Founded in 2004, New York City Center's annual 'Fall for Dance' festival is an inspired idea that continues to fulfill the admirable mission of introducing new and younger audiences to the world of dance. Tickets are a mere $15, a price that's within the reach of millennials yet that coincidentally also tempts NYC's older dancegoers to venture out for performances of less than traditional dance fare. Over the years, the offerings have become an increasingly diverse and international roster of works created by innovative choreographers and performed by first-rate dancers.
Casting for American Ballet Theatre's The Nutcracker, co-presented by Segerstrom Center for the Arts and ABT, was announced today by Kevin McKenzie, ABT Artistic Director and Terry Dwyer, Segerstrom Center President. Choreographed by ABT Artist in Residence Alexei Ratmansky, The Nutcracker will be given 12 performances at Segerstrom Center for the Arts, December 9-18, 2016. The Nutcracker, set to music by Peter Ilyitch Tchaikovsky, features choreography by Alexei Ratmansky, scenery and costumes by award-winning designer Richard Hudson and lighting by Jennifer Tipton. The Pacific Symphony performs the beloved holiday score. In the Los Angeles Times review from last year's inaugural Center performance, it declared, "Choreographer Alexei Ratmansky has made his own Christmas miracle: a joyful 'Nutcracker' ballet that is ravishing and clever enough to inspire multiple viewings."
Arlene Shuler, New York City Center President & CEO, today announced the line-up for the 2016 Fall for Dance Festival. The 13th edition of the annual festival will feature a more international slate than ever before with 20 acclaimed dance companies and artists from across the country and around the world beginning September 26 through October 8. In keeping with City Center's commitment to make the best in the performing arts accessible to the widest possible audience, all tickets are $15. Tickets go on sale Saturday, September 10 at 11am.
New York City Center presents Vail Dance Festival: ReMix NYC, November 3 through 6, celebrating Damian Woetzel's tenth year as artistic director of the Vail International Dance Festival. Channeling the spirit of the summer dance happening in the Rocky Mountains with three programs and an UpClose event, Vail Dance Festival: ReMix NYC brings the unique collaborative sensibility of Woetzel's festival to New York City, featuring dancers and musicians from many genres.
In her first season as principal dancer with American Ballet Theatre, Misty Copeland has hit the stage glowing. Dancing both new roles, to her, and those she has performed before, while still a soloist with the company, she brought new life and light to the ballets. At every performance, the excitement throughout the audience was palpable, from the moment they entered the Metropolitan Opera House, N.Y.C., to the explosion of applause, calls of brava, and other vocalizations of appreciation at the end of each performance.
Halfway through the bedroom scene (Act III, Scene I) I thought to myself, 'They're playing the music too quickly!' I was wrong. The tempo was fine; it simply felt faster than normal because the dancing was so wonderful. It's to be expected. Alessandra Ferri was guest starring in American Ballet Theatre's production of Kenneth MacMillan's 'Romeo and Juliet' nine years after she'd retired from the company in the same role.
Alessandra Ferri, a former Principal Dancer with American Ballet Theatre, will return as a Guest Artist to dance the role of Juliet in the Company's production of ROMEO AND JULIET at the Metropolitan Opera House, it was announced today by Artistic Director Kevin McKenzie.
Casting for the seventh and eighth weeks of American Ballet Theatre's 2016 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
At its best, classical ballet has the ability to utterly transfix, bending the boundaries of what we as human beings think is possible. With every gravity-defying grand jete and blossoming developpe, dancers transform into otherworldly beings, physicalizing that which can't be believed. At the 2016 Spring Season premiere of American Ballet Theatre's Le Corsaire, the company did just this, mesmerizing the audience and showcasing their ability to create a unique world of beauty, unto its own.
On the evening of May 16th 2016 at the Metropolitan Opera House in Lincoln Center, the beloved troupe that was recognized as 'America's National Ballet Company' in 2006 by the United States Congress proved once again that the American Ballet Theatre is indeed a treasure. Dancegoers in dazzling formal attire were treated to a Spring Gala that eschewed traditional staples and showcased instead an appetite-whetting smorgasbord of excerpts from the spring season as well as a world premiere and the one-act Firebird.
Casting for the third and fourth weeks of American Ballet Theatre's 2016 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
Casting for the first two weeks of American Ballet Theatre's 2016 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
The World Premiere of a new work by Artist in Residence Alexei Ratmansky will highlight American Ballet Theatre's 2016 Spring Gala benefit on Monday, May 16 at 6:30 P.M. at the Metropolitan Opera House.
American Ballet Theatre's 2016 Spring season will be highlighted by a World Premiere work by Alexei Ratmansky, the American Premiere of Ratmansky's The Golden Cockerel and a revival of Frederick Ashton's La Fille mal gardee. Tickets for ABT's Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 20 at 12 Noon.
American Ballet Theatre's The Nutcracker, co-presented by Segerstrom Center for the Arts and ABT, and choreographed by ABT Artist in Residence Alexei Ratmansky, will be given 14 performances at Segerstrom Center for the Arts, tonight, December 10-20, 2015.
The Joyce Theater Foundation, Linda Shelton Executive Director, announced today the roster of its 2016 Spring and Summer Season, offering audiences the opportunity to experience talent from around the world both in its iconic Chelsea home, and in other New York City venues, large and small.
According to a 1998 review of ABT by Jack Anderson in The New York Times, publicists for the company in the early days used to call the troupe 'a museum of the dance.' Anderson commented that this is a good phrase to describe the company 'provided one realizes that great museums can encourage new art as well as preserve old'. I heartily concur. As I've mentioned before, I always remind my ballet students that we can hang a Rembrandt or a Picasso on a museum wall for posterity, but each generation of dancers must be capable performing both the old and the new if we are to keep our history alive. Fortunately, true to ABT's founding mission 'to develop a repertoire of the best ballets from the past and to encourage the creation of new works by gifted young choreographers,' this national treasure continues to present accurate historical reconstructions as well as new works by today's choreographers.
American Ballet Theatre's 2016 Spring season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie. A World Premiere work by Alexei Ratmansky and the American Premiere of Ratmansky's THE GOLDEN COCKEREL will highlight the season, which includes six additional full-length ballets.
Fall for Dance continued to marvel audiences with its third program. A cultural treasure for New York, Fall for Dance allows audiences access to some of the field's greatest visionaries from around the globe. The third program included a variety of pieces from passionate street dance to pristine ballet that captured the audience's attention all evening.
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