Theater Ten Ten, is very pleased to announce its winter 2009 production, a long overdue, fully staged production run of Marc Blitzstein's riveting political musical comedy 'The Cradle Will Rock,' Running five weeks from Friday, February 12th through Sunday, March 14th, 2010. Press is invited beginning Sunday, February 14th.
Theater Ten Ten presents its winter 2010 production, a fully staged production run of Marc Blitzstein's riveting political musical comedy THE CRADLE WILL ROCK, Running five weeks from Friday, February 12th through Sunday, March 14th, 2010.
Theater Ten Ten, is very pleased to announce its winter 2009 production, a long overdue, fully staged production run of Marc Blitzstein's riveting political musical comedy 'The Cradle Will Rock,' Running five weeks from Friday, February 12th through Sunday, March 14th, 2010. Press is invited beginning Sunday, February 14th.
Stages St. Louis will present the final show of its 2009 season, Guys and Dolls, at the Robert G. Reim Theater in Kirkwood from September 4 - October 4.
Stages St. Louis will present the final show of its 2009 season, Guys and Dolls, at the Robert G. Reim Theater in Kirkwood from September 4 - October 4.
Stages St. Louis will present the final show of its 2009 season, Guys and Dolls, at the Robert G. Reim Theater in Kirkwood from September 4 - October 4.
Stages St. Louis will present the final show of its 2009 season, Guys and Dolls, at the Robert G. Reim Theater in Kirkwood from September 4 - October 4.
Ben Nordstrom does a wonderful job directing and staging ALICE IN WONDERLAND. It's thoughtfully conceived, and the cast appears to be having a great deal of fun. He's aided in his efforts by Ellen Isom's playful choreography, and Lisa Campbell Albert's strong musical direction.
If you're feeling a little blue, or maybe just experiencing some 'non-specific' sadness, a sure cure for that condition can be found by attending Stages St. Louis's sparkling presentation of THE DROWSY CHAPERONE. This is an uproariously funny show that pokes gentle fun at the very core of musical theatre conventions. Everything is fair game in Bob Martin and Don McKellar's witty script, which even manages to lampoon opening blackouts and intermissions.
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