As part of the 2016 edition of Crossing the Line, the French Institute Alliance Francaise (FIAF)'s celebrated contemporary arts festival, FIAF will present Forced Entertainment, returning this year with the New York premiere of their provocative and darkly comic performance, Tomorrow's Parties.
As part of the 2016 edition of Crossing the Line, the French Institute Alliance Francaise (FIAF)'s celebrated contemporary arts festival, FIAF will present Forced Entertainment, returning this year with the New York premiere of their provocative and darkly comic performance, Tomorrow's Parties.
In partnership with the Metropolitan Opera and Gallery Met Shorts, Times Square Arts brings Elizabeth Peyton and Kristian Emdal's Tantris (Young Tristan) to Times Square's electronic billboards from 11:57 p.m. to midnight every night in September. This project is a part of Midnight Moment, a monthly presentation by The Times Square Advertising Coalition (TSAC) and Times Square Arts.
Influenced by imagery from Victorian patterns, letterpress printing, archetypal symbols, and apocalyptic themes, artist Beau Stanton – fresh from a massive commissioned mural for Dubai Walls – is known for his deeply metaphorical oil paintings that fuse these elements with modern environmental realities. Translating oil to animation, Stanton has preserved his antiquated language with a style that emulates early moving images, pulling inspiration from the zoetrope and the Lumiere brothers' cinematograph.
FIELD GUIDE, a work-in-progress by Rude Mechs, is currently in a second draft performance at the Off Center. Rude Mechs creates new works collaboratively, and with FIELD GUIDE they are actively engaging their audience to get feed back on what works and what doesn't in order to help shape the piece. FIELD GUIDE, commissioned by the Yale Repertory Theatre, is a mash-up of Dostoyevsky's The Brothers Karamazov, stand-up comedy, dance and some frankly uncomfortable direct audience addressing confessions. How much of the direct confessions are fact or fiction we'll never really know. What we do know is this is an excitingly different evening of pure theatricality… an evening that you, as an audience member, are being asked to help define. Along the way during your 90 minute journey the Mechs cover topics from the longest Russian novel written such as intellectualism, spiritualism, sensuality and hedonism. While it is ostensibly an adaptation of The Brothers Karamazov, it really just uses the characters in the briefest Cliff Notes sense. This approach allows the performers to riff on the underlying themes present. There is even an unaccredited moment by Tom Lehrer when Robert S. Fisher performs 'They're Rioting in Africa'. What you are treated to is highly experimental in nature and at moments what ensues is truly magical.
Antony Nagelmann leads a journey across the Atlantic Ocean in a sailboat and imparts the extreme experiences and emotion faced along the way in The Odyssey, which will be shown on Times Square's electronic billboards from 11:57 pm to midnight from December 1 to 30. The footage was shot in Progressive HD taking advantage of the technology that only the signs in Times Square can offer. This project is a part of Midnight Moment, a monthly presentation by The Times Square Advertising Coalition (TSAC) and Times Square Arts.
St. Ann's Warehouse, which has long provided a second New York home for The Wooster Group, will present two new works by the company this spring: the New York Premiere of Cry, Trojans! (Troilus & Cressida), March 24 - April 19; and a remounting of Early Shaker Spirituals: A Record Album Interpretation, April 23 - May 4. Both runs are strictly limited and cannot be extended. The upcoming engagement marks both The Wooster Group's first performances at the St. Ann's Warehouse interim theater at 29 Jay Street in DUMBO, and St. Ann's final presentation in the space, before the organization moves to its permanent home in the historic Tobacco Warehouse in Brooklyn Bridge Park this fall.
REDCAT, Calarts' Downtown Center for Contemporary Arts, presents the newest Wooster Group work, Early Shaker Spirituals: A Record Album Interpretation tonight, January 21 to February 1, 2015.
REDCAT, Calarts' Downtown Center for Contemporary Arts, presents the newest Wooster Group work, Early Shaker Spirituals: A Record Album Interpretation January 21 to February 1, 2015.
As part of its current 2014-2015 producing season, HERE presents Send for the Million Men, a HERE Resident Artist and Dream Music Puppetry Program production by Joseph Silovsky. Send for the Million Men plays today, December 3-13 at HERE (145 Sixth Avenue, just below Spring Street).
As part of its current 2014-2015 producing season, HERE presents Send for the Million Men, a HERE Resident Artist and Dream Music Puppetry Program production by Joseph Silovsky. Send for the Million Men plays December 3-13 at HERE (145 Sixth Avenue, just below Spring Street).
New York Live Arts presents Big Dance Theater's (BDT) Ich, Kurbisgeist, today, October 31 - November 2, andNovember 5 - 9 at 7:30pm, and November 1, 2, 8 and 9 at 10:00pm, as part of its signature program, the Replay Series. An 'impressively inscrutable' (The New York Times) work directed by Paul Lazar, co-directed and choreographed by Annie-B Parson and written by Sibyl Kempson, a playwright of works 'authentic, appealing, and...thrill[ing]' (Village Voice), Ich Kurbisgeist returns to the stage just in time for Halloween.
New York, NY, October 14, 2013 – New York Live Arts presents Big Dance Theater's (BDT) Ich, Kürbisgeist, October 31 – November 2, andNovember 5 – 9 at 7:30pm, and November 1, 2, 8 and 9 at 10:00pm, as part of its signature program, the Replay Series. An “impressively inscrutable” (The New York Times) work directed by Paul Lazar, co-directed and choreographed by Annie-B Parson and written by Sibyl Kempson, a playwright of works “authentic, appealing, and…thrill[ing]” (Village Voice), Ich Kürbisgeist returns to the stage just in time for Halloween.
New York Live Arts presents Big Dance Theater's (BDT) Ich, Kurbisgeist, October 31 - November 2, and November 5 - 9 at 7:30pm, and November 1, 2, 8 and 9 at 10:00pm, as part of its signature program, the Replay Series. An "impressively inscrutable" (The New York Times) work directed by Paul Lazar, co-directed and choreographed by Annie-B Parson and written by Sibyl Kempson, a playwright of works "authentic, appealing, and…thrill[ing]" (Village Voice), Ich Kurbisgeist returns to the stage just in time for Halloween.
BAX | Brooklyn Arts Exchange has announced the WORKS IN PROGRESS SERIES, featuring BAX Artists-In-Residence (AIR), and running today, January 24-27, 2013.
As part of the eighth edition of the COIL festival, Performance Space 122 (PS122) and The Kitchen present the world premiere of Inflatable Frankenstein from Radiohole. One of New York's most tenacious and beloved ensembles explores the cultural legend of Frankenstein - everyone's metaphor for nearly everything. Source material includes Mary Shelley's Frankenstein, James Whale's classic Frankenstein films, details from Mary Shelley's tragic life, the work of Antonin Artaud and parts of over 100 'Frankenstein' films. Inflatable Frankenstein is blood chilling and completely strange; filled with whimsical creature fantasy, technological absurdity, electric air and bodily fluids.
BAX | Brooklyn Arts Exchange has announced the WORKS IN PROGRESS SERIES, featuring BAX Artists-In-Residence (AIR), and running January 24-27, 2013.
As part of the eighth edition of the COIL festival, Performance Space 122 (PS122) and The Kitchen present the world premiere of Inflatable Frankenstein from Radiohole. One of New York's most tenacious and beloved ensembles explores the cultural legend of Frankenstein - everyone's metaphor for nearly everything. Source material includes Mary Shelley's Frankenstein, James Whale's classic Frankenstein films, details from Mary Shelley's tragic life, the work of Antonin Artaud and parts of over 100 'Frankenstein' films. Inflatable Frankenstein is blood chilling and completely strange; filled with whimsical creature fantasy, technological absurdity, electric air and bodily fluids.
Performance Space 122 and The Chocolate Factory present the world premiere of ICH, KÜRBISGEIST from Big Dance Theater and playwright Sibyl Kempson. Blending performance, text, dances and visual design, Big Dance Theater installs Kempson's play into The Chocolate Factory's crypt-like basement for an audience of just 30 per show.
Performance Space 122 and The Chocolate Factory present the world premiere of ICH, KÜRBISGEIST from Big Dance Theater and playwright Sibyl Kempson. Blending performance, text, dances and visual design, Big Dance Theater installs Kempson's play into The Chocolate Factory's crypt-like basement for an audience of just 30 per show.
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