The legendary Maly Drama Theatre of St. Petersburg - described by Peter Brook as 'the finest ensemble theatre in Europe' - returns to London this spring for a strictly limited engagement for the first time in over a decade. They will present the UK premi re of Vasily Grossman's epic novel, Life and Fate, and reprise their celebrated production of Anton Chekhov's Uncle Vanya at London's Theatre Royal Haymarket. Press nights will be held for Life and Fate on Tuesday May 8th and Wednesday 9th and on Tuesday May 15th for Uncle Vanya. Both productions will be performed in Russian with English surtitles.
Actor Peter Wight's career varies from Robert Icke's recent Hamlet to a range of classical and contemporary work with the National Theatre, Royal Court and RSC, plus multiple Mike Leigh films. His current project is the 60th-anniversary revival of Harold Pinter's The Birthday Party, now in previews at the Harold Pinter Theatre.
Following the successful screenings of The Winter's Tale, Measure for Measure and Ubu Roi, Cheek by Jowl today announce the screening of their latest production, P ricl s, Prince de Tyr live from the Barbican Centre on 19 April at 7.30pm. The production will open at the Barbican on 9 April, with previews from 6 April, and runs until 21 April ahead of performances at the Oxford Playhouse from 24 28 April.
Brand new immersive theatre piece It Made Me Consider Me (IMMCM) will be coming to New Diorama Theatre for a limited three week run beginning on 31 January. This ambitious new production sees a group of enigmatic guides take participants on a seemingly bog-standard tour of a seemingly normal building, only for the experience to descend into a series of vivid dreamscapes, consciousness-altering encounters and a voyage into the labyrinthine corridors of human identity and memory, particularly the dark recesses where everything is stored, but nothing is remembered.
It's the future. But only slightly. There are blackouts. No one knows what's causing them, but that doesn't stop people going missing in them. The London premiere of pastiche dystopian thriller A Girl In School Uniform (Walks Into A Bar) will take place at the New Diorama Theatre on 30 January.
The Dancing Club is a new play for community owned spaces, school and village halls, libraries, arts centres and theatres. Produced by Pippa Frith and written and directed by Caroline Jester, The Dancing Club is based around the remarkable and inspirational true story of Kidderminster legends Frank and Wynn Freeman and their selfless drive to get a town dancing.
Kandinsky will bring their acclaimed production Still Ill which tackles the contentious topic of psychosomatic illness and Functional Neurological Disorder (FND) back to New Diorama Theatre in 2018 by popular demand for 10 performances only.
The cast and creative team has been announced for the World Premiere of The ToyBoy Diaries, the new British musical that is to be the first production staged in 2018 at the critically-acclaimed Hope Mill Theatre in Manchester.
In March, The Yard kicks off its spring season with the premiere of a new play written by Yard Artistic Associate Josh Azouz, in a long-awaited return after the critically-acclaimed The Mikvah Project in 2015 (Time Out, The Stage). Buggy Baby follows a baby and two adults in a damp flat in East London. A horror comedy exploring love, trauma and family, it will be directed by the award-winning Ned Bennett, director of An Octoroon (Orange Tree Theatre), Pomona (National Theatre) and Yen (Royal Exchange Theatre, Manchester).
Just weeks after winning two major awards for its 21st Century version of the 'rep' company model, the Everyman has announced actors who will form part of the Everyman Company 2018.
New Diorama Theatre has announced today that their Edinburgh Fringe hit show Secret Life of Humans is transferring for a five-week run, at the Brits Off-Broadway which runs at New York's 59E59 Theaters from 30 May until 01 July 2018.
Antic Disposition's much-loved musical adaptation of Charles Dickens' festive classic A Christmas Carol returns to the spectacular Elizabethan setting of Middle Temple Hall this December. West End star and Olivier Award nominated David Burt (Les Mis rables; Evita; Cats; Jesus Christ Superstar) will recreate his critically-acclaimed performance for the third year in the lead role of Ebenezer Scrooge.
Artistic Director of Deafinitely Theatre, Paula Garfield, today announces a new, site-specific production of Mike Bartlett's play Contractions as the company marks its 15th anniversary. A co-production with New Diorama Theatre and staged on a disused trading floor at New Diorama's ND2, it will be Deafinitely Theatre's first site-specific show. Garfield directs Fifi Garfield and Abigail Poulton in the production which opens at New Diorama's ND2 on 8 November, with previews from 1 November, and runs until 29 November.
Artistic Directors of Cheek by Jowl, Declan Donnellan and Nick Ormerod today announce UK tour dates for their production of Shakespeare's P ricl s, Prince de Tyr.
New Diorama Theatre - London's top theatre for work by emerging companies will present a sparkling range of shows this November, leaping around different theatrical forms, covering subject matter ranging from pressing real-life issues to fantastical (yet oddly familiar) universes, and made by companies from around the UK and beyond.
Today, London's newest theatre announces its opening production. On November 1, The Playground Theatre will open its doors for the first time with the world premiere of Picasso by Terry D'Alfonso.
Unbook the babysitter because Tara Theatre's Autumn season contains plenty of entertainment for all the family. The venue welcomes Bhuchar Boulevard's new family-friendly production of Child of the Divide (7th 11th November), which originally premiered at Polka in 2006 to critical acclaim.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) begins its 2017-18 season with Marcel + The Art of Laughter, a double bill of comic one-acts featuring renowned physical theatre artists Jos Houben and Marcello Magni, whom the Guardian has deemed 'two of contemporary theatre's greatest clowns.'
