Few stars - or even legends, like this one - boast a resume that includes a Tony Award, the leading role on one of the most cherished sitcoms of the early eighties, a star-making film debut in one of the greatest horror films ever made (with one of the most exciting casts ever assembled), as well as an unparalleled career on the concert and cabaret stages around the world - in addition to a dozen or so leading roles in musicals on Broadway and in the West End, and just as many notable film roles, ranging from intimate indies to big-budget behemoths. Yes, Betty Buckley has conquered every arena of entertainment and it is a rare thrill to reveal such exciting news as Ms. Buckley revealed to me in our comprehensive conversation last week. In this BroadwayWorld Exclusive InDepth InterView we discuss her upcoming albums, BOOTLEG: BOARD MIXES FROM THE ROAD and GHOSTLIGHT - the latter produced by Oscar and Grammy-winning producer extraordinaire T Bone Burnett - both in connection to her Town Hall concert on October 16th. Here you will also find the first news of working with Jason Moore, Jake Shears and the rest of the cast and crew of the hotly anticipated new musical based on Armistead Maupin's TALES OF THE CITY premiering next Spring in San Francisco where Ms. Buckley is creating the lead role of Anna Madrigal. We also talk the recent big Emmy-winner out of all of TV this year, HBO's miniseries THE PACIFIC. In this illuminating conversation, Ms. Buckley bares all and reveals that it is the supreme dedication to excellence and unwavering commitment to craft that has helped her to become one of the biggest Broadway names of our age with an astoundingly accomplished career almost beyond any comparison. And if all of this breaking news weren't enough, this is the complete unedited conversation where we also look back and talk about everything from CARRIE to TENDER MERCIES, CATS to SUNSET BLVD, William Finn to WYATT EARP, Roman Polanski to Robert Duvall, cabaret to country concert stage and much, much more. Now is the very best time of all to let the memory live again, so it's all eyes (feline and otherwise) on the extraordinary future in the life and career of the legendary Betty Buckley!
Playbill News
by Nicole Rosky -
Peter Filichia the author of the new informative and entertaining book: Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season - 1959 to 2009 will be the guest of Michael Bourne on the WBGO Journal, 7:30 PM this Friday, October 15th, 88.3FM or streaming on wbgo.org. The entire interview will be available after 8:00 pm at wbgo.org/news/journal. Michael Bourne has been a New York theatre critic going on 30 years,. He is a member of the Outer Critics Circle. Mr. Bourne is the arts critic-at-large for the WBGO Journal, as well as the everyday afternoon 'drive jock' (2:00 -6:30 PM) on WBGO (the jazz station) and also the Sunday (10:00 AM - 2:00 PM) host of 'Singers Unlimited' for 25 years.
by Gabrielle Sierra -
After two successful runs earlier this year at Joe's Pub and a feature in May's issue of Playbill Magazine, "Little Edie" Beale returns to New York City, this time to the Laurie Beechman Theatre, for a very special Halloween treat!
by Robert Diamond -
Few stars - or even legends, like this one - boast a resume that includes a Tony Award, the leading role on one of the most cherished sitcoms of the early eighties, a star-making film debut in one of the greatest horror films ever made (with one of the most exciting casts ever assembled), as well as an unparalleled career on the concert and cabaret stages around the world - in addition to a dozen or so leading roles in musicals on Broadway and in the West End, and just as many notable film roles, ranging from intimate indies to big-budget behemoths. Yes, Betty Buckley has conquered every arena of entertainment and it is a rare thrill to reveal such exciting news as Ms. Buckley revealed to me in our comprehensive conversation yesterday. In this portion of the forthcoming BroadwayWorld Exclusive InDepth InterView we discuss her upcoming albums, BOOTLEG: BOARD MIXES FROM THE ROAD and GHOSTLIGHT - the latter produced by Oscar and Grammy-winning producer extraordinaire T Bone Burnett - both in connection to her Town Hall concert on October 16th. Here you will also find the first news of working with Jason Moore, Jake Shears and the rest of the cast and crew of the hotly anticipated new musical based on Armistead Maupin's TALES OF THE CITY premiering next Spring in San Francisco where Ms. Buckley is creating the lead role of Anna Madrigal. We also talk the recent big Emmy-winner out of all of TV this year, HBO's miniseries THE PACIFIC. In this illuminating conversation, Ms. Buckley bares all and reveals that it is the supreme dedication to excellence and unwavering commitment to craft that has helped her to become one of the biggest Broadway names of our age with an astoundingly accomplished career almost beyond any comparison. And if all of this breaking news weren't enough, be sure to stay tuned to BroadwayWorld next week for the complete unedited conversation where we also look back and talk about everything from CARRIE to TENDER MERCIES, CATS to SUNSET BLVD, William Finn to WYATT EARP, Roman Polanski to Robert Duvall, cabaret to country concert stage and much, much more. We'll wait until next week to let the memory live again - for now, it's all eyes on the extraordinary future in the life and career of the legendary Betty Buckley!
by Gabrielle Sierra -
The Broadway League announced today that Adam Riegler, currently playing Pugsley Addams in the wonderful, wacky Broadway show The Addams Family, will serve as the National Ambassador for KIDS' NIGHT ON BROADWAY's special Halloween edition, presented with the support of PLAYBILL ®. This special edition of Kids' Night will salute UNICEF and the 60th Anniversary of their time-honored Trick-or-Treat for UNICEF program.
by Joseph F. Panarello -
The role of Tony in WEST SIDE STORY may be the most difficult role to cast in musical theatre. It requires a young performer who can sing a tenor role, dance Jerome Robbins' iconic choreography, and act convincingly enough to make the audience believe that love-at-first-sight is a true possibility in the real world. Not every production of the show is successful in getting someone who scores in all these departments.
by Gabrielle Sierra -
Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season - 1959 to 2009 by Peter Filichia is now available.
by BWW News Desk -
Broadway Across America is thrilled to announce the 10/11 Cincinnati season sponsored by Fifth Third Bank. Season tickets will go on sale Monday, March 29th. Select seats in person at the Broadway Across America Cincinnati Box Office in the Mercantile Center downtown at 120 East Fourth Street, Monday - Friday, 9:00am-5:00pm. Season tickets can be purchased online at BroadwayAcrossAmerica.com or by calling the Broadway Across America toll-free Cincinnati Season Ticket Hotline at 800-294-1816.
by Robert Diamond -
Production Manager Ruth Sternberg is the primary facilitator in executing a stage production within its given financial parameters. She discusses with the director and designers what they want to achieve and provides staffing and resources for each play. After 10 years at Trinity Rep with Oskar Eustis, they both moved to the Public Theater where they work on 6 stages, Shakespeare in the Park at the Delacorte Theater, and off-site productions such as Passing Strange, Hair, Bloody Bloody Andrew Jackson, and The Merchant of Venice on Broadway. Sternberg loves that her job always brings a new challenge, such as the one seen here for Kicking a Dead Horse.
by BWW News Desk -
Westport Country Playhouse will stage the newly revised adaptation of the timeless classic, 'The Diary of Anne Frank,' helmed by award-winning director Gerald Freedman, September 28 through October 30, as part of its 80th Anniversary Season.
by BWW News Desk -
Westport Country Playhouse will stage the newly revised adaptation of the timeless classic, 'The Diary of Anne Frank,' helmed by award-winning director Gerald Freedman, September 28 through October 30, as part of its 80th Anniversary Season.
by BWW News Desk -
Ghostlight Records continues their exciting Fall season with the announcement of the September 21st double-CD digital release of their Original Cast Recording of 'THINGS TO RUIN - The Songs of Joe Iconis.'
by BWW News Desk -
The Denver Center for the Performing Arts has become a leader in implementing Kids' Night on Broadway, a national program that aims to engage children with Broadway plays and musicals.
by Gabrielle Sierra -
Westport Country Playhouse will stage the newly revised adaptation of the timeless classic, 'The Diary of Anne Frank,' helmed by award-winning director Gerald Freedman, September 28 through October 30, as part of its 80th Anniversary Season.
by Gabrielle Sierra -
The Denver Center for the Performing Arts has become a leader in implementing Kids' Night on Broadway, a national program that aims to engage children with Broadway plays and musicals.
by BWW News Desk -
Ghostlight Records is proud to confirm the September 21st release of 'Christine Ebersole Sings Noel Coward.'
by Gabrielle Sierra -
Ghostlight Records continues their exciting Fall season with the announcement of the September 21st double-CD digital release of their Original Cast Recording of 'THINGS TO RUIN - The Songs of Joe Iconis.'
by Rialto Chatter -
New York Magazine is reporting that Robin Wright has pulled out of Broadway's TALLEY'S FOLLY. Reportedly, her would-be co-star Richard Schiff reportedly told the mag yesterday at fashion week: 'Robin just had to drop out right now for personal reasons.' Undeterred, Schiff has been hard at work trying to recruit Sally Hawkins, currently starring in Mrs. Warren's Profession. He says of his efforts: 'I'm trying to convince her to do Talley's Folly. I think she'd be great in it.
by Gabrielle Sierra -
Ghostlight Records is proud to confirm the September 21st release of 'Christine Ebersole Sings Noel Coward.'
by Daniel Collins -
'Cabaret' is a celebration of celebration. It is also a play about deep denial, in this case, denial that the world was about to irrevocably change, particularly for the people of Germany in 1929-1930 when the work is set.
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