A memorial for Edward Woodward, who died aged 79, will be held in London at The Theatre Royal Haymarket, on Thursday, March 25th. He passed away on November 16, 2009.
Opera Boston announces the company's first commissioned work- the world premiere of Madame White Snake, a new opera based on a beloved ancient Chinese legend, by composer Zhou Long and librettist Cerise Lim Jacobs. Co-commissioned with the Beijing Music Festival (BMF), it is the first world premiere by the BMF and an American company.
Opera Boston announces the company's first commissioned work- the world premiere of Madame White Snake, a new opera based on a beloved ancient Chinese legend, by composer Zhou Long and librettist Cerise Lim Jacobs. Co-commissioned with the Beijing Music Festival (BMF), it is the first world premiere by the BMF and an American company.
Opera Boston presents the company's first commissioned work- the world premiere of Madame White Snake, an opera by composer Zhou Long and librettist Cerise Lim Jacobs, based on a beloved ancient Chinese legend.
Opera Boston announces the company's first commissioned work- the world premiere of Madame White Snake, a new opera based on a beloved ancient Chinese legend, by composer Zhou Long and librettist Cerise Lim Jacobs. Co-commissioned with the Beijing Music Festival (BMF), it is the first world premiere by the BMF and an American company.
Opera Boston presents the company's first commissioned work- the world premiere of Madame White Snake, an opera by composer Zhou Long and librettist Cerise Lim Jacobs, based on a beloved ancient Chinese legend.
Opera Boston announces the company's first commissioned work- the world premiere of Madame White Snake, a new opera based on a beloved ancient Chinese legend, by composer Zhou Long and librettist Cerise Lim Jacobs. Co-commissioned with the Beijing Music Festival (BMF), it is the first world premiere by the BMF and an American company.
Do strangers share memories? 'She Turned on the Light,' written and directed by Wendy Woodson, performed by Marina Libel, confronts the question through two perspectives: when you are a stranger in a strange land and when your remembrances seem to be carried across generations. The piece is a tour-de-force monologue with physical theater.
Do strangers share memories? 'She Turned on the Light,' written and directed by Wendy Woodson, performed by Marina Libel, confronts the question through two perspectives: when you are a stranger in a strange land and when your remembrances seem to be carried across generations. The piece is a tour-de-force monologue with physical theater.
Do strangers share memories? 'She Turned on the Light,' written and directed by Wendy Woodson, performed by Marina Libel, confronts the question through two perspectives: when you are a stranger in a strange land and when your remembrances seem to be carried across generations. The piece is a tour-de-force monologue with physical theater.
Do strangers share memories? 'She Turned on the Light,' written and directed by Wendy Woodson, performed by Marina Libel, confronts the question through two perspectives: when you are a stranger in a strange land and when your remembrances seem to be carried across generations. The piece is a tour-de-force monologue with physical theater.
Opera Boston announces the company's first commissioned work- the world premiere of Madame White Snake, a new opera based on a beloved ancient Chinese legend, by composer Zhou Long and librettist Cerise Lim Jacobs. Co-commissioned with the Beijing Music Festival (BMF), it is the first world premiere by the BMF and an American company.
Do strangers share memories? 'She Turned on the Light,' written and directed by Wendy Woodson, performed by Marina Libel, confronts the question through two perspectives: when you are a stranger in a strange land and when your remembrances seem to be carried across generations. The piece is a tour-de-force monologue with physical theater.
Do strangers share memories? 'She Turned on the Light,' written and directed by Wendy Woodson, performed by Marina Libel, confronts the question through two perspectives: when you are a stranger in a strange land and when your remembrances seem to be carried across generations. The piece is a tour-de-force monologue with physical theater.