After a sold-out September performance on The High Line, HEARTBEAT OPERA—the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker—launches its third season on October 31, 2016 at the new music venue National Sawdust with Heartbeat's Annual Benefit Drag Extravaganza, this year titled Queens of the Night: Mozart in Space. Two performances take place at 7:00 p.m. and 10:00 p.m.
Work Light Productions, producer of the Tony® Award-winning musical Rodgers + Hammerstein's CINDERELLA, is pleased to announce casting for the national tour coming to The Broward Center for the Performing Arts, December 13 to 25, 2016.
The New Jersey Association of Verismo Opera presents Giuseppe Verdi's timeless classic, Rigoletto, replete with beautiful music at the Bergen Performing Arts Center (bergenPAC). Last performed by the company in 2010 at bergenPAC, Verismo Opera performs this important work of the operatic repertoire on Sunday, October 23, 2016, 3:00 p.m., at the theatre, located at 30 North Van Brunt Street, in Englewood, New Jersey U.S.A.
Dark forests, woodland sprites and an evil witch, 'Jezibaba' come to the Arizona Opera stage as the company presents its first ever production of Dvo?ak's Rusalka. The story follows the classic Hans Christian Andersen fairytale 'Little Mermaid' with dramatic flair as the mermaid Rusalka seeks to be part of the human world. This new production will be set in the Habsburg Empire of the 1800s and features the show-stopping aria, 'Song to the Moon'. Rusalka is sung in Czech with English supertitles.
East West Players (EWP), the nation's longest-running professional theatre of color in the country and the largest producing organization of Asian American artistic work, is proud to present Politics in Play, a series of staged play readings tackling the nation's current state of affairs, as part of a new initiative to showcase diverse, political voices in the theater. Politics in Play will commence with After Orlando: an international theatre action, in response to the Pulse Nightclub shooting, on October 17, 2016; Mike Daisey's The Trump Card (Diana Wyenn, Director) on October 23, 2016; and Christopher Chen's Mutt: Let's All Talk About Race! (Rodney To, Director) on November 1, 2016.
The City College Center for the Arts (CCCA) continues its 2016 - 2017 season with Jeremy McQueen and the Black Iris Project's "MADIBA: A Dance Workshop," a celebration of the inspiring life of Nelson Mandela. The workshop is open to dancers of all levels and nondancers alike and takes place at Aaron Davis Hall from 12 to 2 p.m. on Thursday, October 6. The program is supported in part by the CUNY Dance Initiative (CDI), a City University of New York-wide residency program now in its third year.
When last seen at the Met , baritone Simon Keenlyside showed off his suave vocalism and superior acting skills in operas based on Shakespeare: He was elegant and intelligent in HAMLET by Ambroise Thomas and a charismatic Prospero in Thomas Ades's THE TEMPEST. He could have picked up on any of those traits and translated them into a memorable Don Giovanni. Instead, he turned in a well-sung but low-key performance that didn't quite pull the opera together.
English National Opera has been having a hard time with Don Giovanni lately. First there was Calixto Bieito's groggy, pastel-coloured nightmare (who could forget the pistachio leather dentist's chair), which paled into adequacy when compared to Rufus Norris's bafflingly unlovely (and just generally baffling) vision that followed. Richard Jones's new production is in no way a failure - there's far too much intelligence here for that, as well as more than one flash of utter brilliance - but it still feels like a show as yet not fully in focus. At his best Jones can make the most startlingly revisionist concept seem like it has always been staring you in face. Here his reading intrigues, compels, but never feels fully rooted in Mozart's music-drama.
The Strictly Come Dancing stars were out in force for the West End opening of Vincent Simone and Flavia Cacace's stage show The Last Tango at Phoenix Theatre. Former judge Arlene Phillips, current competitor Laura Whitmore, pro dancers Giovanni Pernice, Neil Jones, Katya Jones and Chloe Hewitt, It Takes Two commentator Karen Hardy, and former competitors Ali Bastian and Jimi Mistry, the latter now married to Cacace, all attended the show, which blends Argentine tango with ballroom and Latin styles.
Acclaimed international vocalists Nicole Heaston, Toby Spence and Peter Rose will join the Houston Symphony and Chorus in a performance of Haydn's grandiose oratorio, The Creation, led by Music Director Andres Orozco-Estrada Sept. 29 and Oct. 1-2.
Music Director Alan Gilbert will conduct the New York Philharmonic in Berlioz's Les Nuits d'ete, with mezzo-soprano Magdalena Kožena in her Philharmonic debut, and Rimsky-Korsakov's Scheherazade, Today, September 29, 2016, at 7:30 p.m.; Friday, September 30 at 8:00 p.m.; and Saturday, October 1 at 8:00 p.m.
With Battlefield, Peter Brook and his internationally renowned team -- Marie-Helene Estienne and Jean-Claude Carriere -- revisit the great Indian epic the Mahabharata 30 years after Brook's legendary production captivated the theater world-and inaugurated the BAM Majestic Theater (now the BAM Harvey Theater).
On Tuesday, October 25 at 8:00PM at Alice Tully Hall, The American Classical Orchestra, comprised of some of the world's leading period violinists, will present Vivaldi's Four Seasons. Violinists Judson Griffin, Lisa Rautenberg, Cynthia Roberts and Jorg-Michael Schwarz will perform on 1610 and 1615 Giovanni Maginni and 1668 and 1671 Jacob Stainer masterpiece violins.
Lainie Kazan is an American actress and singer. She was nominated for the 1988 Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for St. Elsewhere, and the 1993 Tony Award for Best Featured Actress in a Musical for My Favorite Year. She had previously received a Golden Globe Award nomination for the film version of My Favorite Year (1982). Her other film appearances include The Delta Force (1986), Harry and the Hendersons (1987), Beaches (1988), My Big Fat Greek Wedding (2002) and My Big Fat Greek Wedding 2 (2016). Kazan made her Broadway debut in The Happiest Girl in the World in 1961 followed by Bravo Giovanni (1962).
Acclaimed international vocalists Nicole Heaston, Toby Spence and Peter Rose will join the Houston Symphony and Chorus in a performance of Haydn's grandiose oratorio, The Creation, led by Music Director Andres Orozco-Estrada Sept. 29 and Oct. 1-2.
On Tuesday, October 25 at 8:00PM at Alice Tully Hall, The American Classical Orchestra, comprised of some of the world's leading period violinists, will present Vivaldi's Four Seasons. Violinists Judson Griffin, Lisa Rautenberg, Cynthia Roberts and Jorg-Michael Schwarz will perform on 1610 and 1615 Giovanni Maginni and 1668 and 1671 Jacob Stainer masterpiece violins. Also featured on the program are Handel's Concerto Grosso Opus 3, No. 2, Geminiani's "La Follia' Concerto and Albicastro's Concerto a Quattro Opus 7 excerpts. This concert will be conducted by Thomas Crawford. Maestro Thomas Crawford will present a Pre-Concert Lecture at 7:00PM on October 25.
On Thursday, October 27, 2016 at 7:30pm the Saint Thomas Choir of Men and Boys and Orchestra of St. Luke's present Haydn's The Creation oratorio in the opening concert of the 2016/17 season. Displaying Haydn's unfussy optimism, The Creation features some of the most memorable and life-enhancing music ever written. Soloists include soprano Ellie Dehn who sings the parts of Gabriel and Eve. Versatile tenor Thomas Cooley sings Uriel and bass Craig Phillips sings the parts of Raphael and Adam.
Met Principal Conductor Fabio Luisi leads the opening performances of Mozart's Don Giovanni, starring Simon Keenlyside in his first Met performances of the title role, which he has sung to acclaim with numerous leading opera houses. The principal cast, all of whom are making Met role debuts, also includes Hibla Gerzmava as Donna Anna, Malin Bystromas Donna Elvira, Serena Malfi as Zerlina, Paul Appleby as Don Ottavio, Adam Plachetka as Leporello, Matthew Rose as Masetto, andKwangchul Youn as the Commendatore. The October 22 matinee, with this cast, will be transmitted worldwide as part of the 11th season of the Met's Live in HD series, which now reaches more than 2,000 movie theaters in 70 countries around the world.
Canadian Stage launches its 16.17 season this month with a new production of Concord Floral, written by Jordan Tannahill and directed by Erin Brubacher and Cara Spooner. Brought to life by an ensemble of teen performers from across the country, Concord Floral (2015 Dora Award-winner for Outstanding New Play) will be performed for an audience sat entirely on stage at the Bluma Appel Theatre fromSeptember 27 to October 16 (media opening October 4).
A new iteration of the suburban teen thriller Concord Floral written by Jordan Tannahill, directed by Erin Brubacher and Cara Spooner, and inspired by the medieval allegory The Decameron, will open Canadian Stage's 16.17 season from September 27 to October 16, 2016.
