Aida, opera by Guiseppe Verdi
The story of a politically star-crossed love affair between a Nubian princess and an Egyptian prince, finally entombed alive in punishment.
Over halfway through DECONSTRUCTION, Jonathan Leaf's remarkable play about Paul De Man, Mary McCarthy (Fleur Alys Dobbins) tells Hannah Arendt (Karoline Fischer) that she sees no morality 'worthy of the name' in the philosophy of Martin Heidegger. 'There's a need to find authenticity,' McCarthy concedes, 'But it seems to me that you can be genuinely and perfectly evil.' However one feels about deconstruction as a method of reading--I happen to be a fan--we should all agree that De Man was a bad guy: a thoroughgoing liar, a bigamist, a swindler, a manipulator, and the author of some 200 pieces for the Nazi publication in Belgium, Le Soir. I've lingered over this literary-historical context (ironic, given that deconstruction deemphasizes extra-textual material, including authorial intent) because while Leaf's play works beautifully as a story about the (alleged) affair between De Man and McCarthy, the play's real triumph is how deftly it evokes the intellectual minefields on which these personal relationships developed. DECONSTRUCTION is far better, to say nothing of smarter, than most of the ideologically-driven caricatures of the play suggest. This is all the more remarkable given the play runs a mere 75 minutes.
The Prototype: Opera/Theater/Now festival and The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present Silent Voices on Today, January 14 and Sunday January 15 at FIAF's Florence Gould Hall.
The Prototype: Opera/Theater/Now festival and The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present Silent Voices on Saturday, January 14 and Sunday January 15 at FIAF's Florence Gould Hall.
The Prototype: Opera/Theater/Now festival and The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present Silent Voices on Saturday, January 14 and Sunday January 15 at FIAF's Florence Gould Hall.
Above all else, it offers a glimpse into what could come to pass if we are not mindful and determined to keep our art groups like Catastrophic Theatre alive and well in the coming years. It's a meditation on the state of culture that is wisely timed by one of Houston's most daring theatre companies.
Maestro Walter Huff has announced that, after decades of service to The Atlanta Opera, he will be leaving his position as Chorus Master to focus on his duties at Indiana University. Mo. Huff will start his tenure process in Indiana this coming April. His last day with the Atlanta Opera will be January 1.
Museum of the Moving Image will present the most comprehensive U.S. retrospective of all of the Polish director's features, short films, early documentary work, and a marathon viewing of the Dekalog, from October 7 through November 6, 2016. The series will also include four posthumous works based on Kieslowski's unproduced screenplays.
Museum of the Moving Image will present the most comprehensive U.S. retrospective of all of the Polish director's features, short films, early documentary work, and a marathon viewing of the Dekalog, from October 7 through November 6, 2016. The series will also include four posthumous works based on Kieslowski's unproduced screenplays.
Ehrenkranz Artistic Director Jane Moss today announced the schedule for Lincoln Center's seventh White Light Festival, running from October 16 through November 16, 2016. The international multidisciplinary festival, which takes its name from a quotation by the Estonian composer Arvo Part, is an annual exploration of the power of art to illuminate our interior and communal lives. 'I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.' - Arvo Part
Single-show tickets are now on sale for all shows in the 2016 Sacramento Music Circus season at the Wells Fargo Pavilion, the 66th season for the venerable institution.
Lehmann Maupin is pleased to present Kindred Spirits, renowned Brazilian artist Adriana Varejão's sixth solo exhibition with the gallery. The artist will be present for an opening reception at the gallery today, April 21, from 6-8PM.
Lehmann Maupin is pleased to present Kindred Spirits, renowned Brazilian artist Adriana Varejão's sixth solo exhibition with the gallery. The artist will be present for an opening reception at the gallery on Thursday, April 21, from 6-8PM.
Silk Road Rising proudly presents the World Premiere of Jamil Khoury's Mosque Alert. All performances will be presented in the company's venue in Pierce Hall at The Historic Chicago Temple Building at 77 W. Washington St. in Chicago.
California Musical Theatre and BroadwayWorld bring you the 2016 lineup for Sacramento Music Circus at the Wells Fargo Pavilion, the 66th season for the venerable institution. The season includes four shows that have never been produced at Music Circus: The smash hit musical comedy Legally Blonde, based on the hilarious film starring Reese Witherspoon; the family favorite Seussical, a journey through the witty and whimsical world of Dr. Seuss; Nice Work If You Can Get It, the song-and-dance spectacular filled with the music of George and Ira Gershwin; and The Hunchback of Notre Dame, a brand new musical exploring the dark themes of the epic novel while featuring the beautiful music of the animated Disney film. The 2016 Music Circus season will also feature two shows that are all-time patron favorites, the irresistible musical theatre gem Hello, Dolly! and the Tony-winning Kander and Ebb classic Cabaret.
To share an electrifying and distinguished work from Italy with a larger audience, La MaMa E.T.C. will present Teatro Patologico (Pathological Theater) from Rome in 'MEDEA,' adapted and directed by Dario D'Ambrosi, tonight, October 8, to the 18th, 2015 in its Ellen Stewart Theater, 66 East 4th Street.
The Old Globe opens its 2015-2016 Season with IN YOUR ARMS, a World Premiere dance-theatre musical featuring direction and choreography by Tony Award winner Christopher Gattelli (Newsies, Godspell, Lincoln Center Theater's The King and I and South Pacific) and original music by Tony Award winner Stephen Flaherty (Ragtime, Once on This Island; two-time Oscar nominee for Anastasia). The production begins tonight, September 16, with an opening slated for September 24, and runs through October 25, 2015.
To share an electrifying and distinguished work from Italy with a larger audience, La MaMa E.T.C. will present Teatro Patologico (Pathological Theater) from Rome in 'MEDEA,' adapted and directed by Dario D'Ambrosi, October 8 to 18, 2015 in its Ellen Stewart Theater, 66 East 4th Street.
Among them, the company can claim 18 Tony Awards, 4 Pulitzer Prizes, 6 Pulitzer finalist distinctions, 3 Emmy Awards, and 2 Academy Awards; to list all their honors would take several pages.
Berkeley Rep has announced the full company for its 2015-16 season opener Amelie, A New Musical, starring award-winning actress Samantha Barks.
The New York Philharmonic's Spring Gala will celebrate the 50th anniversary of the New York Philharmonic Concerts in the Parks, featuring a concert of music from iconic moments throughout the history of the free concert series, tonight, May 19, 2015, at 7:30 p.m.
We interviewed Tad Lombardo about his company 'Cioccolato Lombardo' and his interesting career as a master chocolatier in Australia.
Today we look back at Elton John & Tim Rice's Tony Award-winning rock musical AIDA.
The New York Philharmonic's Spring Gala will celebrate the 50th anniversary of the New York Philharmonic Concerts in the Parks, featuring a concert of music from iconic moments throughout the history of the free concert series, Tuesday, May 19, 2015, at 7:30 p.m.
I sat there alone on the storied crest, till the sun went down as it did before over the misty hills, and the darkness crept up the slopes, till from all earthly sight I was buried as with those before. But oh, what radiant companionship rose around, what steadfast ranks of power, what bearing of heroic souls. Oh, the glory that beamed through those days and nights. Nobody will ever know it here! - I am sorry most of all for that! The proud young valor that rose above the mortal, and then at last was mortal after all....
When she read these lines written by Civil War hero and Maine Legend Joshua Lawrence Chamberlain more than eighteen years ago, lyricist/ book writer Sarah Knapp became convinced that she and her husband composer Steven M. Alper had to write their 'memory play.' The musical, commissioned by Charles Abbott, then Artistic Director of Maine State Music Theatre, became one of the greatest successes in the company's history, selling out before it even opened - ('it was the only show where they were scalping tickets on the lawn,' Knapp recalls).
Now almost two decades later, Chamberlain A Civil War Romance will receive its first new production since that world premiere in 1996, once again at the Maine State Music Theatre in Brunswick, the hometown of Chamberlain and his wife Fannie. Speaking with the composer and writer just days before the opening, they shared their palpable excitement at the prospect of this revival.
The spirit of Johann Sebastian Bach will suffuse the Terrace Theater of the John F. Kennedy Center for the Performing Arts tonight, May 14, 2014, as Italian pianist Carlo Grante makes his first concert appearance in the nation's capital, in a program containing not a single note of Bach's music.
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