Judy Garland's Last Concert to Be Released on High-Definition Audio In 2018
by Caryn Robbins
- Oct 2, 2017
High Definition Tape Transfers, which specializes in high-definition releases of classical, jazz and pop classics and whose extensive catalogue goes from Duke Ellington to Gustav Mahler, is proud to announce the high-definition release in 2018 of Judy Garland's very last concert, recorded at Falkoner Centret in Copenhagen, Denmark on March 25, 1969.
BWW Review: Seth Sikes Bursts with Pride at JUDY, LIZA, BARBRA, ETC.
by Troy Frisby
- Jul 5, 2017
'These songs are f**king great, even if you don't like me.'
Seth Sikes was right, and humility aside, during SETH SIKES SINGS JUDY, LIZA, BARBRA, ETC. at Feinstein's/54 Below, he was pretty great, too.
Podcast: West of Broadway Chats with Judson Mills & Jasmin Richardson of THE BODYGUARD Tour
by West of Broadway
- May 10, 2017
On this episode of West of Broadway, Will and Lara swoon over their recent trip to the Pantages Theater to see the National Tour of The Bodyguard staring Deborah Cox. This episode kicks off with a visit from K-Earth 101 Radio Host, Larry Morgan who shared some insight into the societal impact the Bodyguard Soundtrack had on the American Music scene.
THE BODYGUARD Tour, Starring Deborah Cox, Launches Tonight at Paper Mill
by BWW News Desk
- Nov 25, 2016
Paper Mill Playhouse presents the North American premiere of the hit new musical The Bodyguard based on the Warner Bros. film written by Lawrence Kasdan, with book by Alexander Dinelaris (Birdman), directed by Thea Sharrock (Equus) and with choreography by Karen Bruce (Strictly Come Dancing).
BWW Review: With THE GREAT JAZZ STANDARDS, Michael Feinstein Opens This Year's Jazz at Lincoln Center's 'Jazz and Popular Song Series' With Appealing Vitality
by Alix Cohen
- Apr 16, 2016
I hear music, mighty fine music . . . Host Michael Feinstein sings with pristine bass accompaniment, as Musical Director Tedd Firth's Big Band filters in musician by musician. The sweetest sounds I ever heard . . . he continues as a light saxophone joins syncopated rhythm. Then whomp! All 17 players swing. Rarely have I heard sound design so perfectly balanced, appropriately favoring vocals. Feinstein remains smooth and easy riding the wave. 'You may wonder about the role of jazz in popular song . . . ' our host begins at the start of Jazz at Lincoln Center's first of three segments of the Jazz & Popular Song Series in the Appel Room. At a time when popular songs came and went with alacrity, jazz artists meeting for improvisational jam sessions needed pieces they all knew. Thus jazz mined popular music creating an intersection of the two art forms. Aided and abetted by four very different featured guests, Feinstein illuminates by example, not narrative.
Photo Flash: Natalie Douglas Celebrates New CD HUMAN HEART at Birdland
by BWW News Desk
- Mar 24, 2016
The Broadway at Birdland concert series was delighted to welcome Natalie Douglas back to her musical home for the thirty-ninth time on Monday, March 21 with a concert celebrating her new CD, 'Human Heart.' BroadwayWorld has photos from the concert below!
Rubicon Theatre's COPENHAGEN Begins Previews Tonight
by BWW News Desk
- Sep 2, 2015
Rubicon Theatre Company welcomes stage and screen veterans Linda Purl, Brett Rickaby and Peter Van Norden to star in the company's mainstage production of the Tony-Award winning play COPENHAGEN, directed by international artist Judy Hegarty Lovett.
BWW REVIEW: THE LAST TWO PEOPLE ON EARTH Sing and Dance at A.R.T.
by Jan Nargi
- May 15, 2015
In the famous 1960s hit 'Is That All There Is?' by Jerry Leiber and Mike Stoller, Peggy Lee croons the melancholy lyric, 'If that's all there is, my friend, then, let's keep dancing. Let's break out the booze and have a ball, if that's all there is.' While this song ironically doesn't make it into the eclectic catalog of tunes that fuel THE LAST TWO PEOPLE ON EARTH: AN APOCALYPTIC VAUDEVILLE, currently in its world premiere at the A.R.T. in Cambridge, it could easily have become the show's theme song. When a flood of epic proportions wipes out all but two scraggly survivors, played as a pair of Estragon and Vladimir-style hobos by Mandy Patinkin and Taylor Mac, there is very little left for them to do but sing and dance.
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