Armenia, and Switzerland.

Nashville's summer theater season continues its fast clip with tonight's opening of the blockbuster musical Thoroughly Modern Millie at The Larry Keeton Theatre in Donelson. Running through June 25, the tap-happy musical features Keeton favorite Stella London in the title role of Millie Delmount, with Austin Jeffrey Smith and Tyler Samuel playing Jimmy and Miss Dorothy, respectively.

Like sand through the hourglass, so is the choreography of Jacqulyn Buglisi. No one can argue that Ms. Buglisi knows how to craft beautifully lush movement. Her dances are ephemeral yet timeless, like a conjured dream held in stasis. But in the wrong hands, this ravishing quality becomes smothering. Luckily Ms. Buglisi formed her original company with Terese Capucilli, Christine Dakin, and Donlin Foreman. At the time they were filling a void left in the wake of Martha Graham's death. More than this, they were four of the most talented dancers on the planet coming into their own as creators while using their own incomparable bodies as tools of deliverance; how could the results be anything less than spectacular? Though one wonders, was it the work or the performers? We found out on June 7th, 2016 at The Ailey Citigroup Theatre during the gala performance of Buglisi Dance Theatre's 23rd Season.

Santtu-Matias Rouvali is set to become Chief Conductor of the Gothenburg Symphony, the National Orchestra of Sweden. The 30-year old, recently hailed by the Guardian (London) as "the latest sit-up-and-listen talent to emerge from the great Finnish conducting tradition", will take up his new position at the beginning of the 2017-18 season. His appointment underlines the special relationship forged between conductor and orchestra in August 2014 with Rouvali's debut programme of works by Richard Strauss, Tchaikovsky and Bernstein. Critical acclaim has followed their subsequent performances together, with Hakan Dahl of Goteborgs-Posten praising Rouvali as 'absolutely superb' (October 2015).