The opera's called JENUFA, after the unfortunate young woman at the center of its story. But the star of the show at the Met's revival of this soaring musical masterpiece by Janacek is the Kostelnicka of the magnificent Finnish soprano Karita Mattila.
When the Met's production of Rossini's L'ITALIANA IN ALGIERI made its debut in 1973, it must have seemed a welcome laugh riot. Think of it as a kind of Hope-Crosby “Road” picture from the '40s. Flip forward 43 years to last week, and the world has changed much--for better and worse--but “The Road to Algiers” keeps rolling along. Thank heavens for that.
Ravinia's longtime music director James Levine (1973-93) returns for the first time in more than two decades to lead the orchestra in Mahler's 'Resurrection' Symphony, the first piece he played when he made his Ravinia debut 45 years ago as a last-minute replacement for that season's gala, this Today, July 23, 2016.
James Levine has returned to Ravinia for the first time since completing his music directorship in 1993 to prepare the Chicago Symphony Orchestra and Chorus for the Ravinia Women's Board's 50th Anniversary Gala. On Saturday, July 23, Levine will celebrate the 45th anniversary of his concurrent Ravinia and CSO debuts, by conducting Mahler's Second Symphony, the first piece he ever conducted at Ravinia-on June 24, 1971. Saturday's soloists will be soprano Ying Fang and mezzo-soprano Karen Cargill. A large video screen will be erected on the lawn to show the concert in detail.
Ravinia's longtime music director James Levine (1973-93) returns for the first time in more than two decades to lead the orchestra in Mahler's 'Resurrection' Symphony, the first piece he played when he made his Ravinia debut 45 years ago as a last-minute replacement for that season's gala, this Saturday, July 23, 2016.
Beginning in the 2016/2017 season, Orchestra of St. Luke's transforms its previous season-long three-concert chamber music series into an immersive, three-week chamber music festival. The Resonance Chamber Music Festival will include three concerts by St. Luke's Chamber Ensemble, presented at both the Morgan Library & Museum and Brooklyn Museum, as well as ancillary talks that reveal the history and social context of the music; museum tours and displays of music manuscripts; receptions with the artists; and more.
On the evening of May 16th 2016 at the Metropolitan Opera House in Lincoln Center, the beloved troupe that was recognized as 'America's National Ballet Company' in 2006 by the United States Congress proved once again that the American Ballet Theatre is indeed a treasure. Dancegoers in dazzling formal attire were treated to a Spring Gala that eschewed traditional staples and showcased instead an appetite-whetting smorgasbord of excerpts from the spring season as well as a world premiere and the one-act Firebird.
Casting for the first two weeks of American Ballet Theatre's 2016 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
The World Premiere of a new work by Artist in Residence Alexei Ratmansky will highlight American Ballet Theatre's 2016 Spring Gala benefit on Monday, May 16 at 6:30 P.M. at the Metropolitan Opera House.
Vittorio Grigolo's fans were out in force last week when he took on the star-tenor role of Nemorino in Donizetti's L'ELISIR D'AMORE (THE ELIXIR OF LOVE) at the Met and it seemed like they'd taken a potion of their own.
Almost 40 years ago, on short notice, the great tenor Jon Vickers (who died this summer at 90) caused a scandal when he pulled out of the premiere of the Met's still-current production of Wagner's 'Tannhauser' because he considered the opera anti-Christian. Well, nothing that exciting happened when tenor Johan Botha took the stage in the title role of the opera last week--merely some wonderful singing.
Festival d'Aix-en-Provence 2015, under the leadership of General Manager Bernard Foccroulle, will present world premiere productions of operas by Handel and Mozart; the return of director Robert Carsen's acclaimed 1991 Festival production of Benjamin Britten's A Midsummer Night's Dream; and the French premiere of Jonathan Dove's children's opera, The Monster in the Maze, led by Sir Simon Rattle with the London Symphony Orchestra. Major vocal presentations in 2015 will also include a new production of Serbian composer Ana Sokolovi?'s uncommonly original one-act a cappella opera Svadba (Marriage), and a double bill of Persephone-Stravinsky's hybrid musical work for speaker, singers, dancers, and orchestra-with Tchaikovsky's last opera, Iolanta.
The recipients of the 2015 Martin E. Segal Awards, this year, expanded to encompass nominees from all of Lincoln Center's resident organizations, were announced today by Lincoln Center President Jed Bernstein. The awards will be presented at a special gala evening on the Adrienne Arsht Stage of Alice Tully Hall tonight, March 2. The Martin E. Segal Awards were established in 1986 when the late philanthropist and arts leader retired as Lincoln Center Chairman.
Festival d'Aix-en-Provence 2015, under the leadership of General Manager Bernard Foccroulle, will present world premiere productions of operas by Handel and Mozart; the return of director Robert Carsen's acclaimed 1991 Festival production of Benjamin Britten's A Midsummer Night's Dream; and the French premiere of Jonathan Dove's children's opera, The Monster in the Maze, led by Sir Simon Rattle with the London Symphony Orchestra. Major vocal presentations in 2015 will also include a new production of Serbian composer Ana Sokolovi?'s uncommonly original one-act a cappella opera Svadba (Marriage), and a double bill of Persephone-Stravinsky's hybrid musical work for speaker, singers, dancers, and orchestra-with Tchaikovsky's last opera, Iolanta.
The recipients of the 2015 Martin E. Segal Awards, this year, expanded to encompass nominees from all of Lincoln Center's resident organizations, were announced today by Lincoln Center President Jed Bernstein. The awards will be presented at a special gala evening on the Adrienne Arsht Stage of Alice Tully Hall on March 2.
More than most stagings of Mozart's LE NOZZE DI FIGARO, the new Richard Eyre production that opened the season at the Met made it hard to remember that the miserable duo who head the household were the happy couple of Rossini's IL BARBIERE DI SIVIGLIA.
The Metropolitan Opera will open its 130th season on Monday, September 22 with a new production of Mozart's Le Nozze di Figaro, conducted by Met Music Director James Levine and directed by Richard Eyre.
Wolf Trap Foundation for the Performing Arts kicks off its 2014 summer opera productions.
Wolf Trap Opera (WTO), a top residency program for emerging opera professionals, welcomes internationally renowned bass-baritone Eric Owens as its first Artist in Residence.
The Baltimore Symphony, Folger Theatre Company, and Baltimore Choral Arts Society Women's Chorus combine for a musical delight.
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