Based on the play Love in a Mist by Gilbert Emery and Amelie Rives
While many actors aspire to direct, few ever achieve fame in both disciplines. The Drowsy Chaperone's Jay Douglas, however, is one exception. He performed six roles in the production on Broadway during it's 2006 - 2007 run, including the lead Man in Chair, and at one point served as the show's dance captain.
Playwrights Horizons announced today that the New York premiere of ME, MYSELF & I, a new play by three-time Pulitzer Prize and three-time Tony Award winner Edward Albee (A Delicate Balance; Seascape; Three Tall Women; Who's Afraid of Virgina Wolf?; The Goat or, Who Is Sylvia?) will open the theater company's 2010/2011 40th Anniversary Season. Mr. Albee will be making his Playwrights Horizons debut.
One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.
It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.
This week marks the beginning of what has become an enduring tradition for Playhouse Square, as they launch their annual ?Cinema at the Square.? For the next two weeks, fifteen classic films will be revived on the second biggest screen in the Cleveland area (the local Imax is bigger but, by the same token, they aren?t going to be running ?Gone With the Wind? anytime soon) at Playhouse Square?s Palace Theatre. Fifteen dollars will get you six tickets to the films of your choice, or you can pay five dollars at the door to films that are guaranteed memories in the making.
Gateway Playhouse, the 'foremost summer professional regional theatre' (Newsweek), announces its 60th anniversary season celebrating some of Broadway's biggest Tony Award winning hits: Miss Saigon, A Chorus Line, The Drowsy Chaperone, Dirty Rotten Scoundrels, Sophisticated Ladies and Meshuggah-Nuns.
MAXWELL C. KING CENTER FOR THE PERFORMING ARTS announces their MARCH, APRIL, MAY, LINE-UP
'Dame Edna Everage - My First Last Tour'
Friday & Saturday, April 3& 4, 8:00 pm
Tickets On Sale Now
Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 22, 2009.
Today's Broadway Blogs on BroadwayWorld.com from Friday, February 20, 2009.
Winner of the 1967 Pulitzer Prize, Edward Albee's A Delicate Balance comes to Arena Stage in a contemporary and provocative new staging under the direction of experienced Albee collaborator Pam MacKinnon. Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6-March 15, 2009 at Arena Stage in Crystal City. The press opening performance is Thursday, February 12, 2009 at 8:00 p.m.
'Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,' shares Artistic Director Molly Smith. 'His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team-approved by Albee himself.'
A frequent director of Albee plays, MacKinnon has directed The Play About the Baby, the world premieres of Peter and Jerry: Homelife and The Zoo Story (now titled At Home at the Zoo) and Occupant, as well as the U.S. regional and European premieres of The Goat, or Who Is Sylvia?
Winner of the 1967 Pulitzer Prize, Edward Albee's A Delicate Balance comes to Arena Stage in a contemporary and provocative new staging under the direction of experienced Albee collaborator Pam MacKinnon. Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6-March 15, 2009 at Arena Stage in Crystal City. The press opening performance is Thursday, February 12, 2009 at 8:00 p.m.
'Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,' shares Artistic Director Molly Smith. 'His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team-approved by Albee himself.'
A frequent director of Albee plays, MacKinnon has directed The Play About the Baby, the world premieres of Peter and Jerry: Homelife and The Zoo Story (now titled At Home at the Zoo) and Occupant, as well as the U.S. regional and European premieres of The Goat, or Who Is Sylvia?
Berkshire Theatre Festival Artistic Director Kate Maguire is pleased to announce the company's 2008 80th anniversary season, which will extend from May 22 through December 30 and be the longest-running season in the company's history.
Complete scheduling information has been announced for the New York Musical Theatre Festival
The New York Musical Theatre Festival is pleased to announce the 18 new musicals selected for this year's Next Link Project, to be presented as part of the third-annual New York Musical Theatre Festival, September 10 through October 1, 2006.
Since I live in New York City, I usually don't take a 'theater vacation'-you know, the eight-shows-a-week type of trip to New York or London. Even when I go to London, theater is just one of the activities on my itinerary. But the last three summers, I have found myself in a summer theater destination and have been appreciating more and more the joy of taking my No. 1 pastime on the road.
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