Williamstown Theatre Festival has announced that the annual WTF Gala will be held this year at Tao Downtown in New York City (92 Ninth Avenue) on Monday, March 13, 2017 at 6:30 PM.
Casting is confirmed and tickets are now on sale for the world premiere Signature Theatre (Paige Evans, Artistic Director; Erika Mallin, Executive Director; James Houghton, Founder) production of Wakey, Wakey, written and directed by Lucille Lortel and Obie Award-winner Will Eno. Eno is a Residency Five playwright at Signature.
Sula & The Noise, with songs written and sung by Pulitzer-winning playwright Suzan-Lori Parks, makes music with a distinctly Afro-Americana vibe. Formed in 2016, they will make their Brooklyn debut on Sunday, January 29, 2017 at 7 p.m. at JACK.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, is pleased to announce that it has received an NEA Art Works grant of $50,000 for its production of Trans Scripts, written by Paul Lucas and directed by Jo Bonney. The production begins performances on January 19 and runs through February 5, 2017 at the Loeb Drama Center, 64 Brattle Street, Cambridge.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have announced full casting for Manhattan Theatre Club's American premiere of Linda, a new play by Penelope Skinner (The Ruins of Civilization at MTC, The Village Bike) directed by MTC's award-winning Artistic Director Lynne Meadow (The Assembled Parties, Wit).
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have announced full casting for Manhattan Theatre Club's American premiere of Linda, a new play by Penelope Skinner (The Ruins of Civilization at MTC, The Village Bike) directed by MTC's award-winning Artistic Director Lynne Meadow (The Assembled Parties, Wit).
Three world premieres by Los Angeles-based playwrights Jonathan Ceniceroz, John Pollono and Diane Rodriguez make up the centerpiece of the Latino Theatre Company's 2017 season at The Los Angeles Theatre Center.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, will present Trans Scripts, Part I: The Women, written by Paul Lucas and directed by Jo Bonney. Performances begin on Thursday, January 19 and run through Sunday, February 5 at the Loeb Drama Center, 64 Brattle St, Cambridge.
La MaMa presents Clover, a new experimental theater drama about America's history of violence by Erik Ehn, directed by Glory Kadigan with original music by Maya Solovey and original puppet design & puppetry direction by Jeanette Oi-Suk Yew. Performances will be staged at the First Floor Theatre at La MaMa, 74a East 4th Street,New York, NY 10003 from December 1-16, 2016.
La MaMa presents Clover, a new experimental theater drama about America's history of violence by Erik Ehn, directed by Glory Kadigan with original music by Maya Solovey and original puppet design & puppetry direction by Jeanette Oi-Suk Yew. Performances will be staged at the First Floor Theatre at La MaMa, 74a East 4th Street, New York, NY 10003 from tonight, December 1, through December 16, 2016.
Due to popular demand, the Signature Theatre (Paige Evans, Artistic Director; Erika Mallin, Executive Director; James Houghton, Founder) production of 'Master Harold' ... and the boys, written and directed by Tony Award winner Athol Fugard, has been extended for a second time.
Due to popular demand, the Signature Theatre production of The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz, has been extended an additional week. The production will now run through December 18, 2016 at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues).
La MaMa presents Clover, a new experimental theater drama about America's history of violence by Erik Ehn, directed by Glory Kadigan with original music by Maya Solovey and original puppet design & puppetry direction by Jeanette Oi-Suk Yew. Performances will be staged at the First Floor Theatre at La MaMa, 74a East 4th Street, New York, NY 10003 from December 1-16, 2016.
Due to popular demand, the Signature Theatre production of The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz, has been extended an additional week.
Signature Theatre's production of The Death of the Last Black Man in the Whole Entire World, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz, begins tonight, October 25, and runs through December 4, 2016 with a Sunday, November 13 opening night in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues).
The winners of the First Annual Berkshire Theatre Awards have been announced. Seventeen arts journalists voted on 120 nominees in 25 categories chosen from artists in the 75 live theatre productions mounted in Berkshire County and adjacent areas between October 1, 2015 and September 30, 2016.
In the last twelve months, more than 300,000 people attended a live theatre production in or around Berkshire County. With 75 stage productions employing hundreds of professionals, making theatre is an important cog in the area's cultural economy. In fact, many consider the region a hot spot for Broadway bound shows, and a popular summer destination for theatre-goers from around the nation.
Manhattan Theatre Club's New York premiere of Vietgone, the new play by Qui Nguyen (She Kills Monsters), directed by May Adrales (Luce), begins previews tonight, October 4, in advance of a Tuesday, October 25 opening night at MTC at New York City Center - Stage I (131 West 55th Street).
Berkeley Repertory Theatre presents a new adaptation of Sinclair Lewis' novel, It Can't Happen Here.
The current racial crisis in America might seem too urgent, too horrific, for us to be constantly seeking historical stories, but Suzan-Lori Parks's play cycle makes a vividly articulate case for the long thread running from 19th-century slavery to 2016 debate over entrenched ethnic hierarchies and the nature of freedom. Originally staged at New York's Public Theater in 2014, Jo Bonney's acclaimed production now makes a welcome visit to the Court, where this intimate epic unspools unhurriedly and mesmerisingly.
