Review: MALTA FESTIVAL in Poznań
What did our critic think of MALTA FESTIVAL at Poznań?…
What did our critic think of MALTA FESTIVAL at Poznań?…
I’ve been five days in Toruń and saw nine shows. After a while I figured that there is an invisible rope connecting all of them - if you followed it carefully enough, it led you from one theatrical venue to the next, weaving a thread you didn't quite see until the very end.…
It's no secret that I'm obsessed with this balet ensemble. Whatever they do, I would watch it day and night - but if you came even once to see them on stage, you'd know my obsession is entirely justified and, frankly, inevitable. This show only deepens that feeling. Hurrey!…
The show isn't long - and neither will this text be. But the truth is, it stays with you long after you've left the theatre. Longer than you'd expect from something so compact. Jan Kowalewski made this show an intensive pleasure full of surprises - like an espresso with caramel (is that even a thing…
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What can you do with a 90-year-old piece about a man madly in love, slowly slipping into a dream he has no desire to wake up from? Quite a lot, it turns out.…
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The new production in Wrocław looks nothing like what you think opera looks like. Let me explain — and I promise that by the end of this text, you’ll be buying a ticket.…
“Upon first hearing Helikopter-Quartett by Karlheinz Stockhausen, the idea of creating a choreography to this music did not cross my mind at all since this work seemed to erode, at each turn of the helix, the actual foundations of a relationship between music and dance. It is...
Four revivals in one ballet evening. The evening opens with a choreographic suite from Kurt Weil ? Krzysztof Pastor's own project ? a ballet fresco pulsating with energy that stimulates reflections concerning the changing fate of an artist, the symptoms of intolerance and the...
Guest performance as part of 19th International Performance Art Meetings Rozdro?e 2012
Comic opera in two acts In the original Italian with Polish surtitles translated by Teresa Maciaszek
This Manon Lescaut, from her story put down by Abbé Prévost in 1731, is still too strong for an opera: after all here we have the fate of a priest, who had abandoned his cassock for a woman hardly any better than a harlot, became a cheat and ended as an outcast. But the opera...
With the youngest audiences and future connoisseurs of opera and ballet in mind, the Polish National Opera and its “Wielki dla ma?ych” educational project invites children to “music matinees” at the Redutowe Rooms, featuring the Teatr Wielki’s opera and ballet soloists and...
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