The New Stage Theatre Company (www.newstagetheatre.org) returns to La MaMa December 2 to 19 with 'Mapping Möbius,' a new play directed by Ildiko Nemeth and written by Colm O' Shea, Marie Glancy-O' Shea and Ildiko Nemeth. In the piece, an aging scientist, realizing his inquiries continually return him to a model of his own mind, devises a set of experiments that blur the distinction between his inner and outer worlds. New Stage Theatre Company (NTSC) made an auspicious La MaMa debut last season with 'Oh, Those Beautiful Weimar Girls!,' an evening of the music and dance associated with exotic dancer Anita Berber, who symbolized many the decadence of Weimar era Berlin. 'Mapping Möbius' reunites director Nemeth with the team of that production, notably Julie Atlas Muz (choreography), Federico Restrepo (lighting design), Javier Boné-Carboné (costume design) and actors Peter Schmitz, Chris Tanner and Markus Hirnigel.
Federico Restrepo News
The New Stage Theatre Company (www.newstagetheatre.org) returns to La MaMa December 2 to 19 with 'Mapping Möbius,' a new play directed by Ildiko Nemeth and written by Colm O' Shea, Marie Glancy-O' Shea and Ildiko Nemeth. In the piece, an aging scientist, realizing his inquiries continually return him to a model of his own mind, devises a set of experiments that blur the distinction between his inner and outer worlds. New Stage Theatre Company (NTSC) made an auspicious La MaMa debut last season with 'Oh, Those Beautiful Weimar Girls!,' an evening of the music and dance associated with exotic dancer Anita Berber, who symbolized many the decadence of Weimar era Berlin. 'Mapping Möbius' reunites director Nemeth with the team of that production, notably Julie Atlas Muz (choreography), Federico Restrepo (lighting design), Javier Boné-Carboné (costume design) and actors Peter Schmitz, Chris Tanner and Markus Hirnigel.
The New Stage Theatre Company (www.newstagetheatre.org) returns to La MaMa December 2 to 19 with 'Mapping Möbius,' a new play directed by Ildiko Nemeth and written by Colm O' Shea, Marie Glancy-O' Shea and Ildiko Nemeth.
With its newest production, 'In Retrospect,' the LOCO7 Dance Puppet Theatre Company, led by Federico Restrepo, investigates how we each construct our personal memory box: how we keep our memories fresh and preserve the things that made us who we are.
'Broken Nails: A Marlene Dietrich Dialogue' by Anna Skubik (Poland) has NY premiere November 11-21 as part of 'La MaMa Puppet Series IV-Built to Perform.'
The New Stage Theatre Company (www.newstagetheatre.org) returns to La MaMa December 2 to 19 with 'Mapping Möbius,' a new play directed by Ildiko Nemeth and written by Colm O' Shea, Marie Glancy-O' Shea and Ildiko Nemeth. In the piece, an aging scientist, realizing his inquiries continually return him to a model of his own mind, devises a set of experiments that blur the distinction between his inner and outer worlds. New Stage Theatre Company (NTSC) made an auspicious La MaMa debut last season with 'Oh, Those Beautiful Weimar Girls!,' an evening of the music and dance associated with exotic dancer Anita Berber, who symbolized many the decadence of Weimar era Berlin. 'Mapping Möbius' reunites director Nemeth with the team of that production, notably Julie Atlas Muz (choreography), Federico Restrepo (lighting design), Javier Boné-Carboné (costume design) and actors Peter Schmitz, Chris Tanner and Markus Hirnigel.
The New Stage Theatre Company (www.newstagetheatre.org) returns to La MaMa December 2 to 19 with 'Mapping Möbius,' a new play directed by Ildiko Nemeth and written by Colm O' Shea, Marie Glancy-O' Shea and Ildiko Nemeth. In the piece, an aging scientist, realizing his inquiries continually return him to a model of his own mind, devises a set of experiments that blur the distinction between his inner and outer worlds. New Stage Theatre Company (NTSC) made an auspicious La MaMa debut last season with 'Oh, Those Beautiful Weimar Girls!,' an evening of the music and dance associated with exotic dancer Anita Berber, who symbolized many the decadence of Weimar era Berlin. 'Mapping Möbius' reunites director Nemeth with the team of that production, notably Julie Atlas Muz (choreography), Federico Restrepo (lighting design), Javier Boné-Carboné (costume design) and actors Peter Schmitz, Chris Tanner and Markus Hirnigel.
With its newest production, 'In Retrospect,' the LOCO7 Dance Puppet Theatre Company, led by Federico Restrepo, investigates how we each construct our personal memory box: how we keep our memories fresh and preserve the things that made us who we are.
'Broken Nails: A Marlene Dietrich Dialogue' by Anna Skubik (Poland) has NY premiere November 11-21 as part of 'La MaMa Puppet Series IV-Built to Perform.'
What puppeteer doesn't wonder what will happen to him as he impersonates the creator? In 'Wake Up, You're Dead!,' Aaron Haskell of Brooklyn Art Department (www.brooklynartdepartment.com), one of the original designers of Nightmare: NYC's Haunted House, gives us a Halloween-flavored creation myth. It's a De La Guarda-type event and spectacle that adds a late-night attraction to 'La MaMa Puppet Series IV--Built to Perform.' It will be presented October 29 to November 7 in the second-floor Club of La MaMa E.T.C., 74A East Fourth Street.
To add a family theater component to 'La MaMa Puppet Series IV -- Built to Perform,' La MaMa will present Jane Catherine Shaw in a solo show of found object puppetry, 'Folk Tales of Asia and Africa,' from October 16 to November 7.
What puppeteer doesn't wonder what will happen to him as he impersonates the creator? In 'Wake Up, You're Dead!,' Aaron Haskell of Brooklyn Art Department (www.brooklynartdepartment.com), one of the original designers of Nightmare: NYC's Haunted House, gives us a Halloween-flavored creation myth. It's a De La Guarda-type event and spectacle that adds a late-night attraction to 'La MaMa Puppet Series IV--Built to Perform.' It will be presented October 29 to November 7 in the second-floor Club of La MaMa E.T.C., 74A East Fourth Street.
'Chopin-An Impression,' a virtuoso performance of Chopin's music by a virtuoso puppet troupe, was originally commissioned by the Polish Ministry of Culture and National Heritage as part of the worldwide celebration of The Year of Chopin 2010, celebrating the bicentennial of the composer's birth in Zelazowa Wola, Poland.
To add a family theater component to 'La MaMa Puppet Series IV -- Built to Perform,' La MaMa will present Jane Catherine Shaw in a solo show of found object puppetry, 'Folk Tales of Asia and Africa,' from October 16 to November 7.
Italy's Dario D'Ambrosi, a radical innovator of the theater and founder of the movement called Teatro Patologico (Pathological Theater), will direct his newest play, 'Bong Bong Bong against the Walls, Ting Ting Ting in our Heads,' as the opening production of 'La MaMa Puppet Series IV--Built to Perform.'
With its newest production, 'In Retrospect,' the LOCO7 Dance Puppet Theatre Company, led by Federico Restrepo, investigates how we each construct our personal memory box: how we keep our memories fresh and preserve the things that made us who we are.
'Broken Nails: A Marlene Dietrich Dialogue' by Anna Skubik (Poland) has NY premiere November 11-21 as part of 'La MaMa Puppet Series IV-Built to Perform.'
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What puppeteer doesn't wonder what will happen to him as he impersonates the creator? In 'Wake Up, You're Dead!,' Aaron Haskell of Brooklyn Art Department (www.brooklynartdepartment.com), one of the original designers of Nightmare: NYC's Haunted House, gives us a Halloween-flavored creation myth. It's a De La Guarda-type event and spectacle that adds a late-night attraction to 'La MaMa Puppet Series IV--Built to Perform.' It will be presented October 29 to November 7 in the second-floor Club of La MaMa E.T.C., 74A East Fourth Street.
'Chopin-An Impression,' a virtuoso performance of Chopin's music by a virtuoso puppet troupe, was originally commissioned by the Polish Ministry of Culture and National Heritage as part of the worldwide celebration of The Year of Chopin 2010, celebrating the bicentennial of the composer's birth in Zelazowa Wola, Poland.
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