Ryan Silverman, who previously starred as 'Raoul' in the Las Vegas production, will take over the role on Broadway starting Friday evening, April 24. He succeeds current and long-time star Tim Martin Gleason, whose final performance will be Thursday evening, April 23.
Ryan Silverman, who previously starred as 'Raoul' in the Las Vegas production, will take over the role on Broadway starting Friday evening, April 24. He succeeds current and long-time star Tim Martin Gleason, whose final performance will be Thursday evening, April 23.
Dog Run Rep presents Jeff Cohen's adaptation of Moliere's Classic 'Tartuffe', updating the setting to 1930s Depression-Era New York.
DOG RUN REP announces, as part of the South Street Seaport Winter Theatre Season, a new American adaption of Moliere's classic comedy TARTUFFE, directed by Jeff Cohen. TARTUFFE will play a four-week limited engagement @Seaport (210 Front Street), presented, in part, through the generous support of General Growth Properties.
DOG RUN REP announces, as part of the South Street Seaport Winter Theatre Season, a new American adaption of Moliere's classic comedy TARTUFFE, directed by Jeff Cohen. TARTUFFE will play a four-week limited engagement @Seaport (210 Front Street), presented, in part, through the generous support of General Growth Properties. Performances begin Friday, March 6 and continue Saturday, April 5. Opening Night is Monday, March 9 (7 p.m.).
DOG RUN REP announces, as part of the South Street Seaport Winter Theatre Season, a new American adaption of Moliere's classic comedy TARTUFFE, directed by Jeff Cohen. TARTUFFE will play a four-week limited engagement @Seaport (210 Front Street), presented, in part, through the generous support of General Growth Properties. Performances begin Friday, March 6 and continue Saturday, April 5. Opening Night is Monday, March 9 (7 p.m.).
They met during The Phantom of the Opera and these two have been making beautiful music together ever since.
The current national tour of the Stephen Sondheim/Hugh Wheeler musical 'Sweeney Todd' blew into the Windy City for a two-week engagement at the Cadillac Palace Theatre this week, revealing that the show is so strong as originally written that almost any style of storytelling will reveal its truths. If this fact doesn't mark the show as a true performing arts masterwork, then I don't know how anything else could. This show, and this metaphor-laden production of it, are miraculous in their revealing of the human condition.
BroadwayWorld's own James Sims recently joined actors Judy Kaye, David Hess, Lauren Molina and Edmund Bagnell in the Ahmanson lobby to discover their own visions of Sweeney Todd and understand why Sondheim's work continues to remain popular nearly 30 years since first bowing on Broadway.
The Demon Barber of Fleet Street will soon find Randolph Street when Broadway In Chicago presents the new national touring production of Sweeney Todd: The Demon Barber of Fleet Street at the Cadillac Palace Theatre (151 W. Randolph St.) from April 23 - May 4, 2008. Tickets range in price from $25 - $75 and are available at all Broadway In Chicago Box Offices, by calling (312) 902-1400, or logging onto ticketmaster.com.
The Demon Barber of Fleet Street will soon find Randolph Street when Broadway In Chicago presents the new national touring production of 'Sweeny Todd: The Demon Barber of Fleet Street' at the Cadillac Palace Theatre (151 W. Randolph St.) from April 23 - May 4, 2008.
The national touring production of Sweeney Todd, the Demon Barber of Fleet Street, will begin performances at the Ahmanson Theatre in Los Angeles beginning with one preview on March 11 at 8 p.m. and is set to run through April 6.
National tour achieves all the darkness and light of John Doyle's 2005 Tony Award-winning Broadway revival
Alexander Gemignani, who treaded the dark alleys of Fleet Street as the Beadle in the Broadway revival Sweeney Todd, will portray the title role in the national tour beginning November 13, while David Hess is 'on leave from the show to recover from vocal strain,' reports the production spokespersons.
In November, Kristin Huffman made her Broadway debut as Sarah (flute, piccolo and sax) in John Doyle's production of Company. The actress, with a new series of tales that go inside the making of Company from an actor's perspective, starting at the Cincinnati Playhouse and on to New York, continues her stories about a 15-year career that has led her to the door of the Ethel Barrymore Theatre.
John Doyle's Tony Award-winning re-imagining of Sweeney Todd: The Demon Barber of Fleet Street began its National Tour, with a pre-tour engagement at San Francisco's American Conservatory Theatre (ACT) on August 30, opening ACT's 41st season on September 4 with performances through September 30.
Sweeney Todd begins its National Tour, with a pre-tour engagement at San Francisco's American Conservatory Theatre (ACT). Previews at ACT begin August 30.
In November, Kristin Huffman made her Broadway debut as Sarah (flute, piccolo and sax) in John Doyle's production of Company. The actress, with a new series of tales that go inside the making of Company from an actor's perspective, starting at the Cincinnati Playhouse and on to New York, continues her stories about a 15-year career that has led her to the door of the Ethel Barrymore Theatre.
