DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.
Riccardo Muti, Music Director of the Chicago Symphony Orchestra, returns in January 2015 for several weeks of concerts with the CSO at both Symphony Center and Carnegie Hall. Muti's winter residency begins with performances in Chicago—on January 15, 16 and 17—of Brahms' Piano Concerto No. 2, featuring pianist Yefim Bronfman. The program closes with Tchaikovsky's Symphony No. 1 (Winter Daydreams), part of the complete cycle of Tchaikovsky symphonies that Muti leads in the current season.
Carnegie Hall presents the Chicago Symphony Orchestra in three concerts conducted by Music Director Riccardo Muti, January 30 to February 1 in Stern Auditorium / Perelman Stage. The series begins on Friday, January 30 at 8:00 p.m. with Muti leading a program featuring two portraits of the sea, Mendelssohn's Calm Sea and Prosperous Voyage Overture and Debussy's La mer, paired with Scriabin's Symphony No. 3 in C Minor, Op. 43, "The Divine Poem," in which the Russian composer's newfound mysticism and fascination with touching all of the senses through music is at the core of an extravagantly scored work.
Chicago Symphony Orchestra (CSO) Music Director Riccardo Muti and Deborah F. Rutter, president of the Chicago Symphony Orchestra Association (CSOA), announce the programming for the CSO and Symphony Center Presents (SCP) 2014/15 season—the Orchestra's 124th season and Maestro Muti's fifth season as music director. Next season, Maestro Muti leads ten weeks of subscription concerts in four residencies with the Orchestra in Chicago, with appearances in September/October, January, February/March and June. In addition, he leads the Orchestra on a three- week tour of Europe in October and November, and in three performances at Carnegie Hall in January.
It's not often that singers make their debuts on Broadway and then make a splash at the opera, but that's what happened when Paulo Szot--a Tony winner for “South Pacific”--opened in the Met's production of the Shostakovich opera THE NOSE in 2010. The exciting, intoxicating production by the South African multi-media artist William Kentridge, conducted by Valery Gergiev, is back. Happily, it will be broadcast worldwide in the Met's LIVE IN HD series on October 26, with Szot reprising his outstanding performance.