BWW Review: Playhouse's BEST LITTLE WHOREHOUSE Entertains Despite Lackluster Material
This particular production is winner.
San Antonio Theater Reviews
The latest reviews and critic recommendations from San Antonio.
BWW Review: Monty Python is Alive and Well at the Overtime
Fans of Monty Python will have a great time at the Overtime Theatre's production of 'Black: A Comedy of Bubonic Proportions' - a production which marks a promising debut for Morgan Clyde, who wrote the play as a first-time playwright, and Sarah Goodwin as a first-time director.
BWW Review: DISNEY'S BEAUTY AND THE BEAST at the Fredericksburg Theater Company
Fredericksburg Theater Company (FTC) is a small theater in historic Fredericksburg, Texas between San Antonio and Austin.
BWW Review: High Times at The Harlequin
Some very high notes are to be heard in the Harlequin production of 'Those Oldies But Goodies', a compendium of songs mainly from the 1950s.
BWW Review: 15-Year-Old Stuns as Cinderella at PASA
PASA proves to be a crucible for emerging young talent with stunning performances in Cinderella's Makeover
BWW Review: THE SUPPER HOUR IN HELL at the Overtime
The Supper Hour in Hell proves to be one of the most absorbing, cohesive, entertaining and satisfying plays produced by the Overtime.
BWW Review: A CHORUS LINE at the Playhouse - Carla Sankey Commands the Stage
A Chorus Line at the Playhouse overwhelmingly belongs to Carla Sankey, who choreographed the show and played the role of Sheila.
BWW Review: THE GINGERBREAD LADY, Harlequin Dinner Theatre
Priscilla Craft manages to steer a fine path between comedy and pathos in The Gingerbread Lady art the Harlequin.
BWW Review: THE VAPOURS, Overtime Theatre
Good direction, good acting - particularly from the always dependable Liz Vermeulen - and an intriguing plot idea combine to hold the audience's attention in 'The Vapours' at the Overtime, in spite of some deep flaws in a play that implodes at the end under the weight of expectations and ideas that
BBW Review: BORN YESTERDAY at the Classic Theatre
Greg Hinojosa is a revelation in his role as the loud-mouth junkyard tycoon Harry Brock in the ClassicTheatre production of Born Yesterday
BWW Preview: BORN YESTERDAY, Classic Theatre
Born Yesterday - the Garson Kanin playmade into a 1950 movie starring Judy Holliday, William Holden and Broderick Crawford - opens this weekend at the Classic Theatre on Fredericksburg Road.
BWW Reviews: MEMPHIS THE MUSICAL at The Woodlawn Theatre
The Tony winning musical takes you on a journey of life, prejudices and racism that existed in Memphis in the 1950's.
BWW Review: MEMPHIS at the Woodlawn
Memphis at the Woodlawn proves to be more dynamic and less melodramatic than the touring production, with some excellent performances from a very talented cast.
BWW Review: MAKE ME A MUSICAL Performers Hit Comedy Heights at PASA
There are some terrific performances by a hand-picked cast in PASA's American premiere production of Make Me a Musical, a show that takes an affectionate dig at a number of classic musicals.
BWW Review: SATURDAY NIGHT FEVER Dances Through San Antonio, Texas
With the disco craze a thing of the past and only one of the Bee Gees still living (Barry Gibb), SATURDAY NIGHT FEVER takes the audience back to a time when disco ruled and dancing was the best thing to do on a Saturday night.
BWW Review: LONDON CALLING at the Harlequin is the Best Rock Show I Have Seen
'London Calling' at the Harlequin is one of the slickest shows I have seen since moving to San Antonio just under six years ago.
BWW Review: THE TEMPEST, Palmetto Center, Northwest Vista College
Marx Brothers, line dancing and drag add spice to Palmetto production of The Tempest
BWW Review: Disappointing JESUS CHRIST SUPERSTAR, Playhouse
There was some good singing, some good performances - particularly from Joshua Goldberg as Pilate and James Welch as Herod - plus some good staging ideas in the Playhouse production of Jesus Christ Superstar.
BWW Review: RUTHLESS is Top Notch Entertainment
'Ruthless!' at PASA is one of the best-directed and best-performed musicals I have seen in San Antonio.
BWW Review: DIVAS OF EASTWOOD Returns to Carver
After its recent sold-out run at the Carver Community Center, Divas of Eastwood - 'a celebration of the Chitlin Circuit' - returns to the Carver on March 4th for three nights to offer up another selection of familiar songs by some of San Antonio's finest singers and performers, including Danielle Ki
BWW Review: HOW I LEARNED TO DRIVE at Trinity
In the Trinity Theatre production of 'How I Learned to Drive', Dallas Akins and Sarah Tipton delivered strong performances in the lead roles of Uncle Peck and his niece 'Li'l Bit' in this everyday tale of incest and pedophilia in what I imagine to be somewhere in Appalachia.
BWW Review: THE SEAGULL at Classic Theatre Of San Antonio
A strong cast and fine direction by Allan Ross served up an almost pitch perfect production of Anton Chekhov's first and most autobiographical play, The Seagull.
BWW Review: THE AMISH PROJECT at Carlos Alvarez Studio Theater
Having a single actor playing seven different characters of varying ages and sexes, coupled with a story that jumps around on a constantly fluctuating narrative thread, and you could have a theatrical disaster on your hands.
BWW Review: THE PHANTOM OF THE OPERA Comes To San Antonio
The current tour of PHANTOM recently opened in San Antonio to excited and nearly sold-out audiences at the Majestic Theatre.
BWW Review: WEST SIDE STORY Entertains at the Woodlawn Theatre
WEST SIDE STORY is a classic musical that audiences have been enjoying for many decades.
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Spamalot Tobin Center (7/07-7/08) |
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Hamilton (Angelica Company) Majestic Theatre (7/28-8/09) |
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Wicked Majestic Theatre (6/02-6/20) |
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& Juliet Majestic Theatre (7/07-7/12) |
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I''m Still Yo Mama Little Carver Theatre (8/02-8/02) |
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The Circuit Little Carver Theatre (9/25-9/26) |
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C.S. Lewis' The Screwtape Letters Tobin Center for the Performing Arts (8/30-8/30) |
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Doja Cat Frost Bank Center (11/06-11/06) |
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The UTEP Dinner Theatre- School Of Rock UTEP Dinner Theatre (6/26-7/18) |
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AUDAZ TO THE MAXX: Sketchy Nights in San Antonio Teatro Audaz (7/29-10/28) |