The Opera Theatre of St. Louis has opened the fourth production in its June festival season--'The Dialogues of the Carmelites', by Francis Poulenc. The cast features some St. Louis favorites: Kelly Kaduce, who gave us that jaw-dropping Salome five years ago, now plays a much timider leading lady-Sr. Blanche of the Agony of Jesus. And the wonderful Christine Brewer sings the role of the New Prioress.
Opera Colorado announced today that it will present Giacomo Puccini's Madama Butterfly(November 2014), W.A. Mozart's The Magic Flute (May 2015), Giuseppe Verdi's Aida (November 2015), and the world premiere of Lori Laitman's The Scarlet Letter (May 2016) starring Elizabeth Futral as Hester Prynne. A vital presence in Denver's cultural ecology, Opera Colorado is the Rocky Mountain region's preeminent grand opera company. The Opera's programming includes mainstage productions, artist development initiatives, and education and community engagement programming.
The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce initial details for the 2014-15 Mainstage Series of opera, musical theatre and drama productions.
Cincinnati Opera will present the world premiere of the opera Morning Star, with music by Ricky Ian Gordon and a libretto by William M. Hoffman, during the company's 2015 Summer Festival. The opera will be performed at the Corbett Theater at the School for Creative and Performing Arts, which was inaugurated as Cincinnati Opera's second-stage venue during the 2013 season. Morning Star marks the company's first world premiere in more than 50 years, and will be presented on June 30, July 2, 8, 10, 12, 17, and 19, 2015.
Monteverdi's “Combattimento di Tancredi e Clorinda” twice in one season in New York, in performances only months apart? Especially after Anna Caterina Antonacci's riveting take on the 20-minute work last November at the Lincoln Center's White Light Festival, what more could a small opera company like the Gotham Chamber Opera add to the discussion? As it turns out, there was quite a bit.
Met Museum Presents and Gotham Chamber Opera presents a double bill co-produced with and staged at The Metropolitan Museum of Art, consisting of Il combattimento di Tancredi e Clorinda by Monteverdi, and a newly commissioned work, I Have No Stories to Tell You, by Gotham Chamber Opera Composer-In-Residence Lembit Beecher, tonight, February 26 and tomorrow, February 27, 2014 at 7pm at The Metropolitan Museum of Art, 1000 Fifth Avenue (at 82nd Street), NYC.
Met Museum Presents and Gotham Chamber Opera presents a double bill co-produced with and staged at The Metropolitan Museum of Art, consisting of Il combattimento di Tancredi e Clorinda by Monteverdi, and a newly commissioned work, I Have No Stories to Tell You, by Gotham Chamber Opera Composer-In-Residence Lembit Beecher, on February 26 and February 27, 2014 at 7pm at The Metropolitan Museum of Art, 1000 Fifth Avenue (at 82nd Street), NYC.
Met Museum Presents and Gotham Chamber Opera presents a double bill co-produced with and staged at The Metropolitan Museum of Art, consisting of Il combattimento di Tancredi e Clorinda by Monteverdi, and a newly commissioned work, I Have No Stories to Tell You, by Gotham Chamber Opera Composer-In-Residence Lembit Beecher, on February 26 and February 27, 2014 at 7pm at The Metropolitan Museum of Art, 1000 Fifth Avenue (at 82nd Street), NYC. Tickets, including admission to the museum, are $175, and can be purchased at http://www.metmuseum.org/events/programs/concerts-and-performances/gotham-opera-1.aspx?eid=4162.
The University of Cincinnati College-Conservatory of Music (CCM) is delighted to announce its spring schedule of major events. The largest single source of performing arts events in the state of Ohio, CCM presents nearly 150 major public performances from Jan. 12 through May 18, ranging from faculty and guest artist concerts to fully supported opera, musical theatre, drama and dance productions.
Met Museum Presents offers a unique series of chamber operas this season, including an early Baroque set piece, two world premieres, and A Pig Tale presented in settings around the Museum.
Met Museum Presents offers a unique series of chamber operas this season, including an early Baroque set piece, two world premieres, and A Pig Tale presented in settings around the Museum.
The University of Cincinnati College-Conservatory of Music (CCM) has announced details for its 2013-14 Studio Series of opera, musical theatre, drama and dance productions.
Not many opera performances start with a standing ovation before a single note is sung, but the season's first COSI FAN TUTTE on September 24 was one of those rare occasions. It marked the return of conductor James Levine after a two-year absence, leading the performance from a motorized chair at a specially constructed podium. He had the orchestra—and the audience—in the palm of his hand.
The University of Cincinnati College-Conservatory of Music (CCM) has announced details for its 2013-14 Studio Series of opera, musical theatre, drama and dance productions.
Opera Colorado announced today that it has appointed conductor Ari Pelto as Artistic Advisor. Pelto's role will commence with the Company's 2014 season, working hand-in-hand with General Director Greg Carpenter and conducting one opera per season beginning in the fall of 2014. Pelto made his Opera Colorado debut earlier this year, conducting the company's highly-acclaimed production of Mozart's Don Giovanni in March 2013. Known for presenting contemporary and rarely performed works as well as more traditional productions of classic opera repertoire, Opera Colorado is the preeminent grand opera company in the Rocky Mountain region and a vital presence in Denver's cultural ecology.
The University of Cincinnati College-Conservatory of Music's (CCM) year-long Kurt Weill Festival resumes this month with a dynamic new production of the iconic musical The Threepenny Opera. Composed by Kurt Weill with book and lyrics by dramatist Bertolt Brecht (adapted into English by Marc Blitzstein), The Threepenny Opera weaves the riveting tale of notorious bandit and womanizer Macheath ('Mack the Knife') and his seedy companions in London's underworld. Weill's innovative score invented a new form of musical theatre, leading the way for such shows as Chicago and Cabaret.